"What we are shouldering is a huge burden."
Qian Yuting, Beijing Opera Blues, a student of Kunwu Class, is also an undergraduate of Kunju Opera in China. Her teacher is Wang Zhiquan, a Kunqu performing artist and the "dancing queen" of China.
Qian Yuting Kunshan, the birthplace of Kunqu Opera. But in her impression, relatives and friends around her didn't know that her hometown was the birthplace of Kunqu Opera, until she was admitted to the Opera School affiliated to Shanghai Theatre Academy and began to learn Kunqu Opera.
/kloc-When he was 0/2 years old, Qian Yuting specially prepared a Peony Pavilion for the entrance examination of Kunqu Opera class. The soap robe in the garden is a good sister. That sentence, "It turned out to be colorful, and it seems that all the wells have been broken." It has been sung through the ages and is well known to women and children. Du Liniang played by Qian Yuting is Xiao Chunxiang, a servant girl in Du Liniang.
"I am a very active person myself." Qian Yuting said: "At school, sports are good in all aspects." It is also reasonable for her to play lively incense. I just didn't expect this active "Xiaochunxiang" to kick a gun in the examination room. It was such an action that attracted Wang Zhiquan's attention, remembered her at once, and changed her fate-became a Wu Dan.
"My teacher has been teaching me since I entered school, and I was fed a mouthful of milk by my teacher," Qian Yuting said. "Even now that I have entered the company, the teacher is still teaching me drama, so I am still very lucky."
Wang Zhiquan is 78 years old this year, but she still often comes to the room of Shanghai Kunqu Opera Troupe to give performances to Qian Yuting, make demonstrations and accompany her. "Although I retired, I have been there. I can still bend down, so I can show her those moves. " Wang Zhiquan said: "The other thing is to talk about the model. In the past, our teacher just let us practice by ourselves. Now I want to tell her what the point is. "
Wang Zhiquan is familiar with this room in Shang Kun. She studied and performed wudan's housekeeping dramas "The Legend of the White Snake", "Zhao Jun went out to the fortress" and "Hu Jiazhuang" side by side, which was well received. Now, she is here to teach her followers hand in hand.
"Xiao Sheng Xiao Dan's plays are more exciting than a single play," Qian Yuting said. "Then we in Wu Dan are actually incidentally, and my teacher can do this. She also experienced a lot of ups and downs, and finally compiled a lot of Wu Dan's plays. "
"Ku Yin" is the one with the most weapons among all the plays studied by Qian Yuting. Treasury Silver is a 10% discount in The Legend of the White Snake, which tells the story that the White Snake sent Xiaoqing to steal silver for the benefit of the people. In order to practice "banking", Qian Yuting has a unique "arsenal" in her room. Yun Zhou, Shuang Bian, Single Knife, Wudan Knife and Double Hammer-almost all the guys in these "Arsenal" are their nests, which makes people dizzying.
"I didn't learn this drama until I entered the unit. I have never learned this play in drama school before. " Thanks to the "one group, one policy" and "academic system" of Shanghai Kunqu Opera Troupe, Qian Yuting continued to learn this major from Wang Zhiquan after work. "Because I have to attend many rehearsals of the unit at the same time, I can only squeeze some gaps for my class. In class, the teacher can also tell me about the model. I can only rely on myself in private and have been smashed countless times. "
Shuang Bian's hand is the most distinctive action in Treasury Silver. It is difficult and thrilling to perform, but it is beautiful. Shuang Bian on the stage has a big head and a small head, and dancers need to master this balance skillfully. Shuang Bian has also become the longest process in Qian Yuting's research. Qian Yuting and Shuang Bian almost practiced in spring, summer, autumn and winter. During that time, everyone could see Qian Yuting in Shuang Bian, and she never left her hand. Even when chatting with others during the break, Shuang Bian in her hand keeps moving, which is "take that" in popular words.
"Once I remember competing with myself and telling myself that I must succeed ten times in a row today. If it breaks in the middle, it won't count if it falls. Come again. " Qian Yuting recalled that she ran to the vacant small theater and practiced in the dark. "In fact, I have been to this process, maybe a dozen times, but it still didn't succeed. Then I will still compete with myself. The result is too fierce. I hit my chin, and then it hurt, this grievance, and the fire that was fighting with me. Then I cried in that theater. "
In 2022, Qian Yuting held a solo performance in Shanghai Grand Theatre, which was also held by one of the post-90s actors of Kunwu Class of Shanghai Kunju Opera Troupe. "I didn't expect to hold a personal concert in my twenties." At this special session, Qian Yuting finally presented the audience with the library silver that she had practiced for more than a year.
