1, pen full of ink [bǐ hā n mò b? o]
Interpretation: refers to the smooth expression and full content of the article.
Out: Qin Mu's "Recalling the Stone and Raising the Sun from the North": "The authors of those works really didn't write enough words at this point, so they couldn't get the expected effect."
The pen is full of ink.
Interpretation: the pen is full and the ink is sufficient. Describe poetry and prose.
Zhang Xiaoxiang's Song of Six Kingdoms is a wonderful poem, full of pen and ink and dance.
3. Iron-painted silver hook
Interpretation: painting: strokes; Hook: hook. Describe the softness of calligraphy.
Out: Tang Ou Yangxun's "On Pen": "Wandering and pitching, tolerance and romance, just iron painting, charming as a silver hook."
4. The old ink of the pen shows [M] O.
Interpretation: refers to sophisticated brushwork and delicate Mo Yun.
Out: In conjunction with the Postscript Dongpo Book, it is said: "Li Shenqian said that the pen is old and beautiful, and the plain book is the first in the family, and he knows what he says."
5, steel pen and ink are wonderful
Interpretation: the brushwork is delicate and the ink is clever.
2. Praise others for their good brushwork: pen and ink are used freely and incisively. It describes calligraphy and poetry as vigorous and powerful. Describe the vigorous and free brushwork of calligraphy. It also writes for the conductor. When Huang Ting was first written, Jin people had Huang Ting Jing in small letters. Later, people used the idiom "just right" to describe doing things just right. Spring insects and autumn snakes: refers to the poor calligraphy, bending like the trajectory of spring insects and autumn snakes. The sword is tense: it is drawn from its sheath and the bow is open. It describes a tense situation and is explosive. Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming made a biography of the Spring and Autumn Annals and put it. Explain it roughly. Later, the style of a book was described as "draw inferences from others, draw inferences from others". See "Examples". Penetrating the back of the paper: the original meaning of calligraphy is vigorous and powerful, and now it is also used to describe the vividness and profundity of poetry. Fly like a dragon and fly like a phoenix. At first, it was described as bold and magnificent. Now it is described as lively calligraphy, flexible and skilled writing, and also. The word "Ping Shan Tang" says: "I haven't seen an old fairy for ten years, and the dragon and snake fly to the wall." Luan Piao Feng Bo: Luan: A legendary bird like a phoenix. Originally, calligraphy was described as chic and unrestrained, and it also meant that advanced students were separated from husband and wife. Luan Xiangfeng Peng: Peng: Fly high. It means the flying posture of calligraphy. Beauty hairpin flower:. Wang Xizhi wrote on the board, and the pen and ink penetrated into the board three points deep), and now he described the analysis, description and discussion as profound and powerful. Hook: hook. It describes calligraphy as vigorous and beautiful. If you want to practice calligraphy well, it is recommended to use calligraphy practice tools such as calligraphy three treasures, which will make you improve quickly.
3. It takes at least 0.27 yuan to open a library member to view the complete content > Original Publishing House: * * Words describing calligraphy and painting works in Asia Part I: Words describing calligraphy and painting works are natural, interesting and novel. Their extraordinary talent is like water burst its banks, which cannot be contained. There are infinite painters in the world, and it is impossible to draw a sad picture. The brushwork is like silkworms spinning silk, delicate and emotional. If you splash ink, you can draw a simple outline, which is beneficial. There are mountains and valleys in your chest, and your brushwork is full of charm. Charm gave birth to a new chapter in colorful dragon and ink dance. Vivid and picturesque. The artistic conception is profound and subtle, and the charm is vivid and vivid. Chapter two: Words used to describe calligraphy and painting works describe the structure of words: adventure, agility, effective expansion and harmony.
The form of adjectives: fresh and elegant, vigorous and powerful, penetrating the paper back, beautiful and straight, graceful, casually laid out, without wearing shirts and shoes, Fiona Fang has both, one stroke at a time, and takes off his horse and flies away when he looks at it; Another example is the dragon flying in the sky. It comes from emptiness and returns to emptiness. Describe it with a pen: flowing water; Free swing; Dongda jumped down; Combine rigidity with softness; The Tibetan front is slightly exposed, and the exposed front is also subtle. The pen hanging place comes to an abrupt end, such as a sharp knife, and the pen hanging place has a positive side, either curved or straight; The pressure is clear and the bond is firm; It is also coarse and fine, not naughty and violent, but also the middle side, not dry and moist. Pen and ink are used freely and incisively. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy.
Also for the conductor. Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing.
In the old days, there was an idiom commenting on calligraphy, which was just right when Huang Tingchu wrote it. Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake. The sword was drawn from its sheath and the bow was opened.
Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan.
4. How can there be a good four-character word to describe calligraphy? Calligraphy: pen and ink are full: pen and ink are used freely and fully. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon