Self-carved seal "the first romantic talent in Jiangnan", selling paintings for a living. At the request of Zhu, the king of Ning, Jiangxi Province, he was hired to Nanchang, but he resigned soon because he was not used to the life of the vassal government. In painting, he is a painter with a wide range of materials. In the Southern Song Dynasty, Li Tang and Liu Songnian adopted the landscape method, which was later changed to the slender and vigorous line method and combined with the Yuan people method. The meticulous figure painting is pleasing to the eye. Painting flowers and birds likes to use ink and wash, which is beautiful and elegant, different from other painters of his time. It is also called "Ming Sijia" with Shen Zhou, Wen Zhiming and Chou Ying. He is good at calligraphy and poetry. Good Zen in old age. Thoughts tend not to be depressed. Since the name "Six Rujusri Tu" (life is like illusion, dream, bubble, shadow, dew and electricity), he has written "The Complete Works of Six Rujusri". Tang Yin is not only a famous painter, but also a poet. According to incomplete statistics, he wrote about 600 poems. His poetic style is gorgeous, popular and fluent, lyrical and impromptu, and he wins with talent. The content of poetry and prose mostly exposes social contradictions, expresses injustice and has strong ideological content. Tang Yingong's poems are full of travel notes, paintings and sentimental works, which can express his wild and detached state of mind and his feelings about the cold world. Slang and slang are used in his poems, which are easy to understand and simple in meaning. He wrote the Collection of Six Confucian Laymen, and the Qing Dynasty compiled the Complete Works of Six Confucian Laymen. Lonely and lonely fallen flowers, smoke trees, autumn villages, cold nights in Xu Ge, farming in the south of the Yangtze River, lotus fragrance, cloud tea, playing with the moon, pine sounds on mountain roads, apricot flowers, orchid pavilions and orchids.
Tang Yin's poems are true and simple, informal, widely spoken and fresh in artistic conception, often full of pride and injustice to life and society. For example, in the song of wine to the moon: although I am ashamed that I don't have Li Bai, I expect myself not to be ugly in the middle of the month; I don't go on the emperor's boat or sleep; There is a hut outside Gusu City, with ten thousand peach blossoms all over the sky. Another example is the poem: everything is providence, so why use a series of tricks; You are always satisfied with three meals a day and get a sail. When everything is born, when will it hurt everyone? The enemy should reconcile, not reconcile, and turn around.
Besides poetry, you can also compose music, mostly in the form of folk songs. Because Tang Yin has profound literary and artistic accomplishment in many aspects, he has experienced rough experiences, extensive knowledge and profound understanding of life and society, so his works appeal to both refined and popular tastes, and his reputation is far spread. Tang Yin is good at painting landscapes, figures, ladies, flowers and birds, especially famous for landscapes and ladies. Tang Yin's landscape paintings were imitated by Shen Zhou in his early years, but rarely handed down from generation to generation. Existing works include Yellow Bamboo Map in Dongting, Zhenshoutang and Bamboo Map on Bamboo by Tang Yin at the age of 2/kloc-0. Middle-aged landscape painting is dominated by patriarchal clan system, while Zhou Chen's landscape painting was taught by Liu Songnian in the Southern Song Dynasty, so Tang Yin's painting can be traced back to the institutional painting school represented by Liu Songnian in the Southern Song Dynasty. Under the influence of his teacher Chen Zhou, he learned the rigorous and vigorous style of Song people. At the same time, he also participated in Xia Gui's composition and pen and ink skills, extensively dabbled in the strengths of Li Cheng, Fan Kuan, Guo He and Huang Meng in the Northern Song Dynasty, and gradually formed his own style. The layout of the picture is rigorous and orderly, the shape is real and vivid, the mountains are majestic, the rocks are steep, the axe is chopped, the brushwork is vigorous, and the pen and ink are dripping. Representative works include Wang Chong's Out of the Mountain, Pei Tai Real Scene, Walking Spring Bridge, and Travel Map of Guanshan, etc. By the end of his life, his painting style had broken away from Zhou Chen's style and became independent. At this time, there are many meticulous landscapes, and his works include Wind of Mountain Road, Companion of Spring Mountain, Lonely Man in Sunset, Story of Xizhou, Lonely Man at the Seats, etc. Judging from the style of these paintings, the composition of the painting style is concise and clear, and the pen is more careful, just like you Simiao, slim but not weak, powerful and rhythmic, with the beauty of combining rigidity with softness. There are many ways to cut rocks, such as short cutting, long cutting, straight cutting, reverse cutting, square folding, round turning and so on. Trees, houses, streams and other scenery, interspersed with orderly, dense but not smothering, miscellaneous but not chaotic, full of rhythm and aesthetic ethereal beauty of literati painting. The ink is dripping and rich in shades.
Tang Yin's landscape painting has made such great artistic achievements. On the one hand, it is because he can break the stereotype. No matter the northern painting school, the Jiangnan painting school, the courtyard landscape painting in the Southern Song Dynasty and the Yuan Dynasty, and famous painters such as Shen Zhou and Zhou Chen, he studied hard, learned from others' strengths, innovated and created, and finally formed his own painting style. On the other hand, the most important thing is that he has personal observation and real feelings about natural landscapes, and draws nutrition from inexhaustible real landscapes, thus playing an important nourishing role in his landscape painting creation. His works are magnificent, precise, delicate and profound, surpassing some contemporary painters. Mountain road pine sound map
Farming map of Jiangnan
Shuangsong waterfall and Jinchang's intention.
Han Shu Xue Ji Tu
All the pictures of yellow hair in Dongting.
Dream fairy cottage map
The Old Map of Western Zhou Dialect
Ban Ji fan tu
The image of prostitutes in Wang Shu's palace
Chang 'e map
Li Duanduan's Begging for Poetry
Imitation of Tang dynasty ladies' pictures
Pottery donation picture
Map of hay and fish