Mr. Wei Zhenjun's calligraphy is both wide and dense, and Fiona Fang is both elegant and rare. Structurally, "not to commit crimes, but to be different in harmony" embodies the organic combination of emptiness and reality, and fully shows the dialectical relationship of opening and closing, density, convergence, disconnection and moistening dryness. His pen can grasp, grasp and open tightly, and his brushwork is closely combined with the form and beauty of the book, which is by no means comparable to some people who only use pens and are not good at the structure of the book. That is to say, as far as the word "day" in his book is concerned, its form is an inner circle and an outer circle, which shows the beauty of disharmony and the interest of Fiona Fang. Another example is a lover of "self-relaxation and rejuvenation", as Shu Tong said in the preface to Wei Zhenjun's calligraphy art: "Take the essence of seal, official, line and grass." Investigating his strokes, waves and strokes is a magical line, which has made people confused about what is seal script and what is cursive script. Mr. Jie Zhen often loves to write this pair of couplets, "The soul of the sun and the moon, the phoenix picks the dragon's words". The first part is in spiritual temperament, and the second part is in body posture and modality, which is exactly the artistic realm he is striving for. Through his lifelong efforts, he finally reached a unique artistic realm, precisely because of his "unwilling" attitude towards books.
His rigorous style, which is never hasty, has contributed to his artistic innovation and the formation of his calligraphy style.