Comparing the calligraphy art of Wang Xizhi and Wang Xianzhi, there are different opinions in the history of calligraphy. Here is a brief introduction.
"Inward (repulsive)" and
"outreach". The technical characteristics of the "two kings" are often marked by "inside" and "outside". For example, He Liang Jun's "Four Friends Zhai Shu Lun" in the Ming Dynasty said: "The big order is expanded with a pen, so it is scattered and colorful";
"The right army used the pen' inside (boring)' to gather, and it was radiant, just strange and complicated." Modern Shen also said: it is very reasonable for future generations to distinguish the writings of the "two kings" by extension from the inside (annoying) outside. The king is "annoyed" inside.
Xiao Wang "extends". Try reading the book of the king, vigorous and straight, beautiful and quiet; Xiao Wang's book is only soft, but it has actually increased. Explain the meaning of "internal (aversion) and external extension" in visual terms. "Inside (disgust)" is bone.
The book of (backbone) victory, "expansion" is the book of strength (strength) victory, and the book of "expansion straight down" of the right army is "painting sand like a cone". The visualization of "expansion" can be described as "leakage marks", which means more indulgence and more convergence.
Less (see Book of Two Kings). Although the use of "inside" and "outside" can explain many differences in the calligraphy of "Two Kings", it can't cover all aspects, and careful investigation may not be very scientific. Wang Ke "is inside (yeah)
Tired) can also be "extension". When it is mainly "internal" and supplemented by "external extension", Wang Neng Jr. can also be "internal". When it is mainly "external extension" and supplemented by "internal", it is directional.
The aesthetic ideal of self is transferred. Pan Boying said: "Some people say that Xi has both" inside "and" outside ". This is only half said at most. " (On China's Calligraphy) This statement is quite insightful.
Skills and technology
Identify the source. In the Qing Dynasty, Bao stated his views in Yi Yi, criticizing Mi Fei's view that "the calligraphy of the right army is divided into Chinese characters and goes deep into the views of the corps commander (referring to Cai Yong); The big order is the source of cursive script, and the wonderful prime minister (refers to Li
) ....... Mi Lao's theory of "the right army contained, and the big order was expanded" backfired. Modern Hou Jingchang thinks that Bao thinks that Wang's pen originated from Li and Xiao Wang's pen originated from seal script, which is debatable. Hou Shi summed up Zhong You in one sentence.
The characteristics and origins of Wang Xizhi's and Sanzhen's scripts: Zhong Shan turns over, Wang Shan sings and Xiao Wang Shan zhi; Digging out in the sub-book, Song came from seal script, directly from official script (on the authenticity of Zhong Wang's True Books and Preface to Lanting). Looks like Rainbow.
There are two main sources of father-son calligraphy, the distant source comes from seal script in Qin and Han dynasties, and the near source comes from Zhong and Zhang, and then they are cultivated and cast to develop their own style.
The difference between cursive script and cotton. Wang Xizhi learned Zhang Zhi's cursive script from the situation.
Break through the division and isolation of Cao Zhang, hook up, but generally do not do multi-word cotton, only print two or three words at a time. He took advantage of Cao Zhang's turn and developed into an introverted and accumulated modern grass. Not only did he learn from his father, but he also learned from Zhang Zhi and broke through Wang.
The pattern of the combination of Xi and mian has become the connection of more words, which is "a book"; From introversion to extravagance, from accumulation to escape. The so-called "a book" refers to "a pen, occasionally intermittent and continuous, and
In addition, the climate is staggered. Only the son respects his profound thoughts, so the words at the beginning of the line often follow the end of the line "(see broken books). The world says that "One Book" started with Zhang Zhi, while Wang Xianzhi took Zhang Zhi as the "lever" and the grass of Xi.
Books are the "fulcrum" to complete a kind of "broken body" creation.
Bone potential differentiation. Yang Xin said, "A good servant is not as good as a father." Zhang Huaiguan's book "Broken" said: "I regret that it is still rich in autumn, unrestrained and unrestrained."
Incomplete, sometimes insignificant. "Wang Xianzhi's main extension and escape, so sometimes in the rapid cycle failed to calm and happy, and there is a suspicion of neglect; And Wang Xizhi has a strong personality, so he has a strong personality. Of course, this is from the top.
Online comparison. Didn't Wang Xianzhi dive heavily? For example, in the Thirteen Lines of Luo Shen Fu, Zhang Tingji in Qing Dynasty said in the inscription of Qingyi Pavilion: "The wind is thick, wonderful and moving"; "However, the wind is shaking, the spirit is strong, and there is no beauty."
