After Shen was dismissed from office, he became Zaifu and Ye in May of the thirty-fifth year of Wanli, a senior minister of Jinli Department and a university student of Dongge. The following year, records of Zhu Geng died of illness, and he was promoted to records.
At that time, Zongshen ignored North Korea for a long time, Li Tingji, the cabinet minister, was attacked by public opinion and turned a blind eye to domestic politics, leaving only Ye in the cabinet. In the face of political chaos, the struggle between parties has intensified. He urged to increase the number of cabinet ministers, fill other vacant positions, and stop mining taxes, and called 100 many times. Ye himself is a veteran of the party, but he has been an official for many years and tried to get along with the Zhejiang party. So he also mediated several party struggles. However, due to the deep grievances between the parties, his mediation is difficult to achieve results. After many mediation failures, Ye felt powerless and insisted on resigning. In August of the 42nd year of Wanli, he joined Shao Shi and became an official of the Prince. In the first year of Guangzong Taichang (AD 1620), Ye, who had lived at home for six years, was called to take notes. Before he could make a difference, Guangzong died of illness.
In the first year of the Apocalypse (A.D. 162 1), Xizong was a university student in the Jidian Temple of Ye Jinzhong, and served as the first record for the third time. Xizong ascended the throne in his early years and was manipulated by his nanny Hakka and eunuch Wei Zhongxian. Wei Zhongxian, who was in charge of Silijian, used the power of reading articles on behalf of the emperor to make waves, and successively expelled a number of incorruptible ministers from the court, such as Zhou Jiamo, the official department minister, and Liao, a university student. Ye was aboveboard, accepted wise men, and spared no effort to protect a number of courtiers such as Shuaizhong, Chen Liangxun and Xiong Tingbi. In the fourth year of the apocalypse, Wei Zhongxian became powerful and began to kill Lindong party member. All honest people in North Korea were accused of being Lindong Party, exiled or killed. Party member, Wang Zhongxian, also compiled a blacklist, named Point to Road. Ye is listed as the leader of the party because he is the representative of the Korean clean stream. Ye saw the dark clouds overwhelming the city and was unable to support himself, so he became an official in July of the same year.
In A.D. 1627, Xizong died, and Ye also died in the same year at the age of 69. Four cases (Emperor Chongzhen) acceded to the throne. After killing Wei Zhongxian, he was posthumously awarded as a surname and posthumous title as Wenzhong.
Ye Gao Xiang (1559- 1627), also known as Mount Tai, was a "veteran of the Three Dynasties" in the Ming Dynasty, and was famous for his meticulous poetry and exquisite chess skills. 1582, Italian missionary Matteo Ricci (1552- 16 10) was called to China to preach. 1598 arrived in Beijing on September 7th. 1May, 60018th, Matteo Ricci went to Beijing again, and was allowed to settle in the following year124th.
According to records, in the 27th year of Wanli (1599), when Ye was the right assistant minister in Nanjing, he met Matteo Ricci for the first time and learned the skills of Go with Matteo Ricci. The two sides discussed the issue of Go, and everyone was happy. In the thirty-fifth year of Wanli (1607), after Ye was promoted to the position of cabinet record, he hosted a banquet for Matteo Ricci in a private house in Beijing, and once again forged a deep friendship with Matteo Ricci through Weiqi. Matteo Ricci recorded Go in his Notes of Matteo Ricci China. It is said that these characters are the first record of China's Go in European history.
Ye was very happy to meet knowledgeable international friends, so he happily wrote a poem for Western Philosophers and gave it to the other party: "Heaven and earth believe endlessly, and Xiao Zhi is content. There are westerners, from 80 thousand miles. Chinese-style writing has a deep relationship with my Confucianism. Write more proverbs and make friends with all wise men. Shu is treacherous and kind, and prosperous and contemptible. Sanctified by nine, different parties are on the same track. A glimpse of the arrested Confucian scholars speaks for itself. I also swim with it, waiting for the meaning. " The manuscript of this poem is now kept in the National Library of France.
