During his stay in Zheng Banqiao as a magistrate, he paid attention to cultivating and discovering talents. On a night visit, I heard someone reading loudly outside, only to know that Han Mengzhou, a poor student, was reading at night. Zheng Banqiao supported him with his own salary. After Han Kao, he became a scholar and became a famous Confucian in Neo-Confucianism. Another student, Gao Han, won the first place in the county exam and was sponsored by Zheng Banqiao. He also presented a book to the couplet "Simplify the Sanqiu tree by deleting the complexity, and introduce new February flowers with different standards". Deep meaning, as the essence of creation, has been passed down to this day.
Zheng Banqiao's poems, books and paintings have achieved great success, and he is known as the "Three Musts". His paintings are beautiful, vigorous, casual and interesting, especially blue, bamboo and stone; Poetry pays attention to true feelings, arrogance and generosity; Calligraphy is a combination of calligraphy style, calligraphy, calligraphy and calligraphy. It is mellow and quaint and has its own name of "six books and a half". He is the author of Banqiao Anthology and Banqiao Letters Collection. Xu Beihong, a master of Chinese painting, praised Mr Banqiao as one of the most outstanding figures in China in the past 300 years, especially his fantastic ideas, articles and paintings. Looking at his poems, paintings and calligraphy, he should not only look at the wisdom, but also combine the good with the strange, especially those rare geniuses in ancient and modern times. "It is located in Hujiapaifang Street in Chengguan District. The original site was the former residence of Hu Bangzuo, assistant minister of punishments during Jiajing period of Ming Dynasty. During the reign of Shunzhi in Qing Dynasty, Chen Zhaoluan, the magistrate, and Guo, the governor of Zhili in Daoguang, once lived here. Later, it was bought by Ding Shanbao, the richest man in Wei County in the late Qing Dynasty, and it was converted into a private garden in the eleventh year of Guangxu (1885). " "Wat" is a long and narrow hand held by ancient ministers when they went to court. It is mostly made of bamboo, jade or ivory. Shi Ding explained in Wan Yuan: "The name of Wan Yuan is also named after its smallness. "
The World Wide Garden is rectangular in plane and consists of three axes of ancient buildings: China, West and East. The central axis building and its courtyard are the main parts of the garden, and the east and west parts are residential parts. Although the area of the World Wide Garden is only 2000 square meters, it can present the beauty of natural landscape in a limited space, which is exquisite and fascinating. There are 67 rooms in 34 buildings, including rockery ponds, winding bridges and corridors, pavilions and pavilions. The layout is rigorous, dense, symmetrical and compact, small and exquisite, which not only has the rugged, symmetrical and magnificent architectural characteristics in the north, but also has the exquisite, secluded and changeable garden characteristics in the south of the Yangtze River. The main building of the World Wide Garden is the north building of the courtyard, named "Xiang Yan Building", which was built in the Ming Dynasty. Its structure is two floors, with two bays, five purlins and a hard roof. There is a platform in front of the building, with round windows and square tables, which are antique; There is a front porch outside the upstairs doors and windows, which is protected by railings. Yanxiang Building is the original owner's library and reading place. Its name is taken from the artistic conception of Yang Sheng Blue-and-White Purple Graphite Qu by the Tang Dynasty poet Li He, which means that the study is moist as spring, and the ink studied exudes a pine musk flavor. Standing upstairs, Wanyuan has a panoramic view: "Cliff rockery, waterfall, flowing spring, lotus pond and lotus field". There are also many architectural scenes in the park, such as ten thatched cottages, four-photo pavilions, steady as a boat pavilion, sunset pavilion, Yilan pavilion, small canglang pavilion, Chunyu building, quiet mountain residence, Qiusheng pavilion, Songfen bookstore, Biyunzhai and so on, and there is a special exhibition hall in Zheng Banqiao.
Wanyuan Garden is a wonderful work of classical garden art in China, and it is praised by experts as "the Pearl of Lu Dongming". Chen Congzhou, a famous landscape expert, commented on Shikuan Garden in his book On Gardens: "The small garden in the north can spare the winners of mountains and rivers, which is the most important." There are calligraphy and painting inscriptions by Zheng Banqiao, Jin Nong, Chen Jieqi, calligrapher Gui Fu and Cao Hongxun, the eight eccentrics of Yangzhou in Qing Dynasty. 1925, Kang Youwei visited and stayed in this garden and spoke highly of his poems. 1988, Shihu Garden was designated as a national key cultural relics protection unit. Located on the north side of Chenghuangmiao Street in China. It was built during the Hongwu period of the Ming Dynasty. In the second year of Chenghua (1466), Zhu Mao, a magistrate, and Jason, a magistrate, advocated reconstruction. In the seventeenth year of Qing Qianlong (1678), Zheng Banqiao, a magistrate of a county, advocated donating for major repairs and built an additional theater in front of the temple. The temple has a main hall, a bedroom, two corridors, two corridors and a hall. In the main hall, there is a clay sculpture of Lord Huang Cheng, and a large plaque of Zheng Banqiao's book "Virtue as a Supplement" is hung. Behind the main hall is the bedroom, which has a statue of grandma Zhen Shen. There are halls and tunnels in front of the main hall, two corridors and two pavilions, including the legendary statue of Yan Luowang in the tenth hall. In the courtyard, there is a monument to the anti-smoking in the 14th year of Qianlong (1749) and a new monument to the Chenghuang Temple in the 17th year of Qianlong (1752), both written by Zheng Banqiao. There is a Zhong Jun Pavilion (building) in front of the Town God Temple, and there are two wooden archways (also known as archways) crossing the street outside the pavilion, with horizontal plaques embedded on them, such as "Fusui Li Shu" in the east and "Baojintang" in the west. There is a square across the street in front of the temple, which can accommodate hundreds of people. The theater at the southern end of the square faces the gate of the Chenghuang Temple opposite the square. The floor of the theater faces the temple in the north, and the plaque "Listen to God" written by Zheng Banqiao hangs in the middle. Before 1949, the clay sculptures of two temples in Chenghuang Temple were destroyed, and then the theater was destroyed. The statue of the back hall was completely destroyed, but the main hall and the sleeping hall remained. 1982 Repairing old brick walls. 1980, Chenghuang Temple was identified as a key cultural relics protection unit in Weifang. 1992 has been designated as a provincial key cultural relics protection unit.
