Zhuang Xian (1872- 1956), with complicated words and poems, is the owner of Huiwen Room. Jiangsu Wujin people. From the Zhuang Family of Jimei Hall in Piling. Zhuang's children are very good at painting and calligraphy. His ancestor Zhuang Peiyin was the number one scholar in the 19th year of Qianlong, and another ancestor Zhuang Cunhe was the number one scholar in the 10th year of Qianlong. In Zhuang Xian's generation, his brother Zhuang Yunkuan was the first president of the Palace Museum. Zhuang Xian believed in Buddhism since he was a child. It is said that she can draw Guanyin at the age of 1 1, so most of her calligraphy works have a strong Buddhist color. She studied calligraphy since she was a child and showed her talent in calligraphy. In her early years, she and her sister held a painting and calligraphy exhibition in her hometown. In the second year of Xuantong (19 10), Zhuang Xian participated in the first calligraphy competition of Nanyang Chamber of Commerce, Industry and Commerce and won the gold medal of the Ministry of Commerce, Industry and Commerce. She used to be a calligraphy teacher at Changzhou Women's Teachers College. Because of her poor family background, she became famous and sought more and more people from Mo Bao. Zhuang Xian married the famous doctor Lu Jiaxuan. Lu died in his early years, leaving a son and a daughter, son Lu and daughter Lu, who were raised independently by Zhuang Xian. Brother Zhuang Yunkuan often sends letters of condolence to Zhou Ji. Zhuang became a monk in his later years, and his dharma name was "Miaodao". After liberation, Zhuang Xian was hired as the librarian of Shanghai Literature and History Museum 1953. Zhuang Xian died on 1956 at the age of 84.
Mei Jian's "Zen Poetry Manuscript" is a Zen poetry manuscript that Zhuang Xian realized after becoming a monk. Zhu Wen is printed on both sides by the clock: "Poetry" and "Meeting Room". The content is about the feelings of Buddhist and Zen poems. The first sentence says "Take advantage of this situation and do something to go home", followed by three Zen poems, which have the meaning of "letting go" and "excusing" and have a deep realm. This book seems to be nothing more than a random record. Make a book full of contradictions, the title is unintentional, naturally unintentional, and has no intention of damaging plum branches. Zhuang's calligraphy was idle in his later years, but it was always quiet. As a calligrapher, he should be a first-rate calligrapher, pursuing "authenticity" and "inner beauty" in calligraphy; It is extremely important to return to the writing of internal beauty from external traces through the transformation from the "beauty of external harmony" in the inscription to the "beauty of internal harmony" that the law can not achieve.