During the Spring and Autumn Period and the Warring States Period, men advocated women's "weakness and obedience", while literati prevailed in the aesthetic consciousness of "exquisiteness and delicacy". A good face is more important than a good figure, and a "delicate" woman is a beauty. Full-bodied women in the Tang Dynasty were regarded as sexy symbols, similar to the aesthetics of the European Renaissance. China first described the image of women, which is said to be the "Picture of Zanhua Ladies" in the Tang Dynasty, from which we can see that the Tang Dynasty liked plump and full-moon women. Modern people emphasize A4 waist, eight-pack abdominal muscles and "mermaid line", so it is difficult to find a market for such a figure in ancient China.
In the Song Dynasty, the wind of foot-binding spread all over the people, and "three-inch golden lotus" became the basic requirement for female beauty. The aesthetic trend that women in China regard thinness as beauty sets the tone here.
However, in the modern history of China, it is not the sense of bone that is beautiful. The beauty pursued by China people is both internal and external cultivation, combining rigidity with softness, and being healthy and progressive. For example, Dong Qing, the host of CCTV, is beautiful from the inside out. She is not thin, but no one denies her beauty. Then there is the popular aesthetic trend, which is plump rather than plump or skinny. Being too thin will make people look lifeless.