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Hurongdiyan
Interpretation of righteousness
Zhang Sengyou, a painter in the Northern and Southern Dynasties, was originally described as a strange man in painting. When writing an article or speech in the future, point out the essence in a few words at key points to make the content vivid and powerful.
tidy
Zhang Sengyou: Zhang Sengyou painted four dragons on the wall of anrakuji in Jinling. Every time: "Click and fly away." People think (think) to be born because (therefore) it's one o'clock. After a while (after a while), the wall was split by lightning, and Yi Long took the cloud to the sky. Those who haven't touched their eyes are all there.
Precautions:
Zhang Sengyou: Liang people in the Southern Dynasties.
Jinling: Nanjing, Jiangsu Province today.
Introduction to the protagonist
Zhang Sengyou, a famous painter in Liang Wudi (Xiao Yan) period, was born in Xing Wu (now Huzhou, Zhejiang Province) in the Southern Dynasties. His date of birth and death is unknown. Liang Wudi Tian Jian (502-5 19), assistant minister of Wuling State, painter of Zhimi Pavilion. He served as the general of the right-wing army and the satrap of Xing Wu. He is good at drawing portraits and figures, as well as dragons, eagles, flowers and landscapes. He is good at making character story paintings and religious paintings, and is called a painter who surpasses his predecessors. Liang Wudi is a good Buddha. Anyone who decorates a Buddhist temple is required to draw a wall. Painted Buddha statues, with their own style, are called "Zhang's style" and are a model of sculptors. Zhang Monk's paintings are lifelike, and what he painted is exactly the same as the real thing. Some people even say that the animals he painted can really live. Once, he visited a place and became interested. He drew four dragons on the wall of anrakuji in Jinling, but he didn't draw eyes. Someone asked him, "Why don't you draw the dragon's eyes?" . He replied, "Eyes are the essence of dragons. As long as you draw your eyes, the dragon will fly away. " Everyone laughed and thought he was crazy. I didn't expect him to lift the brush with enough strength. As soon as he saw the two dragons, dark clouds rolled in. Suddenly, there was lightning and thunder and two dragons took off. People were dumbfounded, all blindsided. Therefore, the idiom "make the finishing point" came into being later, which is used to describe that when speaking, writing and drawing, one or two keywords (paintings) can make them vivid at once.
[Edit this paragraph] Translation
Zhang Sengyou of Zhang Tangyan Garden: "The four white dragons in anrakuji, Jinling don't blink, but they say' blink and fly away' every time." People think it's a fake birthday, please point it out. In a short time, lightning broke through the wall, and two dragons took the clouds to the sky. Anyone who didn't notice the two dragons saw them. "
story
Zhang Sengyou in the Liang Dynasty was from the State of Wu. During the period of Tian Jian, he served as the general of Wuling State, and Xing Wu was the magistrate. Zhang Sengyou painted four dragons on the wall of anrakuji in Jinling, but didn't draw eyes. The tourists thought it was strange that they should draw eyes, so they insisted that Zhang Monk friend draw longan. Zhang Sengyou had no choice but to draw his eyes on one of the dragons. I saw his white eyes lightly, and suddenly there was lightning and thunder, and the dragonfly with eyes rose into the sky! ..... After the weather will be the same, people find that the two dragons with long eyes are really gone! People are amazed. ...
[Edit this paragraph] Usage
Linkage type; As subject, predicate, attribute and adverbial; Include praise
[Edit this paragraph] Example
This is a good topic, but it is often wonderful to the works and stimulates people's interest in reading. ★ Qin Mu's "Appreciation of Window Flower Literature"
[Edit this paragraph] Synonym
Icing on the cake, turning the stone into gold
[Edit this paragraph] antonym
Self-defeating, gilding the lily, turning the stone into gold 123
Aesthetic characteristics of folk art modeling in Three Gorges.
Yi Cui
In the splendid white garden of China's 5,000-year civilization, a beautiful and gorgeous flower of the Three Gorges folk art is blooming smartly. The colorful folk art of the Three Gorges inherits Bashu culture, enlightens Jingchu culture, and at the same time is full of its own ideological foundation, historical and cultural background and cultural roots. The historical and cultural development of the Three Gorges, with its beautiful scenery and outstanding people, shows the truth of the ancient Three Gorges culture and the continuation of modern cultural life to the world. The folk art of the Three Gorges shows the unique folk cultural charm of the Three Gorges with its pure, profound, magical and moving modeling and aesthetics, which contains the important aesthetic value and cultural orientation of the Three Gorges culture and art. It is a precious heritage in the Three Gorges culture, emitting a strong artistic fragrance and showing a very attractive artistic charm in the Three Gorges art corridor. This made me have an induction to the aesthetic modeling of the Three Gorges folk art, and devoted myself to the exploration of the modeling and aesthetics of the Three Gorges folk art.
