Mi Fei's works, including inscriptions, inscriptions and postscripts, and temporary ancient posts regarded as predecessors' calligraphy, have about 70 pieces. According to Weng Fanggang's research, Mi Fei's signature before the age of 4 1 was Kun, and later it was Bi. According to the works handed down from generation to generation, it is temporarily called early years, middle age from 4/kloc-0 to 50, and old age.
The calligraphy of "Cold Light Post" and "Victory Post" has a slender figure, attractive brushwork, grass in the line and continuous brushwork, and presents a sideways posture in the turning point of beauty. In the last line of the first post, I suddenly wrote the words "Apocalypse is coming" in cursive script, which was extremely enjoyable. Zhang Jiming's post, Teacher Li's post, etc. , is written by Mo Miao very well, calm and happy, and freely with a pen. The Zhang Jiming Post is rich and fluent; Teacher Li's Post is rich and beautiful.
Tiaoxi Poems and Shu Sutie are Mi Fei's representative calligraphy works when he was 38 years old. The former is written on paper, which is beautiful and vigorous, while the latter is written on silk, which makes the brushwork thirsty and the brushwork between the pen tips wonderful. After Bird's middle age, more ink came down. The calligraphy of flying colors as play posts, stone posts and cheng tu posts is thin and hard, and the strokes penetrate the back of the paper, horizontally and vertically, with changeable postures; Bochong Tie, Chong Zhongyue's life poems, and Mo Dan's autumn mountain poems are full of bones and muscles, beautiful fertilizers, and emerge in many ways; The attitudes of "avoiding summer", "New Year's Eve" and "going through the customs" are different.