Visit the Fourth Hall of Chinese Studies, 2. What impressed me the most was the calligraphy of the National Music Hall. Why?

Xiong Bingming once said at a calligraphy forum in September: "Calligraphy is the core of China culture". 1February, 995, The Lion Art magazine published an Atlas of Calligraphy Regeneration, and Xiong Bingming wrote a short article clearly stating this proposition to the effect that the core of a culture is philosophy, and the ultimate goal of traditional philosophers in China is not to establish a huge and rigorous ideological system, but to return to life after awakening. I think calligraphy is the first condition for moving from abstract thinking to life.

China stepped into calligraphy from philosophy, but returned to lively life from rational thinking, and settled down from hesitation. Who wants to get out of the mood of "wandering in art" and return to the tension and anxiety of observation and analysis?

In China's eyes, people repented like Rousseau and brought people into the cold laws of nature like Darwin. It is inhuman to explore the plot of the subconscious like Freud. This is probably a feature of China's cultural orientation.

Calligraphy is our unique art!

Calligraphy is still our yearning tool and final sustenance!

Calligraphy is the best mirror to know us.