Brief introduction of Zhang Hei's epitaph

Epitaph of Zhang Hei Female was originally named Epitaph of Zhang Xuan, and its full name was Epitaph of Zhang Xuan, the satrap of Wei Nanyang. The tomb worships the black woman in the dark, and people used to call it "the epitaph of a black woman" since then, because it avoided the taboo of Emperor Kangxi Aisingiorro. This tablet was inscribed in October of the first year of Putai in the Northern Wei Dynasty (AD 53 1). The land is unknown, and the word buried in Pubancheng goes down in history. According to research, it should be in Yongji County, Shaanxi Province. The original stone has long been lost, and now only the old rubbings of He Zizhen in the Qing Dynasty have been handed down from generation to generation, and are now in the Shanghai Museum. Pirates are hard to distinguish. Elegant, quaint, Shu Ya, elegant and so on, with different names and slightly different connotations. Elegance is a universal and popular term, which can include all aesthetic types of elegance. There are two characteristics of elegance-antiquity and elegance, which have both the characteristics of general elegance and the connotations of simplicity and antiquity. Although Shu Ya is elegant, it doesn't have to be ancient. It is soothing, smooth, comfortable and fresh on the basis of elegance. Or it can be said that it is soothing, smooth, comfortable and fresh, which makes "elegance" richer and more substantial. The beauty of Epitaph of a Black Woman belongs to Shu Ya's category, so it depends on the lightness and fluency of its pen on the one hand and the lightness and naturalness of its structure on the other.