Lifeng.
If you want to gain the upper hand in writing, "setting the edge" is the key. Calligraphy uses the pen, and the pen uses the edge. The ability to control the strokes of the brush has always been the key to calligraphy practice and creation. Many people write calligraphy with soft and weak strokes because there is a big problem with the power of the strokes.
It refers to the style of calligraphy, painting and poetry. Yuan Ben Gaoming's "The Story of Pipa: The Meeting of Bozhao and Wu Niang": "Looking closely, who is writing this, looking at him, makes me feel very sentimental." Chapter 42 of "Strange Situation Witnessed in Twenty Years" : "As long as you remember the scope and pattern of the eight parts, the strength of the article, the smoothness of the energy, the dryness of the words, the dullness of the pen, the ancient and contemporary prose will always be the same." Wang Kaiyun's "Xiang Qi Lou Lun" "Tang Poems": "Yuan Jie's works in Daozhou are vigorous and full of current affairs. They can be recited or balladed, and their style is extremely elegant."