Dong Qichang was a famous painter and calligrapher in the late Ming Dynasty. His calligraphy first learned from Mi Fei, then from the Tang Dynasty and traced back to the Wei and Jin Dynasties, forming his own unique calligraphy style.
His calligraphy works, beautiful and refined, had a great influence on the book world in the late Ming and early Qing dynasties. There are many engraved posts in the world, such as Xiao Tang Post, Tang Post, Tang Post, Coming to Fa Tie, Shi Chun Tang Post and so on.
Famous works include Zhu Zan, The Book of Filial Piety, History of Shu, Biography and so on. His paintings are good at mountains and rivers, and he studied under Dong Yuan, Huang, Yan and so on. , don't pay attention to realism, beautiful style.
It is a prejudice to flaunt morale in painting and divide ancient landscape painters into north and south factions, praising the south faction and belittling the north faction. He is the author of Essays on Painting Zen Rooms and Collected Works of Rong Tai.
Dong Qichang's calligraphy and painting are famous, and many people ask for calligraphy and painting. He often asks someone to write for him, so there are many fakes left in the world. At that time, Mo Ruzhong, Mo Shilong and his son, Linyi Xing Dong and their sisters Ci Jing, Shuntianmi and Jinjiang were famous for their calligraphy. , attached to the biography of Dong Qichang, is now translated.
Dong Qichang, whose real name is Xuanzai, is from Huating County, Songjiang Prefecture. In the seventeenth year of Wanli, he was admitted to Jinshi and changed to Jishi Shu.
Tian Yijun, assistant minister of does, taught Jishi Shu and died in the line of duty. Dong Qichang asked for leave and traveled thousands of miles to escort Tian Yijun's coffin back to his hometown for burial. On his return, he was appointed editor.
The emperor's eldest son went to school, and Dong Qichang served as a lecturer. He always used historical events to inspire him in telling stories, but the emperor's eldest son didn't take a knowing glance. Because Dong Qichang didn't act according to the will of the ruling minister, he was appointed as Huguang's deputy envoy Dong Qichang to return home.
Later, it was used, and the official was in the original position, and he was a magistrate in Huguang and studied politics. Because he opened the back door without favoritism, he was resented by powerful people, who instigated hundreds of Confucian scholars to make trouble and destroyed his yamen.
Dong Qichang immediately went to the imperial court and asked to leave, but the emperor refused. He ordered the relevant departments to examine and deal with the troubled Confucian scholars, and Dong Qichang finally resigned and returned to his hometown. The court appointed him as Shandong's deputy envoy, Deng Laijun, and Henan to participate in politics, but he didn't take office.
Guangzong acceded to the throne and asked, "Where is Mr. Dong Qichang, the former lecturer?" So the court called him Shao Qing, who was in charge of national affairs. In the second year of the apocalypse, he was promoted to TaiChangQing as a bachelor.
At that time, he compiled a record of Zongshen, sent him to the south to collect the memorials of Zongshen's ministers and sent them to smell anecdotes. Dong Qichang collected more than 300 records. He also selected and recorded the discussion about prince, vassal, talent, customs, canal, diet, official management and border defense in The Awarded Memorial, which was divided into forty volumes.
2. Read the classical Chinese "Biography of Dong Qichang in Ming Dynasty" and Dong Qichang Biography-"History of Ming Dynasty" Volume 288.
Explain that Dong Qichang (1555-1636), whose name is Xuanzai, whose name is Sibai, whose name is Xiangguang Jushi, was born in Huating (now Songjiang County, Shanghai), was a scholar in the 17th year of Wanli, and was a minor in the Academy of Forestry Studies, an assistant minister in the Ministry of Political Science, and an official in the Ministry of Rites in Nanjing.