16 10 in may, Matteo Ricci died in Beijing. Traditionally, missionaries who died in China had to be buried in the cemetery of Macau Theological Seminary. Matteo Ricci had a wish to buy a cemetery in the suburbs of Beijing before his death, and foreign missionaries and China believers also hoped that the emperor would give him land to bury Matteo Ricci. But if so, it would be tantamount to recognizing the legal status of foreign churches in China. After consultation, foreign missionaries presented a manuscript to the emperor in the name of a Spanish priest. Ming Shenzong is a lazy man. He always ignores reading newspapers. On the third day, he handed it over to the cabinet university student Ye, and handled it as usual. Ye, who had a deep friendship with Matteo Ricci, ordered his men to transfer this letter from the Ministry of Commerce to the Ministry of Ritual for handling, and Matteo Ricci was finally allowed to be buried in the suburbs of Beijing. When some officials objected to the move on the grounds that there was no such situation, Ye retorted, "Since ancient times, foreigners have learned as much moral knowledge in China as children." ? If nothing else, it is to translate the book Geometry Elements and give it a cheap burial place. "
/kloc-in 0/624, Ye Taishan in Zhifu Guili invited Giglio giulio aleni, an Italian missionary known as "Western Confucius", to Fuzhou, and the "Three Mountains Theory" became a much-told story for a while. Ai went to Fuzhou and preached there for 25 years. It is worth noting that Ai wrote a lot, especially in order to introduce the new geographical knowledge after the great discovery of western geography into China, he compiled a book "Beyond the Staff", which was widely circulated. From this, we can also see an open attitude of Shilin in the late Ming Dynasty and his interest in the West.
100 years old, lost three times to Ye Gao Xiang.
The story of Ye playing chess with a famous little chess player in his 100 s is very interesting. 100 years old, from Wuxi, Jiangsu Province, was the most accomplished and famous national chess player in the late Ming Dynasty. He is gifted and intelligent. He became familiar with Go at the age of 1 1. He often wins games with adult players and is famous in Jiangnan.
It is said that when Ye was in the cabinet, he often invited his colleagues to play chess in his spare time. However, he didn't meet the enemy for several years. In the first year of Taichang, Ye entered the cabinet again. When he passed by Wuxi, he heard Bai Bailing's art in small talk and specially wrote an invitation to invite Bai Bailing to play chess.
Ye Gao Xiang 100 is over years old. When I saw him as a child, I ignored him. However, after a battle, Ye lost three games in a row and felt ashamed. The father who is over 100 years old, watching the war, whispered to his son in a trembling voice, "Your opponent is the same country, please have mercy ..." Over 100 years old disagreed, and Qingyin replied, "Although playing chess is a unique skill, isn't it a pity to flatter people in vain? Besides, Guo Xiang is so smart, how can he blame me for being a little boy? "
Ye was very surprised at this. He got up and said to his father, who was over 100 years old, "Your son is not only a superb chess player, but also an honest and frank man by nature, and he will definitely become an excellent chess player in the future. Fang has a lot of things to do today, and he needs such talents. I have something to ask you. I wonder if I can agree? " Seeing that his son was praised, the over-100-year-old father quickly replied, "The child is ignorant and offended Guo Xiang. If the adults have any instructions, the old man will certainly do it! " Ye Gao Xiang said, "Your son has this genius, and your father-in-law taught his son well. I want to take him to Beijing and ask a famous teacher to teach me the art of running the country and keeping the country safe. What do you think? " Before his over-100-year-old father could answer, the over-100-year-old man first said, "If the child hasn't finished his studies, he might as well not go." Hearing this, Ye guessed that he was over 100 years old, and he was afraid of being called a snob. He didn't want to go with the dignitaries and didn't embarrass him, so he had to give up.
After Ye went to Beijing, he played chess with his chess friends and won in a row. His chess friends called him a "national player". Ye Gao Xiang replied shyly, "No one knows, but the old man was defeated by a boy in Wuxi." Chess friends quickly echoed: "Even so, old Guo Xiang is still worthy of being the second in chess." From then on, Ye had the theory of "second in chess".
The above interesting story is recorded in detail in the book "Biography of a Hundred Years Old" written by Qin Songling, a fellow countryman who is over 100 years old: "... Mr. Ye Xuege Fuqing Taishan, playing chess second, crossing the Western Hills and seeking revenge. Mr. Zhu Xiang 100 years old is called. Even though it was a boy, Ye Gong was already surprised. As the game goes on, Ye Gong needs to bear it. Mr. Xiang whispered in Bailing's ear,' Ye Gongxian, if Sun is negative, how can he win again and again?' Bai Ling suddenly said,' I am ashamed to learn tricks, but I don't want to flatter others. How can a man be guilty of being a boy when he leaves a virtuous man? "Ye Gong's fruit is beneficial to the utensil. He wants to learn the unfinished words with the North. Nature is in the name of lark, make Jiangnan, so I can play chess ... "
Ye and the "Yi" incident that was over 100 years old, the Qing Dynasty poet Qian You wrote a poem: "Eight-year-old children go to the altar to play chess, and the white-headed flag promises who to do it. In a few years, it will be difficult to judge the bureau from behind. Wu Bangqing oil and chess master, Dongshan Taifu Xu Sui, romantic prime minister Qing, know the chess edge. " The first four sentences say that 100 years old will enter the chess world and dominate for decades until he is white-haired. The "Dongshan Taifu" mentioned in the last four sentences refers to Ye.
