Appreciation of Yan Zhenqing's calligraphy and calligraphy pictures
Yan Zhenqing's calligraphy picture 1
Yan Zhenqing running script calligraphy picture 2
Yan Zhenqing running script calligraphy picture 3
Yan Zhenqing running script calligraphy picture 4
Yan Zhenqing running script calligraphy picture 5
Yan Zhenqing running script calligraphy picture 6
Yan Zhenqing running script calligraphy picture 7
Yan Zhenqing running script calligraphy picture 8
The writing development of running script is a writing style between regular script and cursive script, which appeared in the late Western Han Dynasty and the early Eastern Han Dynasty. The name of running script first appeared in Wei Heng's Four-body Calligraphy in the Western Jin Dynasty:? Zhong (Yao) and Hu (Zhao) are both calligraphers, and they all learned from learning. ? In the Tang Dynasty, Zhang Huaiguan recorded in the Book End: So did the calligrapher Liu Desheng. That is, the official book is small and fake, and the service is simple and popular, so it is called a running account. ? Zhang Huaiguan also said in his Book Discussion: My husband's calligraphy is not rough and true, and it is far from the square. It focuses on the period between Ji and Meng. It's really true, and the grass is called grass. ? Feng Fang in Ming Dynasty has a more vivid description in Ji Shu:? Write without stopping, write without engraving, gently turn and press again, like water flowing, uninterrupted, and business will last forever. ? Because of its unique artistic expression and wide practicability, running script has been favored and widely circulated since its birth. After the golden period of Wei and Jin Dynasties and the development period of Tang Dynasty, running script reached a new peak in Song Dynasty and gradually occupied the mainstream position in various calligraphy styles. Throughout the long history of calligraphy, the development of seal script, official script and regular script has ups and downs, while running script is immortal, which has always been a prominent study in calligraphy. Great calligraphers of past dynasties wrote a glorious history of running script development.
With the vigorous development of contemporary calligraphy art, the exploration and innovation of running script creation has set off wave after wave of upsurge, showing a diversified and prosperous scene. In the complicated heat wave of calligraphy, the author makes rational exploration with his own understanding and persistent pursuit of calligraphy, and summarizes some preliminary experiences and insights from years of practice.