Dong Qichang was a famous painter and calligrapher in the late Ming Dynasty. His calligraphy first learned from Mi Fei, then from the Tang Dynasty and traced back to the Wei and Jin Dynasties, forming his own unique calligraphy style. His calligraphy works, beautiful and refined, had a great influence on the book world in the late Ming and early Qing dynasties. There are many engraved posts in the world, such as Xiao Tang Post, Tang Post, Tang Post, Coming to Fa Tie, Shi Chun Tang Post and so on. Famous works include Zhu Zan, The Book of Filial Piety, History of Shu, Biography and so on. His paintings are good at mountains and rivers, and he studied under Dong Yuan, Huang, Yan and so on. , don't pay attention to realism, beautiful style. It is a prejudice to flaunt morale in painting, divide ancient landscape painters into north and south schools, praise the south school, and demote workers to follow the dilapidated shops to curb the north school. He is the author of Essays on Painting Zen Rooms and Collected Works of Rong Tai.
Dong Qichang's calligraphy and painting are famous, and many people ask for calligraphy and painting. He often asks someone to write for him, so there are many fakes left in the world. At that time, Mo Ruzhong, Mo Shilong and his son, Linyi Xing Dong and their sisters Ci Jing, Shuntianmi and Jinjiang were famous for their calligraphy. , attached to the biography of Dong Qichang, is now translated. Dong Qichang, whose real name is Xuanzai, is from Huating County, Songjiang Prefecture. In the seventeenth year of Wanli, he was admitted to Jinshi and changed to Jishi Shu. Tian Yijun, assistant minister of does, taught Jishi Shu and died in the line of duty. Dong Qichang asked for leave and traveled thousands of miles to escort Tian Yijun's coffin back to his hometown for burial. On his return, he was appointed editor. The emperor's eldest son went to school, and Dong Qichang served as a lecturer. He always used historical events to inspire him in telling stories, but the emperor's eldest son didn't take a knowing glance.
Because Dong Qichang didn't act according to the will of the ruling minister, he was appointed as Huguang's deputy envoy Dong Qichang to return home. Later, it was used, and the official was in the original position, and he was a magistrate in Huguang and studied politics. Because he opened the back door without favoritism, he was resented by powerful people, who instigated hundreds of Confucian scholars to make trouble and destroyed his yamen. Dong Qichang immediately went to the imperial court and asked to leave, but the emperor refused. He ordered the relevant departments to examine and deal with the troubled Confucian scholars, and Dong Qichang finally resigned and returned to his hometown. The court appointed him as Shandong's deputy envoy, Deng Laijun, and Henan to participate in politics, but he didn't take office. Guangzong acceded to the throne and asked, "Where is Mr. Dong Qichang, the former lecturer?" So the court called him Shao Qing, who was in charge of national affairs.
In the second year of the apocalypse, he was promoted to TaiChangQing as a bachelor. At that time, he compiled a record of Zongshen, sent him to the south to collect the memorials of Zongshen's ministers and sent them to smell anecdotes. Dong Qichang collected more than 300 records. He also selected and recorded the discussion about prince, vassal, talent, customs, canal, diet, official management and border defense in The Awarded Memorial, which was divided into forty volumes.
3. Thanks to the translation of Dong Qichang biography in Ming Dynasty, Dong Qichang, whose real name is Xuanzai, was born in Huating, Songjiang. In the seventeenth year of Wanli, Zhong Jinshi was appointed as Jishi Shu. Tian Yijun, assistant minister of does, taught Jishi Shu and died in office. Dong Qichang asked for leave to travel thousands of miles to escort the coffin back to his hometown for burial. Later, he was promoted to editor by the Hanlin Academy. When the Crown Prince became a monk, Dong Qichang acted as a lecturer. Whenever he tells a story, he always inspires the prince, and the prince always listens carefully. When Dong Qichang was in power, he was demoted to Huguang's agreement because he was at odds with the ruler, so he refused to get sick. Later, he was reinstated (changed) as the prefect and went to Huguang to study politics. Because he opened the back door without favoritism, he was resented by powerful people, who instigated hundreds of Confucian scholars to make trouble and destroyed his yamen. Dong Qichang immediately went to the imperial court and asked to leave, but the emperor refused. He ordered the relevant departments to examine and deal with the troubled Confucian scholars, and Dong Qichang finally resigned and returned to his hometown. The court appointed him as Shandong's deputy envoy, Deng Laijun, and Henan to participate in politics, but he didn't take office.