Calligrapher of the Ming Dynasty, the word Jin Qing,no. Taishan, was born in Fuqing, Fujian. In the 11th year of Wanli (1583), he was a scholar, a minister of official ceremonies, and a university student in Dongge. Shi Wenzhong. Industrial calligraphy, especially cursive script, has been passed down in Tongzhi, Fujian.
Ye's work published here is a cursive five-character banner (He Chuangshi Calligraphy Art Collection in Taiwan Province Province). This work has the appearance of free and easy, strict statutes, the beauty of Dong Qichang's soft book, neat brushwork and no carelessness. Among them, the pen is used in the front, and it can be given up. The pen can take more time and delay, but it contains bones and muscles, and the brushwork is wrapped in needles, which is a masterpiece. In addition, the composition of this work is good, the beauty is ups and downs, the brushwork is smooth, and the pen is full of Qi Li, so it is calm and orderly, and it can be seen that there are layers and agility. Therefore, the more I look at it, the more I feel that my character is noble, and the more I look at it, the more I feel that there is a vigorous wind in free and easy.
In calligraphy writing, the pen has two functions to slow down the momentum. One is to write a book with a slow momentum, so that you can write calmly and make the brushwork move, stumble and twist naturally and vividly, without suddenly falling into a vulgar state; Second, using the pen calmly can make the stroke change more tactfully, write skillfully and subtly, and make the written words move silently. In this respect, Ye's calligraphy can be said to be the most wonderful part of write slowly's calligraphy-because, from the analysis of his calligraphy works, we know that although he wrote in write slowly, in fact, his calligraphy still looks like a kind of fluent beauty.
We believe that the beauty of agility and freedom in Ye's calligraphy and the beauty of freshness in his calligraphy are also closely related to his wrist movement skills. As we all know, when writing a book in five characters, the writer will decide how to grasp it according to the size of the written words. In actual writing, because the author can guide his brushwork skills in a "potential rhyme circle" generated by wrist movement, the writer will inevitably "taste" the indifferent psychological beauty brought by writing a book with his wrist-that's all, and so is Ye's calligraphy. As can be seen from his calligraphy, his calligraphy creation has reached a state of freedom and harmony, and his accomplishments are extraordinary.
Generally speaking, Ye's calligraphy will not destroy people's hearts at once, but his calligraphy has the rhythm and rhythm of Tang poetry and Song poetry, and the unique melody beauty of Chinese classical music, so it is very tasty. Li Yu, an aesthetician of drama, literature and garden in Qing Dynasty, once said that drama should be able to capture emotions, but to capture emotions, it must be "unexpected and unpredictable, which is a good play"; Li Yu said that this also applies to appreciating Ye's calligraphy. Please look at the beginning of the second word "Zi" in his cursive five-law flag. First, the center goes down with the trend, and then he draws a cross with the same trend. Then, he raised his wrist and turned the pen tip once, and an unexpected, elusive and wonderful beauty of calligraphy was presented to the audience. It's really amazing.
Of course, more importantly, in Ye's calligraphy, the superb technical performance mentioned above is not an accidental special case, but a natural expression of his calligraphy quality. Therefore, his calligraphy can finally be elegant, ups and downs, beautiful, smart and changeable, with a kind of self-satisfied, free and easy, high-spirited beauty. In this sense, it can be said that Ye's calligraphy is precisely because he lives in an era atmosphere that attaches importance to cultural accomplishment and personal spiritual expression. Therefore, it is possible for him to write calligraphy with emotion, and the words he writes can be natural, neat, fantastic and delicate, without the disadvantages of sloppiness.
In a word, Ye's works are exquisite, gentle, charming and charming, magnanimous and ready to go. The whole work is bright and refreshing, and the paintings set each other off. It is rich in bone and flesh, and the essence, spirit and spirit are getting better and better, touching the soul. Therefore, they have a charming beauty, which can be regarded as the Ming Dynasty.