Nowadays, the strokes of Mao calligraphy are sparse and open, smart and elegant, delicate and steady, chic and dignified. The strokes are smoother than the original fonts, avoiding the dull and muddy impression, and more concentrated and typical embodying the inner charm and aesthetic spirit of Chairman Mao's calligraphy. Among them,
The Chinese character "Zhong" has beautiful structure, clean strokes, clear and symmetrical structure, powerful opening and closing and magnificent atmosphere. As the first word of the school name, it is actually appropriate;
The word "Nan" basically retains the original trace of the original school name font, but slightly retouches and modifies the stroke thickness and the upper half, so that the word no longer feels squeezed and blocked from the page, and it is more transparent and unified, which is consistent with the composition of the current word;
The word "nation" is peculiar and stubborn in graceful and restrained display, full of dynamic brushwork and lively jumping, which can better reflect the special style and charm of Chairman Mao's calligraphy than the original name of the school.
The word "big" basically retains the original word, but slightly modifies the strokes to make it more balanced and dynamic;
The word "Xue" has ingenious changes in thickness in structure, sharp contrast between shades, bold and delicate, artistic combination of complexity and simplicity, and large and heavy structure. As an ending word, it can suppress the overall situation, avoid the disadvantages of anticlimactic and gradually winning over the weak, and is consistent with the word "zhong"
In a word, the inherent meaning of the calligraphy of the above six words has basically maintained consistency, and the words echo each other and the style has reached a high degree of harmony. The bigger the font, the better.