"The Complete Works" is jointly published by the Palace Museum in Beijing and the People's Government of Dantu District, Zhenjiang City. It is included in the Palace Museum in Beijing, the National Museum of China, the National Library of China, the Shanghai Museum, the Shanghai Library, There are more than 130 kinds of Mi Fu's calligraphy works collected by Liaoning Provincial Museum, Lianyungang Municipal Museum, Zhenjiang Stele Museum, Chinese University of Hong Kong Art Museum, Taipei National Palace Museum, Tokyo Museum, Japan, Metropolitan Museum of Art, and Princeton University Museum. (Class), 33 volumes. According to the classification of calligraphy, it is classified and published in the order of calligraphy (ink ink), single-engraved calligraphy, cluster-engraved calligraphy, and stele inscriptions. His ink marks are almost all of Mi Fu’s handed down works. The time span of the collection of calligraphy and stele inscriptions ranges from the Southern Song Dynasty to the end of the Southern Song Dynasty. Ming Dynasty. The real cursive, official and seal script styles are complete, and there are also various writing forms such as ruler slips, inscriptions and postscripts, hand-written scripts, long scrolls, carved stones, and epitaphs. In particular, Cong Ke Tie, which brings together multiple Song Dynasty versions of Mi Fu's works, such as "Shaoxing Rice Tie", "Songgui Tang Ke Tie", "Qunyu Tang Tie", "Yingguang Tang Tie", "Baojin Zhai Fa Tie", etc., is the most systematic , complete and precious Mi Fu's inscriptions are also the biggest highlight of "The Complete Works". The following categories are introduced below.
1. Dharma calligraphy (ink mark)
Mi Fu’s Dharma calligraphy ink mark has the highest artistic value and greatest influence, especially the development of modern printing technology, which provides a good foundation for the dissemination and learning of ink mark. It is a convenience that the ancients could not imagine. "The Complete Works" contains 66 kinds of Mi Fu's ink, which is basically all of Mi Fu's handed down ink. It mainly works in running script and regular script. It completely reproduces Mi Fu's calligraphy style and artistic achievements in various periods, and provides a unique reference for Mi Fu's calligraphy. The research provides authentic and comprehensive ink trace remains, which is of extremely high artistic value and is extremely precious first-hand information.
2. Engraved tie (single-engraved tie and cluster-engraved tie)
According to literature records, carved tie originated in the Southern Tang Dynasty, including "Baoda tie", "Shengyuan tie" and "Shengyuan tie". "Clarification of Tang Tie" and so on, but only records and no actual objects have been handed down. The "Chunhua Pavilion Tie" of the Northern Song Dynasty is recognized as the "ancestral Tie". From this, in the Song Dynasty, it has evolved into more than 16 types of official inscriptions such as "Qingli", "Daguan" and "Chunxi". In the Southern Song Dynasty, Mi Fu's works were found in the "Shaoxing Mi Tie" (1141), "Songguitang Engraved Tie" (1174), "Qunyutang Tie" (1201-1207) and "Yingguangtang Tie" (1232). (1269), "Bao Jin Zhai Fa Tie" (1269) and other single and cluster inscriptions. The above inscriptions have different versions and are collected in different places, and are included in "The Complete Works".
The "Complete Works" contains 32 types of single and cluster calligraphy works by Mi Fu. Some of the calligraphy works have multiple versions and are collected in different places. This is the most important feature of the "Complete Works". Characteristics are also the best way for Mi Fu's calligraphy works to be widely circulated in ancient times and have a greater impact. What is very rare is that Mi Fu's engraved calligraphy in "The Complete Works" can be found in the Song, Yuan, Ming and Qing dynasties. The early date, large number, high level, orderly circulation and precious historical materials of the engraved calligraphy are rare in history. It has important academic research value.
3. Stele inscriptions
The inscriptions of Mi Fu's works are very rare. For the first time, "The Complete Works" collects 16 types of Mi Fu's calligraphy inscriptions. There are the famous Song Dynasty rubbings "Fang Yuan An Ji", there are also very rare "Zhang Ji Lao's Epitaph" and "Zhang Di's Tomb Table", and there are also little-known remnants of stones and inscriptions, etc., which not only have important artistic value, but also have documentary and historical value. .