One of the most diligent and effective occupations in my life is calligraphy and painting appraisal. I summed up seven taboos from practice, or the unfairness easily brought about by social resistance, that is, first, imperial power, second, expensive, third, long, fourth, justifying shortcomings, fifth, respecting sages, sixth, far harm, and seventh, accommodating the masses. In short, the first three come from the pressure of social authority, and the last four come from the selfishness of evaluators.
Let's take an example: Take my respected Mr. Zhang Xiaobin as an example. He is my predecessor. Because I am familiar with him, I speak casually. In his later years, he collected a painting of the Qing Dynasty. There happened to be a painter of the same name in the Yuan Dynasty. Someone added a postscript to this painting, saying that it belonged to that painter in Yuan Dynasty. My husband and I wrote an article to clarify this problem, and Mr. Zhang was very unhappy when he learned it. When he saw us again, he said half-jokingly in a tone of reprimanding the children, "Will you be naughty in the future?" We said, "Don't be naughty." Everyone passed with a smile. Although this is an elegant joke that can be included in Shi Shuo Xin Yu, it is enough to show that the phenomenon of "relying on long" and "relying on expensive" exists.
The key to "exalting" and "exalting" is superstitious authority, which also includes superstition about some descriptions. For example, Duan Fang wrote a book "The Summer Tale of Human Voice", and he always wanted to put the oldest and most important figures in front of the book. When a man named Kuaiguangdian heard the news, he walked to the door with a statue of the heavenly king painted by monk Wei Chiyi and flashed in front of Duan Fang. Of course, Duan Fang knew that monk Wei Chiyi had painted such works in the description book, so he had an appetite and quickly said, "I can't take the paintings you brought today." I have many good things here. You can choose whatever you want, and I'll give it to you as long as you keep this painting. " This is exactly what Kuaiguangdian wants.
Later, I saw this painting at the freire Museum in Washington, DC, USA. Really not good. It was pasted on a board with many inscriptions on it, but most of them were fake. Only one note of the Song Dynasty is old, which records that this painting was circulated at that time, but it does not mean that this painting belongs to monk Wei Chiyi.
Qigong theory books
1. Or ask what style to learn in a book. The so-called non-body does not mean that there is no certain style, but there is no strict boundary of a certain body. Yan Shu holds that Duobao is different from Magu and Yan Temple is different from Guo Temple. As for competing for seats, offering sacrifices to nephews and cursive scripts, they are different from monuments. But what does Yan Ti care about? What are the criteria for becoming a singer? The face is like this, and so is his family.
2. Writing is different from acrobatics, it doesn't have to have young talents, or even the opposite. As a child, I don't know anything about words. How can I understand his pen? When you are young, you don't need to learn Chinese characters. Learning Chinese characters can help reading, and it is also true to remember when you are familiar with it.
When writing a book, don't learn from others, especially those who have learned. It is good to cover your heart, but you can see with your eyes, so you can only be the next master's sweeper in this life. What is gleaning? People who take their own gains are often those who are not satisfied and want to give up. Or ask people when they decide what to do. Answer: the survival of the human ear. It's easy to see his words because he exists.
When writing a book, mortals have their own ancient posts to learn and their own styles to achieve. Since I finished writing, I have hated myself for it. It is occasional comfort, and it is only between these pictures, or within a picture, slightly adult. From its original intention, it can't reach three or four. What others learn is what they like, and they are always three or four. It is wrong to take seven or six.
5. If you study, you should be close to the ancient monument, not away from me with a monument when you study. Ancient paper and pen, and their application methods are different. Learning is impossible, but each has its own way of doing things, and here it becomes another face. Famous works are the product of the combination of the beauty of the ancients and their own diseases.
6. It is difficult to change the atmosphere. Every generation in a township must have its similarities. Therefore, the handwriting of the ancients is very clear to both the Tang Dynasty and the Song Dynasty. Don't be strong in gender. Although you are a father and a brother, you can't touch your children. Therefore, sacrifice is different from history, and it can't be absolutely different.
7. Or ask what it's like to suffer? Tell it: it can never be like it, and no one can. That is, similar, but only slightly similar, seemingly, partially similar, untrue. If you are close to the truth, then the law will not be based on signature.
8. The ancients sat on the floor, holding a paper roll in their left hand, a pen tube in their right hand, and their elbows were not on their wrists. So the pen is in the air and can be used on six sides. That is, back and forth or so, dissidents press also. In the Song Dynasty, there were high tables and chairs with elbows and wrists attached to them, which were no longer ethereal, but there was a saying of hanging elbows and wrists. If your elbows and wrists droop, your shoulders and arms will be stiff. Knowing this truth, even if you post a case and point to the fact that your wrist is immortal, you can get a good book.
9. Zhao Yun, calligraphy is based on pens, and words also need labor, so stealing is wrong. Try to cut a word from the French post, such as eight characters, herringbone, two characters, three characters and so on. , and cut its stippling again. Words speak louder than words. Cover the post with tissue paper and draw the center line of each stroke of a word with a pencil, but you still can't lose the potential of the word, and its reason is not obvious.
10. Every stroke has a beginning and an end, and the trajectory is accurate, if you are familiar with it. Although the steps are flying, I'm not worried about falling. The road is unfamiliar and urgent, and those who can avoid bumps are lucky. This meaning can be used in calligraphy.
1 1. Writing depends on ink, writing depends on epitaph, and it is impossible to know why it comes and goes. If the words are not rigorous, you will see the pen but not the words. Without a suitable pen, it feels like a dragon and a phoenix dance, and people are in chaos.
12. The running script should be written in regular script, and it must not be lost before gathering and dispersing. Regular script is suitable for writing, and its stippling is not dull at first.