China, a famous contemporary educator, master of Chinese studies, classical philologist, painter, cultural relic appraiser and poet, was the fifth son of Qing Sejong and the eighth grandson of Prince Hongzhou. Beijingers. White character, also called Yuan Bo. He lost his childhood and his family was poor. After dropping out of school in peking academy, he became angry and taught himself. A little longer, he studied calligraphy from Jia Ximin and Wu Jingting, and studied classical literature from Dai Jiangfu. Studied hard, and finally achieved academic success. In 1933, he was recommended by Mr. Fu Zengxiang, studied in Chen Yuan, and learned about academic separation and textual research. Later, he was hired as a Chinese teacher at Fu Jen Middle School. In 1935, he served as a teaching assistant in the Fine Arts Department of Fu Jen Catholic University; After 1938, he served as a lecturer in the Department of Chinese Literature of Fu Jen Catholic University, and concurrently served as a special member of the Palace Museum, engaged in peer review and cultural relics appraisal in the Palace Museum; In 1949, he served as an associate professor in the Department of Chinese Literature of Fu Jen Catholic University and the Department of Peking University Museum. After 1952, he served as an associate professor and professor of Beijing Normal University. Member of the Standing Committee of the National Committee of China People's Political Consultative Conference, Chairman of the National Cultural Relics Appraisal Committee, Director central research institute of culture and history, Honorary Chairman of China Calligraphers Association, Professor of Beijing Normal University, and Doctoral Supervisor. Consultant of Jiu San Society, Chairman of National Cultural Relics Appraisal Committee, Honorary Chairman of China Calligraphers Association, Consultant of Chinese Buddhist Association, Palace Museum and National Museum, President of Xiling Printing Society. He died in Beijing at 2: 25 on June 3, 25. His main works are Essays on Ancient Fonts, Essays on Poetry and Rhythm, Essays on Qigong, Poems on Qigong, Redundant Words on Qigong, Essays on Chinese Phenomena, Jueju on Books, Notes on Books, Essays on Eight Essays, and Qigong Painting and Calligraphy Album.
Before his death, he worshipped the famous Buddhist master, poet and calligrapher Poshan Zen Master in the late Ming and early Qing Dynasties.
Mr. Qi Gong is a famous contemporary scholar, painter and calligrapher. He is rich in works, familiar with linguistics and philology, and even has a good study of the eight-part essay that has become a historical relic; He is not only a good poet, but also an expert in ancient calligraphy and painting, especially in the study of inscriptions.
when I appreciate his calligraphy works, I always think of his profound research on the inscriptions, because his research on the inscriptions is inextricably linked with his achievements in calligraphy art. The study of the inscriptions is a science that rose in the Ming and Qing Dynasties, and now it has opened up a new realm with the continuous excavation of underground ink. He is one of the pioneers of this garden. This knowledge can be divided into two categories: one is to study the historical data, to supplement the history with inscriptions, or to proofread the essays; The second is to appreciate and study his calligraphy art. Mr. Qi Gong is good at both, and he is better at the latter. He integrates the two, and his method breaks through the barriers of predecessors. "It's different to buy bamboo slips and return pearls, and most of the rubbings are calligraphers. What's the use of rushing away? I see a few collectors chanting. " He wrote this poem because many connoisseurs in the past paid attention to the calligraphy of inscriptions, but often turned a blind eye to the words in them. Famous artists such as Sun Chengze, Weng Fanggang and Ye Changchi all have this defect, and he never misses the content of his prose. Because of this, he refuted the "Cao E Monument" which has always been conclusive. Therefore, the so-called "Cao Ebei" written by Wang Xizhi in small letters no longer exists. What's more, Cai Yong's book Dan.
I like Mr. Qi Gong's calligraphy theory works best, for his parables and witty remarks. He has his unique "Hundred Poems on Books" on the art of calligraphy and many problems in the history of calligraphy, which is the experience of his decades of calligraphy practice and research. Especially the self-annotation, Wen Juan's escape, and his opinions. I have some long-standing problems of my own, and I feel solved after reading them, and I feel suddenly enlightened. For example, textual research on Ode to the Harrier originated from the dedication of Kaiyuan Hanlin; The book "Le Yi Lun" in the face of Fujimoto, Japan, proves that Wang Xizhi's writing style is strong; Identify Zhang Xu's book Geng Xin's "Bu Xu Ci Zuo" as the pen of the Song Dynasty after Dazhong Xiangfu; Prove the true colors of Suo Jing's calligraphy in "Ge Tie" by the remnants of Jin people. These are all cases in the history of calligraphy, and the arguments are sufficiently solid and powerful and have to be convincing. In addition, for example, Cai Xiang and Zhu Yunming's calligraphy did not become their own segments; Liu Gongquan and Huang Tingjian's calligraphy used pens to do their best, and the words were bound together. Among them, it is very incisive to the characteristics of famous calligraphers in past dynasties, the style and style of calligraphy in various times, and even to distinguish the origin of calligraphy and the reasons for its changes.
