1, pen full of ink b ǐ h ā n mò b m: o
Pen and ink are used freely and incisively. It describes calligraphy and poetry.
2, the pen to the dragon snake bǐ zǒu lóng shé
The dragon and snake pranced in the fence. Describe the vigorous and free brushwork of calligraphy.
3, dragon and phoenix dance w incarnation
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
4. Dragons and snakes are flying.
Describe the vigorous and vivid strokes of calligraphy. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
5. Luan Piao Feng Bo LUN piāo fèng bó
Luan: the legendary phoenix. Originally, calligraphy was described as unrestrained and uninhibited, and it was also compared to the separation of husband and wife in high flyers.
6. Luan Simao von Zhou Luan xiá von zh.
Fly high. Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty and diversity of calligraphy or poetry style.
7. Get to the heart of the problem.
Calligraphy used to be descriptive, but now its analysis, description and discussion are more profound and powerful. Similar characters permeate the back of the paper, which appropriately describes the roots of calligraphy.
Good sentences:
1, take a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
2. The fonts are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.
3. Gu Mo lightly grinds a few perfumes, and the new bath in the inkstone pool is full of light, either strong or tactfully, or graceful and beautiful, or vigorous and brave, or like the spring breeze, or like the deep and cold when the north wind enters the customs.
4. Wang Xizhi has a deep understanding of real calligraphy, calligraphy and calligraphy. His real books are ingenious and dense, opening up a new realm; His grass is long and thick; His running script is full of charm and strength. People call his words "floating like clouds, agile like dragons"; "Yue Long heaven, the tiger lies in the phoenix pavilion".
5, a pen, if the field of vision is out of control, the horse will fly and go; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
6, publicity, not tied at all, even the whole line is put down, like a fairy to escape, come and go without a trace.
7. I borrowed a wisp of flying smoke from a meandering stream, polished an inkstone with my hand, and laid a blank sheet of paper for my mood.
8. In one stroke, if the field of vision is out of control, the horse will fly and leave; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
9. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
10, although paternal, is not a new coincidence. Judging from its character potential, it is as thin as a dead tree in the middle of winter; Look at his handwriting, if you are hungry.
2. Are there any good words and sentences to describe calligraphy works full of pen and ink: pen and ink are used freely and incisively. It describes calligraphy and poetry as vigorous and powerful. Describe the vigorous and free brushwork of calligraphy. It also stands for directing writing. At first, Huang Ting: the Taoist classic "Huang Ting Jing", and the Jin people had a small letter "Huang Ting Jing" ... Later, people used the idiom "just right" to describe doing things just right. Spring insects and autumn snakes: refers to the poor calligraphy, bending like the trajectory of spring insects and autumn snakes. The sword is tense: it is drawn from its sheath and the bow is open. It describes a tense situation and is explosive. Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming made a biography of the Spring and Autumn Annals and put it. Explain it roughly. Later, the style of a book was described as "draw inferences from others, draw inferences from others". See "Examples". Through the back of the paper: the original meaning of calligraphy is vigorous and powerful, and now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix. At first, it was described as bold and magnificent. Now describe calligraphy as lively, flexible and skilled. It also describes the lifelike plastic arts of dragons and phoenixes. Flying dragons and snakes: describe the vigorous and vivid style of calligraphy. Su Shi's "Xijiang Yuepingshan Hall" says: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." Luan Piao Fengbo: Luan: A legendary bird like a phoenix. Originally, calligraphy was described as chic. Unlimited It also means that high flyers and his wife are separated. Luan Xiangfeng flies high. It means that the calligraphy style is flying. Beauty hairpin describes the beauty of calligraphy or poetry style. The original description was that the calligraphy style was strong (it is said that Jin and Wang Xizhi wrote on the board, and the ink penetrated into the board three points deep), but now it is much more. Hook: hook. Describe the vigorous and beautiful calligraphy. Graffiti with letters: write casually. Graffiti: figurative words are poorly written and scribbled casually. Later, "graffiti" and "graffiti" were used to describe poor or random calligraphy. Graffiti with letters: listen and doodle casually; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, it was described as "graffiti" or "letter graffiti", which described that the words were poorly written or carelessly written. Some people call themselves graffiti to show their modesty.
3. Describe the Han Dynasty in calligraphy works.
Cui yuan-cursive script.
The prosperity of the book contract began with the emperor; Write the trace of a bird to confirm the article. The last leaves and ancient books are numerous; There are many secluded times and a lot of power in politics. Officials and businessmen are ridiculous, and their ink is suppressed; However, many old words of Zuo Li have been deleted. The cursive method is simple; Timely instructions, used to force death. Both work and use, love the sky and save effort; The change of pure frugality must be ancient. Observe its image, with pitching instruments; Square is not square, round is not square. Restrain the left and promote the right, and look forward to it. Birds and beasts are eager to fly; A cunning rabbit is violent and will run before running. Or □□□□ point □, shaped like gobang; Never leave. Animals are angry and depressed, and they are very strange after being released. Or when you are nervous and in danger, you will be possessed by evil spirits and grab the branches like mantis. Collect the pen, and the rest are entangled; If the mountain bee is poisonous, look at the gap; Get a snake to the cave and don't hang your head. It is so far away that you can watch it if you are rushing to the shore; Just look at it. A painting can't move. It is best to be implicit and temporary. A little older, like Ross.
Pen theory
The books are scattered. If you want a book, you have to put it down, put it down, and then write. If forced, Zhongshan Rabbit is luxurious, but it is not good. Husband's book, first sit quietly and meditate, feel at ease, say nothing, get angry and lose interest, and be mysterious and colorful. If it's for the supreme, it's all wrong.
For the text of a book, it must conform to its shape. If you sit and walk, if you fly, if you come, if you lie down, if you are sad and happy, if the insect eats leaves of wood, if the sword is long, if the bow is strong and the arrow is hard, if it is fire and water, if it is fog, if it is sun and moon. Only those with images can be called books.
4. Idiom calligraphy that describes calligraphy: vigorous and powerful, flowing, flying dragons, dragons and snakes, vigorous and powerful, in one go, three components, walking like clouds.
Painting: lifelike pen on paper, making the finishing point, immersive and vivid.
Le: Three days around the beam, high pearls and few jade plates, the sound of nature is incomplete. The sound of mountains and running water is loud and deafening.
Architecture: resplendent and magnificent, standing out from the crowd. Carving beams and painting buildings are unique, with caves in the sky and famous mountains.
5. Are there any good words to describe calligraphy works full of pen and ink: pen and ink are used freely and incisively.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".
Later, the metaphor was just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples.
Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high.
Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the initial description of calligraphy was strong (according to legend, Wang Jinxi wrote on the board, and the ink penetrated into the board three points deep), and now the analysis, description and discussion are more profound and powerful. Similar characters permeate the back of the paper, which appropriately describes the roots of calligraphy.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually.
Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing. Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually.
Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing. Others claim to believe that graffiti is to show modesty.