Modeling features
Artistic modeling is a means of artistic expression. Any art needs modeling to reveal artistic image, spirit, artistic conception and aesthetic feeling ... Different nationalities in different regions have different modeling means and methods. As far as China folk art is concerned, there are some modeling rules of folk art, such as visual modeling, homophonic modeling, meaning modeling, situational modeling and functional modeling, and the Three Gorges folk art is no exception. Due to the regional environment, living customs, religious customs, emotional temperament and so on, different artistic modeling characteristics have been formed. Judging from the folk art of the Three Gorges, it has formed rich categories and colorful artistic styles, and has formed artistic modeling characteristics with vast territory and strong folk customs. I feel that it has a unique beauty from three aspects.
(1) Among freehand sculptors, all saints and philosophers advocate goodness. It is man's bounden duty to suppress evil and promote good. The folk artists in the Three Gorges just thought of "sending kindness", and they used their caring psychology to gain insight into natural phenomena, people's lives and customs, and found the beauty of "kindness". Use the beautiful mind of "goodness" to express rationality, be good at life, seek compassion in Hong Tong and create the beautiful form of "goodness"; With the beauty of benevolence and goodness, there are more emotions, images, edifying people's hearts and relaxing people's hearts, thoughts and realms. The state of mind of "being kind" makes them empathize with things, get together because of feelings, open up artistic conception, write freely about God, and create a beautiful artistic conception that everything is good, innocent and wonderful. Three Gorges folk artists are calm, free, casual and sincere in modeling, feel the pulse of life and seek the "good" shape of natural interest; From the artistic conception of innocence, harmony and praise, we can discover interesting and expressive significance and reveal a deep folk complex; From the content and form of artistic modeling, we pursue the diverse modeling feelings of "goodness" and "meaning" in order to achieve rich connotations and interesting situations. For example, the world-famous "ghost town culture" in Fengdu has wonderful and bizarre legends and stories, designed and shaped many kinds of lifelike statues of ghosts and gods, and scenes that scare fans. The visual sense is gloomy and horrible, which is actually the cultural connotation of advocating "loyalty, filial piety and benevolence" and promoting good and restraining evil. Different forms of ghosts and gods present different "good" beauty. Another example is "Bai Di Culture", which is called the wonderful work of the Three Gorges. It integrates poetry, calligraphy, painting, sculpture, decoration and garden architecture. It seems to show the cultural history, mountains and rivers, folk stories and Xiajiang legends of Burning State, but it is actually a subtle revelation of the meaning of "goodness" of missing, longing, love and sadness, which is very intriguing. What kind of wonderful art is the Three Gorges folk art modeling from "kindness" to freehand brushwork "kindness"?
(2) It is said that ancient dragons were often painted without eyes. Because of one point, the dragon jumped up and flew away, which was later called "the finishing touch". The folk art modeling of the Three Gorges inherits China's artistic expression of "vividness" of things, and the expression of "spirit" is mainly vivid and vivid; In terms of simplicity and magnificence, it is mainly simple, with artistic connotation of "spirit" beyond painting, movement outside form and movement. The more you look at it, the more interesting it becomes. Folk artists in the Three Gorges skillfully conceive vivid, smart, lively and interesting images, and create artistic images with rich ideological connotations such as bright and clean posture, exaggerated stretch, implicit posture and profound metaphor, thus revealing the folk customs of the Three Gorges folk customs, which imply auspiciousness, happiness and harmony, and reaching the artistic realm of entertaining. This is a smooth "spiritual" work of all things in the Three Gorges based on years of life exploration and specific psychological aesthetics. For example, the stone carving art of the Three Gorges of the Yangtze River, such as imitating nature, thorough selection, conception, processing and modeling, is saturated with the modeling concept of "God". A hundred years ago, artists had to look for it with creative and rich image thinking. After repeated observation and examination, they determined the meaning of the gorge stone, which was either like a figure, an animal or a plant, poetic and literary, full of painting modeling factors and forms, or grotesque and profound in connotation. Secondly, some gorge stones need to be skillfully described, processed and combined into a spiritual beauty with interesting shape, profound meaning and endless fun, which is higher than natural beauty. This kind of modeling can be found everywhere in the folk art of the Three Gorges, which reflects the aesthetic significance of using this kind of modeling by folk artists in the Three Gorges.
(3) Practical and beautiful modeling People who swim across the Three Gorges are often attracted by the natural and harmonious artistic modeling of historical and cultural landscapes standing on the banks of the river, and they are amazed. In it, you can enjoy the magnificent scenery, the colorful design of the Three Gorges Garden, and the dazzling artistic space of painting, calligraphy, sculpture, decoration and amusement. Strange and exquisite, reasonable and natural artistic modeling makes you feel relaxed and amazed. These ancient cultural landscapes are beautiful in form, handsome in shape, stretched out, harmonious and natural, showing a rich aesthetic feeling as a whole. Structurally, it adopts the shapes of "up and down echo", "front and back fit", "left and right symmetry" and "looking inward" which are suitable for beauty, especially using changing straight lines, arcs and gorgeous and strong folk colors to construct the body, so as to obtain distinct, strong, harmonious and unified artistic charm. This is a magical display of the landforms, customs and emotions of the Three Gorges, and a perfect combination of practicality and aesthetics. The folk arts of the Three Gorges, such as blue calico, embroidery, weaving, shadow of leather lanterns, New Year pictures, bamboo curtain paintings, root carvings and stone carvings, are all good products with practical and beautiful shapes. These folk arts, with exquisite materials, rich and vivid shapes and wonderful line color changes, directly serve the material life and spiritual life of the Three Gorges people and become the folk culture of the Three Gorges with clear interests.
