In the middle Tang Dynasty, Jiao Ran put "Yi" in the second place when talking about poetic style, and Zhu added "Yi" after "Shen", "Miao" and "Neng" in the Record of Famous Paintings in Tang Dynasty. In the early Song Dynasty, Huang Xiufu further put the concept of "one" above the concepts of "God", "Miao" and "energy" in Yizhou Famous Paintings, and thought that "one" was the best in painting.
Extended data:
Requirements for first-class calligraphy:
The "one product" in the book theory is related to the existing one, but the style is often more above the "divine product". On the basis of "divine quality", it emphasizes innocence, so-called "no borrowing to follow", "transcendent and excellent behavior", "casual", "modest" and "unintentional".
Yipin embodies the artistic effect of "no intention, no desire" in the creative process into a typical artistic character and aesthetics, such as the works of Wang Xizhi, Wang Xianzhi, Zhang Xu, Huai Su, Yang Fengzi, Mi Fei, Dong Qichang and others in history.
Yipin Lun attaches great importance to the perfection of the author's techniques. When Su Dongpo said that "Yoga Yu is the best beginner", he emphasized that cursive writing is "the accumulation of knowledge is success"; Commenting on Zhang Xu's "Modesty of Nature" and "Escape from God", he emphasized that he was good at writing and performing. In other words, to achieve the realm of "escape", we must take solid skill and superb skills as the premise.
Baidu Encyclopedia-Yipin (China Ancient Painting Terminology)