"I have missed one thing. I told myself that if I make a mistake on the stage, I must not panic. If I can fix it, I must try again. If there is no way to remedy it, then I will better complete the next action and don't be affected by it. " Qian Yuting said: "I look back at my performance that day and I regret it. I think I should do better in this place. "
"There must be someone. Instead of rushing forward blindly, or blindly saying that I want to show off my movements and attract attention. In fact, everything is for the characters of Kunqu Opera. " Just after the New Year, Qian Yuting invited the teacher to the room again and continued to study Kuyin. In Qian Yuting's view, every play he learns has no period, and it is always followed by a comma. "Learning to perform is not the end, there are many more behind."
"It's not that actors rely on big dramas, but it's certain." Qian Yuting said: "I think every actor should have this idea. He wants to be in the middle and want to be the protagonist." As a teacher, Wang Zhiquan has been fighting for opportunities for his students. "After learning the tricks, I will ask her to perform. That's all that matters. As long as one performance is successful, there will be a second and a third performance. Well, for herself, she has confidence in herself. She thinks I am so bitter, and others think you are bitter. I feel that although it is bitter, it is rewarding. "
Qian Yuting has been studying Kunqu Opera for 15 years, and she admits that she sometimes feels confused. When she first entered the drama school, she took a taxi. The driver thought she was a TV actress. When she learned that she was a Kunqu opera actress, the driver suddenly said, "Oh, it's an actress." This derogatory name made Qian Yuting feel at a loss. "Because we are the younger generation, and then we are impacted by many new things, you feel that the major is so old and so small. My future road is good. But when it comes to giving up, few of us say I quit. I'm leaving. I still got a lot of affirmation from it, and then the flowers applauded. I am also very satisfied with my sense of accomplishment. This is how I give up, and I am not willing to give up myself. "
In her spare time on weekdays, Qian Yuting, like many young people, will go to class to learn something, such as guqin, calligraphy, modern dance and so on. In the process of studying, I also made a group of friends. "My teacher often encourages us to try and then learn, including often going to see some different arts. She thinks this is a better way for us to absorb some new and different nutrients. " Qian Yuting said: "Because we are all young people, we have one thing in common, that is, we are all studying very old art". At the same time of inheritance, after all, young people want to have new things, so a group of young people often get together to spread their thoughts. If everyone feels good, we will work hard and put it into action. "Qian Yuting cooperated with Guqin Society before and made a play, which was well received in the film and the broadcast volume has exceeded 400,000.
A group of young people get together to talk about Kunqu opera and brainstorm, which was unimaginable in the 19 10 era. "Because in the 1980s and 1990s, we experienced a very painful situation, and there were more actors on the stage than the audience." Gu, head of the Shanghai Kunqu Opera Troupe, said: "Today, many operas are performed in Shanghai because we have a group of excellent arts, and they are the representatives of operas, because China's traditional drama art is still a corner in the end. Many viewers came to see this corner. Now, as a national treasure, two-thirds of Kunqu artists are in Shanghai. Then their inheritance, their performances and their teaching will attract all parts of the country, so this is the advantage of Shanghai. There is another very important reason. The overall cultural literacy of the Shanghai audience is different from his respect for culture. "
12 years ago, in order to seek the audience and vitality of Kunqu Opera, Shanghai Kunqu Opera Troupe established "Kunqu Opera Follow Me". From only one class to nearly twenty classes at the scene. Qian Yuting also welcomed a group of students in her Udan class two years ago.
"I once saw in class, wow, there was a row of people sitting in front." Qian Yuting said: "They come from all walks of life, some are finance, some are architects, and some are small white-collar workers from foreign companies. The youngest is the post-90 s who is about my age, and the older one should have a classmate in his fifties. "
In class, Qian Yuting will teach the teacher some basic skills, such as cloud hand, rounder, lying fish and so on. "This is what I learned from the teacher. Take off the parts first, so that you can finish the whole play slowly. "
Two years later, Qian Yuting became one with the students. "Our younger generation may not be so familiar with the audience, so I followme, my students, and they actually become my fans from another angle. Then they will expand outward and I will have more fans. "
"From the growth of followme, we can also see respect for traditional culture and a good embodiment of traditional culture returning to self-confidence." Gu Hao said: "Because only more and more people like to understand and respect traditional culture can we really call it cultural self-confidence."
(Look at the news Knews reporter: Wei Xing Wang Jianhui Jiang Tao Intern reporter: Lai Shengyang Editor: Zhu Yongbin)
The above is about the fiftieth birthday of the Year of the Rabbit and the sharing of Kunqu Opera. I saw which year the rabbit was born. I hope this will help everyone!