Aesthetic characteristics
The aesthetics of folk art embodies the ideology and aesthetic taste of the people of a certain nation or region, and has a strong secularity and the same sex. The regional cultural accumulation, customs and geomorphic environment will inevitably provide nutrition and soil for people's consciousness, mood, interests and preferences in this area, and leave a certain imprint. This is the artistic emotion of "harmony between man and nature", "induction between man and nature" and "communication between man and nature" formed in art, which is caused by the isomorphic relationship between people's subjective feelings and external things, and is the result of the emotion and consciousness of external things, that is, "natural humanization". Therefore, there is a folk saying that "one side of the soil and water will support one side". The Three Gorges people have lived in eastern Sichuan for generations, where Bashu culture and Jingchu culture are combined, with rich scenery and complex geographical environment. The natural environment and historical culture here naturally make the Three Gorges people gradually form an aesthetic that meets their own material and spiritual needs. Folk artists in the Three Gorges combine the spirit of the times with the national spirit with sincere feelings, and construct an aesthetic that conforms to the regional culture of the Three Gorges. Its aesthetic characteristics are as follows.
(1) The vigorous, unrestrained and roaring waters of the Xiajiang River, surging and rushing for thousands of miles, make the Three Gorges people living on both sides of the Xiajiang River have strong physique, talents and amazing will and perseverance, and cast the Three Gorges people's high-pitched, clear, radical, frank, majestic and resolute characters. The natural conditions, history and culture of the Yangtze River directly affect the feelings, personalities and aesthetics of folk artists in the Three Gorges. From the fascinating Fengdu ghost culture to the rugged stone carvings along the Fuling River, the tall and graceful Zhongxian Shi Baozhai culture, the vigorous and lively Yunyang Zhangfei Temple culture, the profound Fengjie Kuizhou culture, the spectacular and magical Wushan hanging coffins, rock paintings and other grand and vast Three Gorges cultures, this aesthetic connotation is skillfully and profoundly displayed, which is the beauty of bold and elegant art and the masculinity of the Three Gorges people. This kind of aesthetics shines with unprecedented artistic vitality in the Three Gorges culture and produces great material and spiritual value, which has become the mainstream of the new Three Gorges culture.
(2) Elegant and delicate femininity In the lush mountains on both sides of the Yangtze River, streams, mountains, fields and farms blend vertically and horizontally, forming another harmonious picture of nature and people in the Three Gorges. The Three Gorges people living here are bred and nurtured by the beautiful climate, lush trees, magnificent rocks and rich material beauty provided by fertile mountains, farmland and other natural environments, which have shaped the delicacy and gentleness of the Three Gorges people. The people of the Three Gorges here like lyrical, gentle, serene, symmetrical, delicate, ambiguous, warm and kind aesthetic taste, and worship the folk beauty of joy, happiness, celebration, liveliness and enthusiasm. Folk artists in the Three Gorges have injected such emotional aesthetics into New Year pictures, bamboo curtain paintings, blue calico, shadow lanterns, bamboo weaving, straw weaving, fan painting, sculpture, painting and handicrafts, creating a natural, delicate, simple and vivid artistic image, with clear, soft and rich composition, and singing the pleasant aesthetic feeling of folk art in the Three Gorges.
(3) The beauty of simple folk customs lies in the vast and far-reaching mountains far away from the Three Gorges, where the natural environment is still bad and there is little communication with the outside world. There are people from the Three Gorges, who still basically maintain ancient folk customs in their work, life, clothing, feelings, beliefs and customs. They struggle with nature with simple and rough tools for production and life, simple way of thinking and strong and pious character, and they are tempered by nature. Their words are heavy, their temperament is simple, they are conscientious, warm and hospitable, they pay attention to etiquette, and they have a strong folk tradition. The folk artists of the Three Gorges here are rural women and a few craftsmen. They have a broad and profound life foundation, strong religious beliefs, and weave the beauty of simplicity, simplicity, dignity and aging with hard-working hands and simple emotions. The folk arts here, such as flower picking, embroidery, paper cutting, printing and dyeing, carving and decoration, all show simple folk beauty. These folk arts are based on traditional materials, close to nature, with random and simple shapes, vivid images, pure and bright color contrast, full, symmetrical and balanced composition and simple materials. When you witness these folk arts, it reflects the love for life, and the rich local folk arts formed by injecting soul, emotion, soul and even the whole life into the works will surely make you infatuated, envious, admired, admired and praised, and explore and pursue them.