I heard that you have two hearts, so I came to break up with you. Today is like the last party, and tomorrow we will break up.
I moved my feet slowly along the edge of the road, and my past life flowed like water in a ditch, never returning. When I decided to take the king away from home, I didn't cry like an ordinary girl.
I am full of thinking that if I marry a person with a heart, I can love each other and be happy forever. Roll up the bamboo pole and sieve the fish tail.
Men value spirit, why use money and knives? It's a famous song, and my favorite is to unite as one and never give up.
It's a pity that Wen Jun is spoony ... complaining about singing-Ban Jieyu's newly cracked Su is as fresh as frost and snow. Cut into acacia fans, round like the bright moon.
In and out of your arms, shaking the breeze. I am often afraid that the autumn festival will come, and the coolness will take away the heat.
If you give up your donation, your kindness will be lost. Ok, I admit that this song is very sad ... but I admire Ban Jieyu, a talented woman, who was worried about killing people in the autumn wind, leaving her sorrow to worry.
No one in the seat is worried. Let my hair turn white.
It's windy around Hu, why not repair trees? The distance from home is getting farther and farther, and the clothes are slowing down.
The brain can't talk, and the wheels in the intestines turn. There is not a word that does not worry about picking hibiscus in the river, picking hibiscus in the river, and Lanze is more fragrant.
Who wants to leave, Philip Burkart. Looking back at my hometown, it's a long way.
I am bent on leaving home and worried to death. Nineteen ancient poems ~ I am bent on leaving my hometown, and sadness leads to death. What fascinated me at that time was one of the other four poems, Su Wu's flesh and blood, which was also related to friends.
All men are brothers, who is a passer-by? Besides, I am connected to a tree, and I am like my son.
It used to be an affair, but now it's time to participate. The former is similar in length, while the latter is like Hu and Qin.
Only when you think about it will your kindness be renewed day by day. Weeds in Luming Literature Temple can be compared to guests.
I have a bottle of wine that I want to give to people far away. May my son stay and think about it and talk about this life.
In fact, I am a family member in a tree, and I just want to be separated from my son. On Thanksgiving Day, I told a precious experience in my life in a new and simple language: when a person wants to lose something, he will realize that it is extremely precious. Su Wu, who left another wife, became husband and wife and loved each other.
Have fun tonight, Yan Wan and Liang Shi. Recruiters look at the road and the night.
There are no more participants. Quit your job from now on. On the battlefield, long time no see.
Shake hands with a sigh and tears will make a living. Try to love Chunhua, don't forget when you are happy.
Born to return, died for Sauvignon Blanc. I really liked it when I first saw it. I remember the whole song, and it is still fresh in my mind ... Vietnamese songs are floating on the boat.
What day is today? Together with the prince. I'm ashamed. I don't deserve my humble opinion.
Confused mood can not only satisfy the prince. There are trees in the mountains and branches in the trees. You know what you like? Poetry about charming girls-Zuo Si There are charming girls in my family, which is quite white.
The fine print is Su Wan, and the speech is very clear. The temple is covered with a wide forehead, and the ears are like a wall.
In the Ming dynasty, comb tables were set up to sweep eyebrows. Zhu Yandan's lips are thick and Huang Qinlan's lips are red.
If charming words are obscene, anger is clear. Writing is beneficial to management, but seal cutting is useless.
Hold a book and recite what you have learned. Her sister's name is Huifang, and she has a picturesque face.
Light makeup likes the edge of the building, but forgets to turn in front of the mirror. It's easy to set a Beijing omen.
Playing between eyebrows and cheeks, drama and loom service. Zhao dances calmly, and his sleeves are flying.
Between the upper and lower chords, literature and history need to be rolled up. Gu Hu's screen painting, if seen, is criticized.
When it gets dark, the meaning is hidden. If you rush into the garden, you will pick all the fruits.
The red flower is decorated with purple pedicle, and it is flat and sudden. In the storm of greed for China, there are many difficulties.
Frost and snow plays are often accumulated. And pay attention to the dishes and sit up and manage the dishes.
In Momo's letter, phase and number are separated. It is appropriate to do what you want to do.
Stop for tea and call a tripod. Fat white sleeves, smoke stained with tin.
Clothes and quilts are very important, so it is difficult to sink into the water. Let him do whatever he wants and be ashamed of being accused by his elders.
Take a look at the stick and cover your tears with the wall. A vivid image (excerpt)-Jiang Yan's ecstasy is nothing more than farewell! In addition, Qin and Wu are both abroad, and Yan and Wu are thousands of miles apart.
