He was influenced by his family and loved the art of calligraphy and painting since he was a child. For more than 3 years, he has been absorbed in calligraphy and painting. He first entered Tang Kai and visited Wang Xizhi, Yan Zhenqing, Ou Yangxun, Liu Gongquan and Zhao Mengfu. When he learned from others during the Jin, Tang and Song Dynasties, he was also fond of poetry and collection, which greatly helped his calligraphy. Whether it was people's esteemed small letters, running scripts or paintings with the same origin of calligraphy and painting, they all benefited from their love for traditional culture. After hard work, he finally realized the art of calligraphy, and gradually formed a simple and vigorous, simple and elegant, smart and chic style of calligraphy. His works not only have extensive and profound traditional accumulation, but also reveal classical beauty, without losing its strong sense of the times and exploration, showing modern significance. His works have been published in Gansu Daily and Lanzhou Xinbao. Calligraphy works have participated in many provincial exhibitions and joint exhibitions, and have held solo exhibitions in Lanzhou, Tianshui, Chengxian and Kangxian. In 23, the first cultural products fair in Gansu Province was designed and produced, which was sponsored by the Propaganda Department of Gansu Provincial Party Committee. In 21, Zhu Kemin Ink in Qing Dynasty was published by Gansu People's Fine Arts Publishing House, and other books collected, sorted out, edited and published included Li Shirong's Calligraphy Collection, Wang Zhengru's Calligraphy Collection, Wang Zhengru's Couplet Calligraphy Collection, Lei Yutian's Calligraphy Collection, Tian Feng's Calligraphy Collection, Shi Heng's Calligraphy Art and Wang Zhengru's Calligraphy Collection.