In other areas, the city god is a loner, but here he has a wife named "lying grandmother". Legend has it that there was a city god patrolling the city at the end of the Qing Dynasty (a large-scale activity held by the people at the beginning of the fifth lunar month every year). When people carried the carved city god to the southwest pass of Weicheng in a sedan chair, a girl saw the city god in the sedan chair and smiled at her, fearing that she would get sick and died soon. Some people think that this girl went to the underworld to become the wife of the city god. So, the statue of Mrs. Huang Cheng was molded in the Chenghuang Temple and placed on the kang. Originally east of Xiangyang Road and north of Shengli West Street, it is located at the northern end of Qian Jie, the South Temple in old Wei County (now Weicheng), so it is commonly known as "South Temple". Stone Buddha Temple is the earliest temple in Weicheng District in historical records. It was built in Song Xianping for two years (999). In the fifteenth year of Hongwu in Ming Dynasty (1382), a Buddhist temple was set up as the official office of the imperial court to manage Buddhist affairs. In the twenty-fourth year of Hongwu (139 1), it became a temple where monks lived together to give lectures, which was quite famous in Shandong. In the Ming Dynasty, it was rebuilt and built in the 9th year of Yongle (141), 2nd year of Chenghua (1466) and 19th year of Wanli (159 1). During the reign of Shunzhi in the Qing Dynasty, Luo, the magistrate of Wei County, personally wrote the word "Stone Buddha Temple", which was engraved in the center of the temple gate in a dignified and vigorous font. During the Qianlong period, Zheng Banqiao, the magistrate of Wei County, praised the word "Stone Buddha Temple".
The Stone Buddha Temple faces south, with a large scale, magnificent temples and towering ancient trees. The temple gate is located on the left side of the front hall, vermilion. There are many stone steps in front of the gate, and flower walls are built on both sides of the gate. There are three halls of kings in the front hall, with eaves and arches, with wonderful structure and elegant shape. The main hall is a magnificent hall. Sitting on a stone Buddha is enshrined in the center of the hall, and the golden body is over-stretched and solemn. The east and west halls are dedicated to the colored sculptures of eighteen arhats, which are different in posture and lifelike. On the west wall of the temple, there are stone carvings engraved with the portrait of Cui Bai in the Northern Song Dynasty and statues of cloth-bag monks inscribed by Su Shi. After the Republic of China, the incense of the Stone Buddha Temple gradually faded and fell into disrepair. 1964 was demolished and the stone Buddha was opened in the open air. Weifang Museum built a stone Buddha pavilion to protect it. During the Cultural Revolution, the stone Buddha was smashed, separated from the head and disappeared. /kloc-in the summer of 0/978, when digging a civil air defense tunnel in the former site of Shi Fo Temple, the Great Iron Buddha of Qing Dynasty was found buried underground for many years and moved to Weifang Museum. The Great Iron Buddha is the only remaining physical object of the Stone Buddha Temple, with a height of 3 meters, a width of 2 meters and a weight of about 5 tons. Sitting cross-legged, the statue has a plump and dignified face, a protruding nose, a wide forehead and cheeks, a kind smile, a high bun and a colorful coat. It is a rare giant iron Buddha statue in China.
Su Shi, a writer in the Northern Song Dynasty, had an indissoluble bond with Shifo Temple. In December of the ninth year of Song Xining (1076), Su Shi was known as the magistrate in the river from Mizhou (now Yongji County, Shaanxi Province). On his way to his post, he avoided the snow and stayed at the Stone Buddha Temple. In the tenth year of Song Xining (1077), on the first day of the first month, in Qingzhou Inn, he wrote a poem as a souvenir, "Suwei Prefecture will be sunny on the first day except for the heavy snow at night, and then it will snow halfway." In the first year of Yuanfeng (1078), when Su Shi was the magistrate of Xuzhou, he expressed his thoughts about Weizhou in the poem Farewell to Sun Mian. In the third year of Yuan You (1088), Su Shi presented the monk portrait in a cloth bag given to him by the painter Cui Bai, with an autograph and postscript, to the abbot of the Stone Buddha Temple in yu zhou.