Or the spring moss begins to grow, and the autumn wind rises temporarily. Therefore, my son is heartbroken and I am very sad.
The wind is rustling and the clouds are strange. The boat was stuck by the water, and the car was behind the mountain.
Before the tolerance, Ma Hanming kept ringing. He who hides gold is imperial, and he who crosses the jade column touches poetry.
If you live in sorrow, you will die. The sun set on the wall, the color sank, and the moon flew away on the porch.
Look at the dew of red and blue and the cream of green catalpa. The patrol building is empty, and the brocade curtain is empty and cool.
Wandering away from dreams, I don't want my soul to fly. Actually, I don't understand this poem myself.
I made up a few words, and I think the most wonderful thing is the opening sentence: those who are ecstatic just leave. The language is simple and profound.
That's it. I'm exhausted.
2. How do the words classical Chinese literally explain classical Chinese?
Classical Chinese is relative to vernacular Chinese.
The first "article" refers to a written article. "Speech" means writing, expressing and recording. "Classical Chinese", that is, written language, is relative to "spoken language", which is also called "vernacular". The last word "Wen" refers to works, articles, etc. , which means genre.
"Classical Chinese" means "articles written in written language". And "vernacular" means: "articles written in plain spoken language".
In ancient China, it was different to express the same thing in spoken and written language. For example, if you want to ask someone if they have eaten, you can express it in spoken English as "Have you eaten?" And using books and language to express it is "rice?" . "Fanbu" is classical Chinese. In ancient China, all articles were written in written language. Therefore, now we generally refer to ancient Chinese as "classical Chinese"
Classical Chinese is a treasure of China culture, and the ancients left us a lot of classical Chinese. In China, the study of classical Chinese plays a very important role in the Chinese curriculum in middle schools.
What is classical Chinese?
1. Classical Chinese is wonderful. There is no doubt about it. Classical Chinese is an important part of China traditional culture. This shows that the history of modern civilization in China is still very short, and it is necessary to deconstruct or interpret the traditional culture, because the inheritance of traditional wisdom is based on the correct interpretation of classical Chinese.
2. Classical Chinese is knowledge. Yes, because classical Chinese is no longer a language, it is just a word. But classical Chinese is knowledge, and so is Oracle Bone Inscriptions. Why not learn from Oracle Bone Inscriptions? By the way, it is precisely because Oracle Bone Inscriptions is a relatively primitive writing, so classical Chinese is the basis for further study of Oracle Bone Inscriptions and other traditional advanced writing (learning).
3. Classical Chinese is also a skill. The expression, description, combination, transformation, metaphor, comparison and deduction of Chinese fully bear the style of Chinese civilization in ideological expression. Mastering the physical structure of classical Chinese has a profound understanding of modern Chinese, and there are "laws" to follow in the construction of new Chinese.
4. "Classical Chinese" is the antonym of "vernacular Chinese". The structure of this word is as follows: classical Chinese-Chinese. The first "text" is "writing" and "speech" is language. "Classical Chinese" refers to "written language". It shows two meanings: first, it shows that classical Chinese is a language; Secondly, the language was written later. "Written" language also has two meanings: one is a culture that can have language without words, for example, most ethnic minorities only have language without words; Secondly, the function of language quits life and becomes history in the form of words.
The literal meaning of "classical Chinese" should be: the written language style. The latter's "text" refers to style.
So does classical Chinese have a "future" besides archaeological research? In other words, what life application value will it have? I think there is. When the traditional life style fades out of modern society, people just ignore the social life in some marginal fields, which leads to the suspicion or neglect of classical Chinese in modern application. For example, in religious buildings, some inscriptions will still be written in classical Chinese, or in calligraphy and engraved with tools. The application of seal script is also mostly the same.
The word "classical Chinese" can also include the relationship between language and writing in cultural history. In a certain form, once a language, including dialects, is "literate" and written, its language charm will be reduced and its writing function will be doubled. Because language is usually passed down orally and closely related to life, language has not yet entered the cultural state. It is the retention of life experience, without the expansion of words.
In the process of reading classical Chinese, we will inevitably have an illusion: did the ancients say so? I think this can be "felt" through the differences in the expression of written and spoken languages in the present tense, and there is not much difference in the structural rules between them. It can also be speculated that the ancient people's speech is just more casual, albino and popular than classical Chinese, and "three words and two beats" can also be used as a reference. As for reading classical Chinese now, of course, it does not mean repeating the words of the ancients, but reciting or silently reading a style.
Reading classical Chinese is a very clear way of thinking, just like reading the works of western philosophers occasionally, it is very solemn.