2. The struggle between dragons and snakes: it is a form of cursive script, which shows the most vivid image and realm in the abstract form with the most verve in calligraphy art. Cursive script, such as a dragon flying in the air, a tiger lying in a phoenix que, and a frightened snake entering the grass, has been strongly expressed in cursive script.
3. Although Boli wants to distinguish: it is said that writing cursive script requires dharma, which is the so-called "a difference of a millionth is a difference of a thousand miles". The slight difference is that there are two different cursive characters, and the stroke length can also change a cursive character, but these have their own distinguishing methods.
4, the body must be finished: the quality of cursive writing varies from body to body, and the body should be perfect, which is what we often say, the momentum is not good, even if the brushwork is good.
5, a little square is water: a little above, vertical to the right below, next to the three-point water;
6, empty pick is a word: vertical painting right pick, but next to the word.
7. Miantou has no left bank: Bao Yinmian. When writing Bao Gaitou, you don't have to write the point on the left;
8. East of Bian Que: Pronunciation is long and circling. When you write the bottom, you just need to stand the bag right and left.
Introduction:
The full text 106 couplet of Song of the Secret Grass is all couplets except the first couplet and the second couplet, which completely conforms to the long law (exclusive law) rules; The first sentence enters rhyme, *** 107 rhyme, although it is not rhyme in the end, it is all flat rhyme;
In the 2 12 sentence, only "Don't separate harmony" and "Cha Ju Rong is from the same family" committed the "three-level tune", "Tian Yue soil becomes wild, and the sound is closed after 79 years" is inaccurate, "grievance lies in the knee" and the couplets are inaccurate.
As we all know, the poetic law originated from the new poetic style "Yongming Style" proposed by Shen Yue, the Emperor of the Qi Dynasty in the Southern Dynasties. It was put forward on the basis that Zhou Yong was inspired by the Indian Buddhist scriptures and Sanskrit phonology, and found that Chinese characters had four tones, which didn't mature until the early Tang Dynasty.
Prairie Song consists of Wang Xizhi's Prairie Song and Dong Qichang's Prairie Song. Words and expressions are the same, and the cursive method of words is similar. The publication of Song of Weeds is not accidental. Regular script reached its peak in the Tang Dynasty, and calligraphers in the Song Dynasty turned to cursive script.