Yan Zhenqing's calligraphy style not only has superior emotion and spirituality, but also appears natural and peculiar in writing.
Yan Zhenqing (709-785) was a great calligrapher in the Tang Dynasty, and his calligraphy art was regarded as a monument in the history of calligraphy in China. For thousands of years, Yan Jie has been regarded as a model of regular script, and has been highly praised by calligraphers of all ages. Yan Zhenqing's loyalty and noble moral quality are also admired by later generations.
Yan Zhenqing's calligraphy style not only has superior emotion and spirituality, but also appears natural and peculiar in writing. He not only pinned his feelings on it, but also described a natural, vigorous and vigorous ideological realm, expounded a lot of life feelings, and his ideological realm was grand and open. On the whole, Yan Zhenqing's calligraphy has three main characteristics: thick stippling, open structure and dense organization. These features * * * isomorphic became the solemn and magnificent atmosphere of his calligraphy.
Yan Zhenqing's calligraphy career can be roughly divided into three stages. The first stage, that is, before the age of forty, is mainly to inherit the tradition, and the representative work is "Duota Monument". The maturity of Yan Zhenqing's calligraphy is around 50 or 60 years old, and his representative works include Ma Gu Xian Tan and Ode to the Monument of Datang Zhongxing. By the age of 70, Yan Zhenqing's calligraphy had entered a more mature and exquisite realm.
Generally speaking, Yan Zhenqing and his calligraphy have been loved and admired by people for nearly a thousand years, not only because of his superb technology and innovation, but also because of the deep emotion, lofty quality and profound insight into life contained in his works.