Of course, Wang Xianzhi died in middle age. If he can exercise for many years, his bone potential will be better.
Fifth, the distinction between charm and interest. Wang Sengqian once said: "Dedication is far less than father's, but there are too many charms." Yang Xin said the same thing. Xian Wang
The artistic style of the book is like the phoenix dance, which takes the beauty of the hook, the joy of flying and the color of flying ink as its escape. Zhang Huaiguan's "On Books" said that its posture "is the most romantic if it is popular and loose, polished and blossomed."
And ... "At the same time, it is also pointed out that Wang Xianzhi" sometimes loses, regardless of the defects ". In fact, Wang Xizhi's books are also charming, so they are criticized. There is a saying in Han Yu's "Song of the Stone Drum" that "Wang Xizhi's ripe body is beautiful". Zhang Huaiguan also said that he "has a daughter.
Lang Cai, no husband. "The charm in Jin calligraphy is related to the fashion of the times. This charm is a male charm, not a gentle charm. The charm of dedication is more radiant than his father in the flow and sudden release.
How charming.
Sixth, the distinction between artistic philosophy and thinking. Wang Xizhi's calligraphy philosophy is mainly manifested in the neutralization, harmony and unity among various opposing factors. Good at calligraphy (such as fat and thin, Fiona Fang, short and long, flesh and blood)
Wait a minute. ), and there is nothing wrong with the appearance of calligraphy (such as strangeness, capacity, rhyme, interest and so on). ). The elegant lines in Xiangmu's calligraphy say, "When you escape a little, you are allowed to be polite and have strict discipline. You are beautiful and wonderful."
Yes Just like breaking through his father's cursive pattern, Wang Xianzhi also consciously changed his father's creative thinking, turning "neutralization" into "imbalance" and heading for a new realm of winning with "strangeness" and "danger". Xiang Mu also thinks that "book"
For Amethyst, the door of Shang Qi is open. "
Seven, the style of the book. Let's talk about Cao Zhang first. Wang Xianzhi inherited his father's legalist thoughts, and his Cao Zhang style can be seen from the article on July 2nd. The brushwork of this post is simple, but it is pitching and jumping.
Small miscellaneous, but also shows a free and informal personality. In addition to regular script, Yu () in the Southern Song Dynasty said in "On the Book Table": "The first generation learns the father's book, and the shape is different." Wang Xizhi wrote Yue Lun and Yi as tributes based on Shu Duan.
In a word, "if you learn well, you will be an official. If you can be very small and true, you can be said to be poor and holy, and your bones and muscles are close, and you will not lose your father." If it is big, especially straight, how can it be the same year? "Besides, the running script, what Wang Xizhi loves deeply, must be the orchid that learns from the past and creates excellence.
Pavilion preface is known as "the best running script in the world". Wang Xizhi's conscious exploration and legislation set an example for future generations. Although Wang Xianzhi also made great contributions to running script, his running script failed to go beyond his father's rules.
Fan is not as concise, elegant and talented as his father. In cursive script, father and son have their own characteristics, and the unique meaning of Xi is unique. They realized this way, saved the complexity and created a new cursive system, but in terms of "one book", the son was better than the father. A country in the Zhou dynasty
Dexuan commented: "The big order is crazy, changing the law of the right army, setting up another portal, being extravagant and not taking the lead." I said Daling cursive script, although vigorous and unrestrained, but still do not lose Qingyuan charm. "(see" Essays on the Early Floor ") Huang Tingjian
A comparison was made in the book "The Monument to the Valley": "Da Ling Cao Fa has great admiration for Boying, less hatred for its simplicity and great achievements. So in the middle of the book, the right army grass enters the energy product, and the big order grass enters the spiritual product. I tried to compare the cursive script of the right army father and son.
Zhang, the right army is like the left, and the big order is like Zhuang Zhou. "Of course, there are unfair evaluations, such as Emperor Taizong worshiping Wang Xizhi and belittling Wang Xianzhi. He wrote in Wang Xizhi's biography: "Although this is a paternal style, it is not a new coincidence to provide it. Look at the potential of words.
Thin, like a dead tree in the middle of winter; Look at the trace of his pen. Is Yan's family hungry? Its dead trees are also, although there is no flexion and extension; If he is hungry, he will be restrained from indulgence. Two-pronged approach, solid disease Qin! "Emperor Taizong's comments completely tend to
On Wang Xizhi's side, he even died with the original preface to Lanting.
Hope to adopt, dear ~