In calligraphy, how to define the sizes of small, medium and large regular scripts?

This is not clearly defined in history. The size of regular script is generally defined by the size of paper.

Generally, those smaller than 1.5cm are in small regular script, such as Lingfei Jing, Tao Te Ching, Luo Shen Thirteen Lines, Le Yi Lun, etc. Some, such as Yin Fu Jing, are 5-6mm smaller, and Wen Zhengming's small regular script is also Mostly so.

The Chinese regular script is 1.5-3cm. The most typical Chinese regular script is "Jiucheng Palace Stele". In addition, the Duobao Pagoda and the Holy Order of the Wild Goose Pagoda also belong to the Chinese regular script.

Dakai 3cm-5cm, "Qinli Stele", "Shengcejun Monument", etc. all belong to Dakai.

Dakaikai, Zhongkai and Xiaokai are just customary names and there is no fixed standard. It's like when we say "child", we can't tell you exactly how old a child is.

Fengfang mentioned that Ouyang Xun's "Jiucheng Palace" has characters one inch (one inch is approximately equal to 3.333 centimeters) square. It was called Cun Kai in history, and Cun Kai was used as the standard. Roughly speaking, large characters A regular script that exceeds an inch is a large regular script, and a script that is smaller than an inch is a small regular script. This is of course a very rough definition.

If you want to be more strict, the large regular script should be at least twice the size of the inch regular script, which is two square inches.

Extended information:

Regular script is also called Zhengkai, Zhenshu, and Zhengshu. It gradually evolved from the official script founded by Cheng Miao, becoming more simplified, horizontal and vertical. "Cihai" explains that it "has a square shape and straight strokes, which can be used as a model." Hence the name regular script. It began in the late Han Dynasty and has been popular to modern times.

The emergence of regular script closely followed the rules and regulations of Han Dynasty and pursued the further development of physical beauty.

At the end of the Han Dynasty and the Three Kingdoms period, the writing of Chinese characters gradually changed from wavy and choppy to apostrophe and nip, and there were "side" (dot), "plunder" (long apostrophe), and "peck" (short apostrophe). Strokes such as "skimming" (skipping) and "lifting" (straight hook) make the structure more rigorous. Such as "Wuwei Medical Slips", "Juyan Han Slips", etc. The characteristic of regular script is its neatness and neatness. It is a model among fonts, so it is called regular script and has been used until modern times. ?

Regular script has the meaning of being a model, which has been mentioned in Zhang Huaiguan’s "Shu Duan". People in the Six Dynasties still used it habitually.

For example, Yang Xin's "Cai" article and Wang Sengqian's "Lun Shu Wei Dan Biography" say: "Dan Zi Zhongjiang, a native of Jingzhao, is good at regular script." That is the "eight-point regular script" "The abbreviation of ". It was not until the Northern Song Dynasty that it replaced the name of the official book. Its content is obviously different from the ancient name. Examples of different names but the same name but the same name but the same reality are probably the above.

Regular script was the most popular calligraphy style in my country’s feudal society from the Northern and Southern Wei to the Jin and Tang Dynasties. Before the emergence of regular script, my country's calligraphy had produced three calligraphy styles: large seal script, small seal script and official script.

The Dazhuan is relative to the Xiaozhuan. Generally speaking, all ancient characters before the Xiaozhuan are collectively called the Dazhuan, including oracle bone inscriptions, bronze inscriptions, and the characters of the Six Kingdoms except Qin during the Warring States Period.

Xiaozhuan was the writing system that became popular after the Qin Dynasty unified China. It was based on the writing of the Qin State, with reference to the writing of other vassal states, and was simplified and standardized for the convenience of writing. This was the first in the history of Chinese calligraphy. Standardized calligraphy.

Clerical script is another representative calligraphy style that emerged after Xiaozhuan. It was produced on the basis of Xiaozhuan.

The emergence of official script is a great revolution in Chinese characters. Its significance is not only that Chinese characters have become symbolic, but more importantly, it has changed the writing method and aesthetic trend of Chinese characters, thus laying the foundation for the emergence of regular script calligraphy art. This laid the foundation and opened up a vast world for the development and prosperity of Chinese calligraphy art.

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