Night thinking about Li Bai's calligraphy works

Silent Night Thinking is a poem by Li Bai, a poet in the Tang Dynasty. This poem describes the feelings of the lyric hero living abroad who looks up at the bright moon in the house and misses his hometown in the autumn night. The first two sentences describe the illusion of the protagonist in a specific foreign environment for an instant; The last two sentences deepen the hero's homesickness through the portrayal of action expressions. The whole poem uses metaphor and contrast to express homesickness. The language is fresh and simple, but the charm is implicit and endless, and it has been widely read.

Invite for a drink

Entering Wine is a seven-character poem written by Li Bai, a great poet in the Tang Dynasty, imitating the theme of ancient Yuefu. The ideological content of this poem is very profound, and its artistic expression is very mature, which has the greatest influence among works of the same theme. The poet drank and sang loudly, and used wine to drown his sorrows, expressing his deep affection for life. The poems are mixed with feelings of disappointment and self-confidence, indignation and resistance, which embodies the poet's strong and unrestrained personality. The whole poem is full of emotion, and no matter what the mood is, it surges like a river, which is unstoppable, ups and downs and dramatic changes; Exaggeration is often used in techniques, and it is often decorated with huge numbers, which not only shows the poet's heroic and free-spirited feelings, but also makes the poem itself appear smooth and lyrical. In the structure, there are opening and closing and relaxation, which fully embodies the characteristics of Li Bai's seven-character song.

Qing ping Diao yun Xiang yi Hua Xiang Rong

Qing Ping Diao Yun Xiang Yi Hua Xiang Rong is a poem by Li Bai, a poet in the Tang Dynasty, and one of the three poems in Qing Ping Diao. These three poems were written by Li Bai when he was an academician in Chang 'an. On one occasion, Emperor Tang Ming and Yang Guifei watched peony in Chenxiang Temple. Because Li Bai was ordered to start a new movement, Li Bai wrote these three chapters on the order.

On a spring night, I smell the flute in Los Angeles.

Smelling the flute in Los Angeles on a Spring Night is a poem written by Li Bai, a poet in the Tang Dynasty. This poem expresses the homesickness caused by the flute when the poet stayed in Luoyang in the dead of night. The first two sentences describe that the flute spread all over Luoyang with the spring breeze, and the last two sentences describe that he was homesick because he smelled the flute. The whole poem is tied with the word "smell", which expresses the poet's own feeling of smelling the flute, uses imagination and exaggeration reasonably, and is coherent, sincere and memorable.

Ode to the Difficult Road of Shu

Shu Dao Nan is the representative work of Li Bai, a great poet in the Tang Dynasty. This poem imitates the theme of the old Yuefu, develops rich imagination in a romantic way, and artistically reproduces the spectacular, abrupt, tough, rugged Sichuan road and the incomparable majestic momentum, thus praising the magnificent scenery of Sichuan mountains and rivers, showing the magnificent mountains and rivers of the motherland, and fully expressing the poet's romantic temperament and love for nature. The whole poem is 294 words, mixed with prose, with uneven sentences, bold and free and easy, strong feelings and sighing songs.

Sigh on the jade steps

Jade Family is a poem written by Li Baiyong, a great poet in the Tang Dynasty, who used to be called Yuefu. This poem is about a woman's lonely and melancholy mood. The first two sentences write that the heroine is silent and independent, and the dew is thick and saturated with stockings, but she is still waiting; In the last two sentences, the heroine went back to her room and put down the curtains, but she was still staring at the moon. The first two sentences were written for a long time to show people's infatuation; The last two sentences set off people's grievances with the delicacy of the moon. There is not a word of resentment in the whole poem, but only a detail and a temporary psychological dynamic in the life of ladies-in-waiting, which generally reflects the loneliness and sadness of the life of ladies-in-waiting, and is deeply beautiful, which can be called a treasure in ancient poetry.