Guangzong acceded to the throne and asked, "Where is Mr. Dong Qichang, the former lecturer?" So the court called him Shao Qing, who was in charge of national affairs. In the second year of the apocalypse, he was promoted to TaiChangQing as a bachelor. At that time, he compiled a record of Zongshen, sent him to the south to collect the memorials of Zongshen's ministers and sent them to smell anecdotes. Dong Qichang collected more than 300 records. He also selected and recorded the discussion about prince, vassal, talent, customs, canal, diet, official management and border defense in The Awarded Memorial, which was divided into forty volumes. He imitates the notes of ancient historians, and each article has his own notes. The emperor wrote a thank-you letter and ordered these books to be hidden in the history museum.
The rest is to write the official position, and you must be able to understand it and not move.
4. Urgently seek the original text and translation of "Essays on Painting Zen Room in Dong Qichang" by Dong Qichang Source: China Net Binhai Hi-Tech Keywords: Lanting; Leak marks; Calligrapher; Book ears; Kaifa Author: 2011-05-2411:02 This post (official slave post) is absolutely similar to Xu Lanting in the sequel to the secret pavilion of Xichun.
Du Nan, whom I met in the past year, once wrote down his brushwork in Mi Tie, saying: "The words are wonderful, the situation is strange, and the Tibetan front is wrapped in iron, so it is vigorous and profound, and it is vivid." Now it is hidden by Yongqing of Wu Taixue.
I stayed in Wumen for more than 20 years, so I came here to say: I wrote this post when I stayed for more than 20 years, so I suddenly met the original, and it wasn't overnight. At that time, a fake order could be made, and it may not be true without painstaking suspense.
Huai Su said, "Open your mind and release stagnation." It's also called today
There were three days in October when the application was made, and the Japanese book Lanting and this post were passed. The book Official Slave was particularly popular. My book is full of imitations. I am most proud of my small regular script, but I am lazy in writing.
However, it is not an intentional book to walk the world with grass, and the first rate should be handed in. If they get together, they can't track Jin and Wei, and they can't ride behind the Tang people.
Writing a book, like writing a poem, is generally about passing on and not passing on, saying and not saying. Great people can talk about it by hook or by crook, and the mysterious taste must be strengthened by the power of heaven, not by the power of drilling and practicing.
At the pen turning place and the pen putting place, the spirit and blood are easy to let go. This is a serious matter for calligraphers, and the creation is finished.
But a pen that can write, but doesn't know how to turn and put it, won't be too extreme. This book must mention the word "clutch". Yang Ningshi must be the main body of Europe and Europe, and he left only to gain momentum.
Mi Haiyue boasted all his life, and took the drought of Wang Banshan alone, so that he could not go this far. The so-called "clouds are scattered and it is difficult to get rid of them completely." On the other hand, Zhao Ziang entered this mysterious field and felt the breath of the market.
Neijing said: "Natural grains are indifferent and tasteless", which can be imagined. Thirty years ago, Shen Mi had a book, but there was no real pen, so he called himself a trick.
I often can't learn, but I still feel sorry for it. Miyun: "Love is the most important thing."
I'm sick, but I'm weak. Weaknesses are born and cannot be learned. The canon calls it the wisdom of taking the teacher, and the calligrapher calls it the charm. Calligraphy is a painstaking thing, and I have never dared to respond with gas consumption. Those who are particularly refined are either drunk, dreaming or ill, exerting magical powers and doing everything they can, why bother to be happy and happy, and the creation is complete! It is said that Zhang Xu, the sage of grass, drank several times, dipped his head in ink, and the heavy rain hit the wall of the book, which made the viewer sigh.
Prince Wen, grinding ink for several liters, lay under the quilt and slept soundly without saying a word. If there are ghosts and gods, all this can be achieved in other ways. Today, I observed that Mr. Wang is a man's day and doesn't drink when he is ill. Han gave me medicine from my inner palace and wrote more than twenty poems to thank him, all of which were advocated by * * *.
This is also a question of standing with his second son. ..... Do Jin people learn from books, Song people learn from books, or transcend laws? Otherwise, the Song people took its meaning as a book ear.
Must have the meaning of the ancients. However, Zhao Ziang corrected the shortcomings of the Song Dynasty, although he didn't use it. This will be appreciated by the Song people and overturned by the law.
