In 2002, his calligraphy works were selected into the excellent works exhibition of members of China Calligraphers Association, the national exhibition of famous calligraphers' works, and the 10 Beijing Calligraphy Exhibition.
200 1 Calligraphy works were selected for the 6th World Chinese Business Conference, China Contemporary Painting and Calligraphy Exhibition, Beijing, Tokyo and Kyoto Painting and Calligraphy Exchange Exhibition, and 10 Beijing Calligraphy Exhibition. Under the guidance of Mr. Zhang Rongqing, he participated in the folk exchange activities of a group of powerful young and middle-aged painters and painters in Beijing, made academic criticism, and speculated and absorbed modern calligraphy forms. Running script works are collected by Shandong University.
In 2000, his calligraphy works were selected for the National Lanting Cup Calligraphy Exhibition and won the prize. Collected in the works of China's famous painters and calligraphers. He was elected director of the 4th China Calligraphers Association and member of the Creation Committee of China Calligraphers Association.
1999 calligraphy works won the first prize of the calligraphy seal cutting exhibition of the central state organs, and were selected for the national calligraphy exhibition of celebrities and famous artists in the cultural system celebrating the 50th anniversary of the founding of the People's Republic of China, and participated in the calligraphy exhibition of ten people held by the Calligraphy Association of the central state organs in China Art Museum. The work is carved stone for the forest of steles in the Great Northern Wilderness. Published the copybook Analysis of Zhang Menglong.
1998 Calligraphy works were selected for the China Calligraphy Exhibition of UNESCO and collected by the United Nations. Selected for the first exhibition of famous writers, poets, painters and calligraphers, and the calligraphy exhibition of celebrities on both sides of the Taiwan Strait. Published a collection of poems, The Rainy Season of Love. He has published calligraphy papers such as Poems of Immortals by Su Dongpo and Li Taibai and Aesthetic Ideal of Calligraphy by Mi Fei. His works are stone carvings of Taibai Forest of Steles, Gexian Forest of Steles and Sanqingshan Forest of Steles.
1997 Calligraphy works were selected for the World China Calligraphy and Painting Exhibition and collected by China Academy of Fine Arts, Korea International Calligraphy Exchange Exhibition and Korea. In the meantime, I focused on Wang Duo's cursive script. He was listed as a famous contemporary calligrapher in China by the Japanese magazine Shu Dao, and was specially introduced.
1996 Calligraphy works were selected for the 7th National Exhibition of Young and Middle-aged Calligraphy and Seal Cutting Works, the 1st China Contemporary Famous Calligraphy Exhibition, the China-Japan Famous Calligraphy Exhibition and the National Famous Calligraphy and Painting Exhibition, and were collected by Jiangsu Provincial Art Museum. Self-written poems were collected by Zhongnanhai, and their works were engraved in the forest of steles in Zhenjiang. He published the calligraphy collection Song of the West Wind in the Desert and the script of the feature film China Calligraphy Journey. China Dictionary of Contemporary Calligraphers. Elected director of China-Korea Calligraphers Association.
65438-0995 was admitted to the undergraduate calligraphy major of Capital Normal University, and studied under Mr. Ouyang Zhongshi. Under the guidance of Mr. Wang, the forms, techniques and verve of calligraphy have been further explored. In the meantime, my classmates and I made conscious calligraphy criticism and copied Wei Bei and folk epitaphs systematically. Selected for the first national calligraphy exhibition of self-written poems. The cursive middle hall was collected by the Central Painting and Calligraphy Institute. Elected as the executive director of China Lin Sanzhi Calligraphy Research Association.
During the period of 1994, his calligraphy works won the first prize in the calligraphy and seal cutting exhibition of the central state organs and the silver prize in the first domestic and foreign youth calligraphy competition, and were selected into the first national couplets calligraphy exhibition, the fourth national painting and calligraphy exhibition of China Art Festival and the Singapore international calligraphy exchange exhibition, and were collected by the Singapore Lion City Calligraphy Association. This work is a stone carving in the forest of steles in Cao Zhou. Published "The Burning Poetic Dream", "The Life of Xia Jiaer" and other calligraphy art criticism articles. Biographies are included in Biographies of Writers and Artists in China.
1993 Calligraphy works were selected for the 5th National Exhibition of Calligraphy and Seal Cutting for Young and Middle-aged People and the National Exhibition of Calligraphy and Seal Cutting for Cultural Systems, and won prizes. Zhongnanhai collects running script couplets. Elected director of China Hanmo Culture Promotion Association.
1992 calligraphy works won the gold medal in Japanese calligraphy art, and were selected for the invitation exhibition of Chinese and Japanese calligraphy masters and the Asian calligraphy exchange exhibition. The work is Qu Yuan's stele forest stone carving, and the scroll of official script is collected by Jiangnan Painting and Calligraphy Institute. Join the Chinese Poetry Society.
199 1 to the Ministry of Culture of People's Republic of China (PRC). At the same time, he was deeply influenced by Lin Sanzhi, Xie Bing School, Qi Gong, Ouyang Zhongshi, Shen Peng and others, and made a systematic study of Erwang and Huai Su. During my work in the Art Bureau of the Ministry of Culture, I participated in organizing the 6th National Art Exhibition, the National Art Biennale, the China Landscape Painting Exhibition and the international academic activities to commemorate the centenary of Xu Beihong's birth.
1990 to China Federation of Literary and Art Circles. Began to study the landscape of Yellow River. Calligraphy works are carved on the poetry wall of Changde. Join the China Calligraphers Association.
1988 calligraphy works were presented to Japan by the youth delegation of the Central Committee of the Communist Youth League and collected and displayed in Japan.
1987 calligraphy works were selected for the whole army calligraphy exhibition. In the same year, a four-person painting and calligraphy exhibition was held in Beijing. During this period, I focused on Wei Bei such as Shimen Ming, Zhang Menglong, Er Cong and Zheng Wengong.
1986 held a personal calligraphy exhibition for the first time, trying to express modern poetry in calligraphy. Two regular script scrolls were collected by Shaanxi Provincial Art Museum.
1984 was admitted to Xi 'an Political College. When I was studying in Ann, under the guidance of my husband, I began to learn big seal characters such as plates and stone drums. At the same time, it focuses on the in-depth study of Han steles such as The West Chamber, Zhang Qianbei and Ode to Shimen.
1983 was introduced by Mr. Zhang Rose, a famous art critic of China Academy of Fine Arts. He studied calligraphy and poetry under his teacher and taught for a long time. During this period, I mainly studied the running scripts of Mi Fei, Su Shi and Yang Ningshi.
1980 studied under Mr. Xiao Lao. While studying Chu Suiliang, Yu Shinan's regular script and Han Li, he studied and published classical poems. Xiao Lao wrote a poem in Zeng Zeng before his death: "A successful army is versatile, and the sages fear future generations".
1976 Regular script won the first prize of Xihe Middle School Calligraphy Competition.
1972 is good at writing Chinese characters. The banners and couplets of the book spread all over the village for a while.
197 1 year, admired the calligraphy skills of Mr. Yao, a famous calligrapher in Huai 'an, and visited with his classmates. Photocopy its running script with double hook ink, put it on the bedside and watch it day and night.
He studied calligraphy and painting from 65438 to 0969. At first, I started with Ou Yangxun's regular script and Zhang Menglong's inscription, and occasionally I came across the scenery of mustard garden.