1. The first sentence of "Ten Thousand Tunes Historical Relics" uses cursive script, with the second best brushwork, which conforms to the noble, elegant and classic lines of Yongjun cursive script; 2. At the end, "writing romance on the steps" is also the writing style of Lu Yi, the second king, but some words are taken from Huang Tingjian's writing style; 3. The word "God" in the third line and the word "Buddha" in the fourth line account for three or four words, which are the highlights of Chen Yongjun's creation and the eye-catching features of his works, in line with his consistent writing style; 4. The leftmost inscription: Chaoyangge (Chaoyangge, Zhaihao, Chen Yongjun, refer to the following introduction) is a cursive script, which is the second king of France. Compared with previous years' works, our cursive script conforms to Yong Jun's common cursive script, and there is a word distance between Chen and Yong Jun, which is the highlight and point of view in creation. 5. Two seals: one is Chaoyangge (Chaoyangge, house number, Chen Yongjun, refer to the following resume), and the other is Yongjun's private seal. To sum up the five points, it can be inferred that this cursive script should be Chen Yongjun cursive script for reference only. Yong Jun, a teacher, has a good public reputation for calligraphy and has made great contributions to calligraphy education in Guangdong universities. Please forgive my lack of analysis. Thank you.
Chen Yongjun, 1974, a native of Linhai, Zhejiang Province, was born in Chaoyang Pavilion. Member of China Calligraphers Association, member of China Poetry Society, member of Calligraphy Art Committee of China Couplet Society, director of Guangdong Calligraphers Association, art member of Air Force Academy of Fine Arts and Calligraphy, 4th National Excellent Grassroots Calligrapher of China Federation of Literary and Art Circles, 100 young people in China Book Circle, visiting professor of South China Agricultural University and Guangdong Jiaotong University.