The poetic technique of the Tang Dynasty is quite similar to its calligraphy, mainly rich and beautiful, but the stone technique is a little far away. Yumei said that there was no country in the Jin and Tang Dynasties, and learning from the Tang Dynasty enabled him to enter the Jin Dynasty.
Poetry in the Jin Dynasty is like a book. Although Tao is ancient, Ruan Sizong is cool, but he is safe and appropriate in calligraphy, so there is no door. Because of Tang poetry.
When people in Jin and Song Dynasties write books, it is not impossible to win with love, and the beauty lies in the law. It was only in the Tang Dynasty that people took the law as the way, but they tried their best to study it.
In a word, the common desire is extreme, which makes the spirit indelible. The so-called magic products are also written by my god.
He studied pottery, and everything remained the same. Regarding meditation, Master Dahui said, "For example, if someone has millions, I will be more eager to ask for debts."
This is a special kind of Guan calligrapher. Mi Yuan Zhang Yun said, "If you support a boat on a fast-moving beach, do your best and stay where you are."
The beauty of calligraphers is that they can combine and God can leave. Therefore, the people who left were not the tricks of Europe, Henan, Chu and Xue, and it was difficult to get rid of Lao Tzu's habits in the right army. If there is no flesh and blood, then the whole body is broken in vain. After the Jin and Tang Dynasties, only Yang Ningshi understood this, but Zhao Wuji never dreamed of being there.
He studied books at the age of seventeen and painting at the age of twenty-two. Now I am fifty-seven and eight years old. There are false compliments, and I sort them out myself, which is very unlike Mi Dian's abusive language.
Compared with Master Wen, most of the paintings have their own advantages and disadvantages, and the details are not as detailed as mine. As for quaint elegance, so much the better.
Compared with Zhao, each has its own advantages and disadvantages. I'm not as good as Zhao because of the dense lines and thousands of words.
If we imitate the past dynasties, Zhao Dedi 1 1, I get the first 17, which is vulgar because of "familiarity" and beautiful because of "life". Zhao Shu unintentionally, my book often cited; When I did this, Zhao Shu also lost.
The first intention is to have fewer ears. It seems that I can write to Zhao directly, and I have the least ears.
And Ziang's familiarity is not as good as my crying. But not more books, for Xing Wu.
Painting is concrete and implicit, and it takes 300 years to have a vision. Those who have studied calligraphy for 30 years but can't prove it are beginning, ending and ending.
After this, that is, the military son and his son are helpless. Turn left and turn right, which is the word potential of the army.
The world can't understand the so-called strange traces. Books in the Tang dynasty are all wrist-back, so you can leave a pen.
Not straight and not slippery is the secret handed down by calligraphers. Micro-calligraphy, that is, the painter's pen, is also worthy of this idea.
Although calligraphy is expensive and unambiguous, it must be cut with a pen to gain momentum with strength and rhyme with emptiness. The same is true of Yan's so-called "painting sand with a cone".
I have read the book Yu Runtie carefully, and I think more than half of it. Mihaiyue's books do not sag, shrink or close.
These eight-character mantras have no equal spells. However, there must be good words. Haiyue claims to be a collection of ancient sayings, and he attaches great importance to it. Compared with his old age, he has a new ear.
..... When the ancients wrote books, they couldn't make a correct game, and took the odd as the right one. Therefore, Zhao Wuxing did not enter the Jin and Tang Dynasties. "Lanting" is not straight, and the pen has no trace of its vertical rock.
If the mining patterns are similar, please turn around. Liu Gongquan said that "correct writing" needs people who are good at learning from Liu Xiahui.
In the thirty-ninth year of Yu Xueshu, I saw this meaning. Use ink to make it moist, not boring, especially avoid thick fat, which is a great evil.
Taste the book of the right army father and son, the joy of Qi Liang. Since the early Tang Dynasty, the two generations of Yu and Chu changed the law, which coincided with each other, and the right army father and son almost resurrected.
This statement is not easy to understand, it is the easiest to copy and difficult to spread. If you suddenly meet a stranger, you don't have to look at his eyes, ears, hands, feet and head, but at his behavior, laughter and true spirit.
Zhuangzi called it ".