Tian Zige introduced as follows:
Tian Zige is a template for standardizing the writing format of Chinese characters, including four borders, a horizontal centerline and a vertical centerline. Writing in primary school is a standard for beginners. When learning Chinese characters, it is necessary to gradually standardize Chinese characters in Tian Zige, so as to lay a solid foundation for future Chinese learning. Tian Zige includes four borders, a horizontal centerline and a vertical centerline. These four grids are called upper left grid, lower left grid, upper right grid and lower right grid.
The usage of Tian Zige is as follows:
Although Tian Zige is only four Little Square, in fact, every square is famous. Every line, every square and every position in the square has its own name. Memorizing Tian Zige and remembering the names of each part is an important prerequisite for beginners to write. After knowing "Tian Zige", appreciate Tian Zige's Chinese characters, so that children can feel that every word has its place and can't be placed at will.
This is an important link. Left and right structure, up and down structure, semi-closed structure and so on. Only by gradually standardizing Tian Zige's Chinese characters can we lay a solid foundation for future Chinese learning.
How to write Tian Zige's introduction is as follows:
Hard pen calligraphy pays special attention to structure. No matter how well the structure is not in place, the strokes can't be written well. Tian Zige's study of Chinese characters is helpful to standardize writing and master the structure of Chinese characters.
The upper and lower grid lines and the horizontal center line can act as reference lines. Most of the horizontal drawings should be shoulder-resistant, and the angle of shoulder-resistant should refer to the reference line. Similarly, vertical drawing should also refer to the left and right grid lines and the vertical center line.
There is an intersection between the horizontal centerline and the vertical centerline, which is called the center point. This determines the center of a word. Whether Chinese characters are considered as inner rings or loose structures, they must be developed around the central point.
Because calligraphy is an elegant art, not a strict graphic, we can't and don't need to be absolutely accurate when positioning with data. For example, the golden ratio of 0.6 18 is approximately regarded as 2 to 3. This accuracy is easy to understand and practice, and it is enough for the stroke positioning of China's calligraphy, so I often use relative positioning when practicing China's calligraphy.