What I want to say most is that although China's calligraphy life was not smooth sailing, it was once brilliant and not less bleak, but at least it continued to develop with tenacious will, and the changes in his life have to be said to be a miracle. In this book, I got to know Oracle Bone Inscriptions, seal script, official script, regular script, running script, cursive script, tablet, forbidden tablet and epitaph, all of which are the pride of China people. I am proud of the development of Chinese characters in China, and even more impressed by the efforts of ancient calligraphers in calligraphy.
The calligrapher introduced in this book impressed me the most is the monk Huai Su. Huai Su comes from a poor family. In order to write, he planted many banana trees in front of the courtyard and practiced calligraphy with the leaves of banana trees. Day after day, year after year, his persistence and persistence are amazing. Later, he could pile up a hill with a broken pen.
Later, in order to learn calligraphy better, he went from Changsha, Hunan to Chang 'an to ask Wu Tong, a disciple of Zhang Xu and Zhang Xu. I suddenly felt Huai Su's fascination with calligraphy. Isn't it the charm of China's calligraphy that he can persist in pursuing his dreams even when he is too poor to ensure food and clothing? Yes, exactly! Our Chinese sons and daughters should inherit and carry forward Huai Su's indomitable virtue and China's Chinese characters.