Mr. Qi Gong's publication chronology
Annotations on a Dream of Red Mansions in p>1953
Dunhuangbian Anthology in p>1957
(co-edited with others), People's Literature Publishing House
Essays on Ancient Fonts in p>1965
, and Cultural Relics Publishing House
. Zhonghua Book Company
1982
Mr. Qi Gong's Lecture on Calligraphy (video tape), Beijing Normal University
1985
Selected Works of Qi Gong's Calligraphy, People's Fine Arts Publishing House
Selected Works of Qi Gong's Calligraphy, Beijing Normal University Press
On Poems, Commercial Press (Hong Kong Beijing Normal University Press
Introduction to Calligraphy Reference, Beijing Normal University Press
Qigong-Uno Xue Cun Painting and Calligraphy Exhibition, (printed in Japan)
Calligraphy Teaching (video tape) in p>1988, Beijing Normal University Audio and Video Publishing House
Qigong Rhyme in p>1989, Beijing. The Commercial Press (Hong Kong) and Sanlian Bookstore
Qian Zi Wen in Qigong cursive script; China Peace Publishing House
Qigong Painting and Calligraphy Exhibition; Rong Baozhai (Hong Kong) Co., Ltd. published
On Chinese Phenomena in p>1991
; The Commercial Press (Hong Kong)
On stereotyped writing, Beijing. Beijing Normal University Press
1993
Rong Baozhai's Painting Spectrum-Qigong Volume, Rong Baozhai Press
1994
Qigong Xu Yu, Beijing Normal University Press
1995
1 Poems on Qigong, Rong Baozhai Press
1997 < Sanlian Bookstore
1998
Qigong Volume, Hebei Education Press, Guangdong Education Press
1999
Essay on Ancient Fonts, Relic Publishing House reprinted
Qigong Redundant Words, Beijing Normal University Press
Qigong Congmanuscript (paper volume, inscription) Beijing Normal University Press
On Stereotyped Writing, Zhonghua Book Company
On the Rhythm of Poetry, Zhonghua Book Company
On Calligraphy in p>21 (Xuan Paper Edition), Cultural Relics Publishing House
On Calligraphy in Qigong, Cultural Relics Publishing House and Beijing Normal University Publishing House
On Qigong. Shanghai Painting and Calligraphy Publishing House
Huai Su's Self-Narrative Sticks on Qi Gong, Rong Baozhai Publishing House
Seventeen Sticks on Wang Xizhi on Qi Gong, Rong Baozhai Publishing House
Annotated Verses on Books, Sanlian Bookstore
Famous Paintings and Calligraphy Collected in Zhenmingge-Qigong Volume, and Cultural Relics Publishing House
Essays on Poetry and Rhythm (ink version) (ink version) China Peace Publishing House
Qian Zi Wen of Qigong cursive script, Shanghai Painting and Calligraphy Publishing House
Series of Qigong Calligraphy, Cultural Relics Publishing House
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Qigong Lectures, Qigong Rhyme Collection, Qigong Painting Poems Ink Selection and Qigong Oral History, Beijing Normal University Press
25. Rong Baozhai publishing house
qigong calligraphy and painting collection (popular edition) cultural relics publishing house, Beijing normal university publishing house
qigong regular script with thousands of characters, Beijing normal university publishing house
qigong calligraphy and painting anthology (Xuan paper edition), cultural relics publishing house
qigong calligraphy anthology (Xuan paper edition), Xiling press < Zhonghua Book Company
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Selected Inscriptions, Paintings, Calligraphy and Inscriptions on Qigong, Cultural Relics Publishing House
1. Family
Qigong was the ninth generation grandson of yongzheng emperor, and his distant ancestor was the fifth son of yongzheng emperor in Qing Dynasty and Prince Hongzhou. His great-grandfather and grandfather were both born in imperial examinations. Qigong lost his father when he was young, and the teenager dropped out of school. Although Mr. Qi Gong's surname is Aisingiorro, he thinks that his surname is Qi Minggong.
2. Schoolwork
I studied calligraphy with Mr. Jia Erlu (Ximin) and Mr. Wu Xiceng (Jing Ting), and studied classical literature with Mr. Dai Suizhi (Jiang Fu).
3. Social position
Standing Committee member of the National Committee of China People's Political Consultative Conference
Curator central research institute of culture and history
Consultant of Jiu San Society
Chairman of National Cultural Relics Appraisal Committee
Honorary Chairman of China Calligraphers Association
Consultant of Chinese Buddhist Association, Palace Museum and National Museum
President of Xiling Printing Society
4.