◆ Wang Yazhou
Shao Jian is happy because of calligraphy.
Because of calligraphy, Shao and I became close friends.
In today's society, people's feelings and perceptions are always accompanied by the impact of reinforced concrete, rushing around and full of fatigue. In my opinion,
People with calligraphy feelings are happy, because calligraphy can not only cultivate sentiment and condense spirit, but also relax their arms and activate essence. Even if calligraphy is regarded as the pursuit of life, it is also true, and its elegant and even chic process is actually a kind of enjoyment. Therefore, I can say with certainty that thrift is happiness.
Shao Jian had a "bumpy" experience. In the end, he attached his generous body, heroic personality and wild thinking to the immature pen and ink. In this way, Shao Jian's smile seems very calm, and Shao Jian's heart is naturally calm. Therefore, I can also say for sure that calligraphy can change the attitude towards life.
Shao Jian's calligraphy art belongs to the category of epigraphy. Throughout the history of calligraphy, the Southern and Northern Dynasties calligraphy is the most important development stage in the history of China calligraphy. But calligraphers of past dynasties did not pay attention to it. It was not until the middle of Qing Dynasty that Ruan Yuan initiated the study of steles in the south, and later Bao, Kang Youwei and others echoed it, and the study of steles flourished. Kang Youwei once commented on the "ten beauties" of the inscriptions in the Northern and Southern Dynasties: First, he said that he was bold and strong; Second, the weather is muddy; Three leaps; Fourth, the stippling is thick and thick; Fifth, the meaning is strange and easy; Sixth, the spirit is flying; Seventh, full of interest; Eight, Gufada point; Nine said that the structure is natural; Ten are all flesh and blood. "This argument is very incisive and always conforms to Shao Jian's artistic potential. Although Shao Jian was widely involved in calligraphy, he was the most diligent in Weibei, and almost came into contact with the folk and official inscriptions and epitaphs of this period, thus realizing Samadhi. His works have been exhibited in important exhibitions sponsored by China Calligraphers Association for many times and won prizes. He is one of the creative backbones of young people in Anhui and even the whole country. Shao Jian's calligraphy pen is sometimes heavy and sometimes sharp; Sometimes round and broad, subtle changes; Sometimes Kundao carves jade, but it's beautiful. Jun Fang's sharpness in the statue, the beauty in the epitaph, and the magnificence of the cliff inscription all "flowed" at the bottom of his pen, among which there was no lack of clumsy intention of official script, and gradually formed his own delicate and graceful calligraphy style, but the hardships behind his hard work were covered up by these rhythmic strokes. This is the charm of Shao Jian's calligraphy art. Obviously, this is the true presentation of Shao Jian's artistic accumulation and integration ability. For Yu Shaojian, this will definitely be a baptism in his artistic soul and an unforgettable artistic experience. Please note that I am talking about experience, because Shao Jian is still sneaking in the Mohai.
Shao Jian is about to publish a collection of his personal works, which is the crystallization of his artistic soul and a stop on his artistic journey. As a friend, I applaud Shao Jian from the bottom of my heart and silently share the joy of art with Shao Jian. I sincerely hope that Shao Jian can keep such a beautiful state, create his own artistic world quietly and open his artistic feelings easily.
Calligraphy has changed Shao Jian's attitude towards life, and Shao Jian is really happy. This is a sequence.
On October 6th, 2009, 5438+08 was in Athena Chu Pavilion.
Author: Director of China Calligraphers Association.
Member of cursive script committee of China Calligraphers Association.
Vice Chairman and Secretary General of Anhui Calligraphers Association (resident)