Appreciation of calligraphy couplets in regular script
Appreciation of calligraphy couplets in regular script 1
Appreciation of calligraphy couplets in regular script 2
Appreciation of calligraphy couplets in regular script 3
Appreciation of calligraphy couplets in regular script 4
Unique charm of regular script
The unique charm of calligraphy art makes it difficult to compare with this. The creative process of calligraphy art is also a lyrical process. The aesthetic process of people's calligraphy works should also be a comprehensive and three-dimensional process, which should not be satisfied with the superficial visual experience, but must be a comprehensive experience process of the internal deep cultural information including the content of words and culture. It can be said that "culture is the core of calligraphy", and calligraphy has gone through its heyday hundreds of years ago in terms of its technical level, such as shelf structure, chapter layout and pen and ink skills, and has become a highly perfect and stylized cognitive system; For the latecomers, Wang Xizhi, Yan Zhenqing and other representatives can't surpass it so far-in this sense, "Fa" has come to an end, leaving only "Books as the carrier of Tao". The continuation and publicity of this "Tao" is the continuation and publicity of culture. Calligraphy art is an important part of China traditional culture. Today, it is intertwined with contemporary culture. With its long tradition and rich connotation, it has an important influence on other kinds of art vertically and horizontally. It is like a pearl, which makes China traditional culture exude charm and light.
Calligraphy itself bears the profound cultural connotation precipitated by history. The reason why calligraphy dominates China's art and culture and remains young forever lies not in its superficial art, but in its profound culture. The aesthetic appreciation of calligraphy must put it on the level of China's philosophy. It can be said that calligraphy is a cultural concept, not a simple artistic concept. Calligraphy should be art rather than technology, which is beyond doubt in terms of its emergence, development and connotation. Calligraphy is inseparable from the traditional culture of China for thousands of years. Traditional culture and calligraphy have an inseparable karma, so calligraphy has a soul because of culture. In turn, calligraphy makes culture shine with its formal beauty. Therefore, it can be said that only when culture is the connotation of calligraphy can calligraphy be touching. For example, The Manuscript for Sacrificing a Nephew has been celebrated through the ages, not simply because Yan Zhenqing's pen and ink skills touched people's hearts, but more importantly, it lies in the patriotic spirit, moral character and cultural content behind it. It can be said that calligraphy touches people's hearts with cultural spirit, and it is pleasing to the eye with its formal beauty. All the great calligraphers in ancient times were great writers, politicians, scholars or scholars. Ancient literati may not be great calligraphers, but historically, if they were not great scholars, they would never be great calligraphers.