It may be unexpected that Zhu Jun's calligraphy benefited from Fan Ceng. As a contemporary "master of Chinese painting", Fan Ceng still has a thorough understanding of calligraphy. Fan Ceng is not the kind of person who hides anything, but also an old man who is a "mentor". For some unknown reason, Zhu Jun became a closed disciple of Fan Ceng. As close as Zhao Zhongxiang, the friendship of more than 40 years is not as good as Zhu Jun's blessing. After studying painting with Fan Ceng, natural calligraphy will not fall behind. Fan Ceng's calligraphy is highly recognizable, and he is called "dung beetle". I'm afraid everyone knows what it is.
Fan Ceng's calligraphy is written like this. What is the calligraphy of the disciples taught? In fact, we can't say that Zhu Jun's handwriting is not good. It's interesting from a distance, but the painting we saw recently is not the same thing. This small series will not wronged Zhu Jun, nor will it want to denigrate Zhu Jun's calligraphy art. In the spirit of seeking truth from facts, it will show you the whole picture of Zhu Jun's calligraphy and give you a new understanding of it.
I dipped in a lot of ink, but I couldn't write.
In fact, everyone knows whether calligraphy works are good or not, and the most intuitive thing is the first impression that calligraphy gives people. This spirit is a very abstract thing, and you are not sure what it is. To put it bluntly, the so-called spirit is the spiritual outlook displayed by calligraphy. Bian Xiao gave you an obvious example, such as the calligraphy of Qigong. When reading it, it shows that the literati calligraphy looks very calligraphy and the overall spirit is still there. Let's take a look at Zhu Jun's calligraphy. At most, the word "diligent" can be written, but it looks awkward.
This embarrassment gives the impression that when Zhu Jun wrote these four words, it was dipped in a lot of ink. The most obvious is the word "reward", which has been pondered a lot. Ink looks heavy, but this energy is unknown. Generally speaking, these four words are also very passive, and they always feel that they are not displayed, giving people a feeling of tying their arms and legs. In short, the texture of calligraphy is scattered and trivial. In fact, in the final analysis, it is because calligraphy is not solid, otherwise the pen and ink will not be so sloppy.
Fat, wide, thin, hard and rude.
If this calligraphy is to be beautiful, it really needs to be fine, hard and decent. Song Huizong, for example, can achieve something even if she is extremely thin. However, Zhu Jun's calligraphy looks unnatural because of its fat structure. Everyone pays attention to the words "bright future" he wrote. What he really wrote should be combative and look powerful, but what he wrote is not the same thing.
When Zhu Jun wrote these four words, she felt as uncomfortable as a woman with little feet. The calligraphy written in this way is also rude, and there is no such masculinity as satisfaction and enmity. It seems that these four words are really fat and wide. To put it bluntly, fat places are not fat, and thin places are not thin. This creates a passive and embarrassing situation, that is, the calligraphy is thin and hard, which looks unnatural.
Zhu Jun studied Chinese painting from Fan Ceng, and his calligraphy was more or less influenced by his tutor Fan Ceng. It can be seen from his calligraphy works that he is really willing to dip in ink, but he can't write, and he is fat and hard. This is an obvious misunderstanding of Zhu Jun's calligraphy, and there is still a long way to go on the road of calligraphy. It can be seen that Zhu Jun still has to learn calligraphy like his teacher, and he will certainly gain something in calligraphy in the future. But the art of calligraphy is useless, and it still needs heartfelt love and diligent practice.