Lin Mu, a professor at Sichuan University and dean of the Art College of Sichuan Normal University, said: "Mr. Feng inherited from Pan Tianshou and lived in Wu Changshuo, and his style is the literati painting system. The art of literati painting is a comprehensive art, which needs the comprehensive cultivation of painting furniture, poetry, calligraphy and printing. However, with the western education system completely replacing China's systematic education in the 20th century, and the national culture abdicated, the visual sense has occupied the absolute mainstream in the field of Chinese painting, so the comprehensive characteristics of literati painting have completely ebbed, and Feng Lao's comprehensive cultivation is profound, so junior high school should be the leader. Therefore, I propose to build an art museum of Professor Feng Jianwu in Chongqing to inherit his artistic accomplishment. "
Ling Chengwei, a professor at Southwest University and director of Chongqing Institute of Modern and Contemporary Fine Arts, said: "A symposium for Feng Lao should have been held long ago, and it is a little late now." Director Ling said that we should understand the professor and his art from the cultural and artistic development of an era and a region. "First of all, as an artist and educator, he is one of the leading figures in the development of modern Chinese painting in Chongqing and Sichuan and one of the founders of modern painting education in Chongqing and Sichuan; Furthermore, his art not only promoted the development of Bashu and Bashu modern China calligraphy and painting, but also integrated poetry, calligraphy, painting and printing in one furnace, inheriting and developing. This is a unique cultural construction and form of China's traditional painting and calligraphy art to explain the spirit of oriental culture and reflect core values, but it is also a place where contemporary China painting and calligraphy art is particularly lacking in creation. " Director Ling said. Hou, a professor and master tutor at Sichuan University's School of Art, said: "Feng Lao's success in breaking books fully reflects his original artistic thinking. Tracing back to the source, it should be inspired by Wu Changshuo's calligraphy creation. When Wu Changshuo was in his fifties and sixties, he spent 65,438+00 years exploring broken calligraphy, and later gave it up because it was not accepted by the market. Feng Lao, on the other hand, has a unique eye. He noticed Wu Changshuo's neglected tattered calligraphy, and learned from his heart instead of traces, making painstaking explorations. In the end, he successfully created tattered calligraphy, but it showed a completely different look from Wu Changshuo, with his own personality and unique artistic style, and his artistic creation thought came down in one continuous line with Wu Changshuo. "
Lu Delong, the full-time vice president of Chongqing Painting and Calligraphy Institute, said: "Feng Lao calligrapher walked out of the meridian gate, took the inscriptions of French, Han and Wei as the main ones, and lived in them with his distinctive personality, vigorous brushwork, dignified dialect and simple charm. It can be said that Feng Lao is a representative calligrapher of contemporary masculinity in China. "
Tang Yun, a professor at Sichuan University and tutor of master students, said that Feng Lao is a strict teacher and he advocates studying hard. Professor Tang said: "Feng Lao has always believed that literature and calligraphy skills are the basis of landscape painting, and using a pen is the core element of the so-called traditional skills. Therefore, Feng Lao emphasized that the center writes with a pen instead of drawing, and demanded that the students must look at the pictures with a pen, so that students can get traditional teaching under his guidance. In teaching, he advocates studying hard and training students with almost harsh skills. In artistic creation, he requires comprehensive and profound learning. "