Writing format of calligraphy paper. Nowadays, many people like to practice calligraphy. To practice calligraphy well, you must know the most basic writing format. Many people don't know what the writing format of calligraphy is. Next, I will take you to understand the writing format of calligraphy paper.
Writing format of calligraphy paper 1
1, Dou Fang:
Dou Fang is a square work written vertically, which is a style of China's calligraphy and painting. Usually, four-foot rice paper is cut into two pieces, two feet high and two feet wide, which are square. You can also cut the four-foot rice paper into eight pieces (about 1 foot square), which is called "sketching the square" or "doodling the square sketch".
Writing content is generally four to six lines. Because there are many lines, we should attach great importance to the size, opening and closing, echo and rhythm changes in the layout of the chapter.
2, three open:
Rectangular, with different sizes, is a style of China's painting and calligraphy. If you cut four feet of rice paper into three parts, it is called four feet and three cuts. If you cut five feet of rice paper into three parts, it is called five feet and three cuts. And so on.
It is also three-split, with different sizes. Four-by-three is usually a three-foot map (actually two feet seven inches, one-third of eight squares). Five feet and three inches is twelve square feet. One third, the area of each opening is four feet.
3. The nave:
Nave is a rectangular work written vertically. The size is generally a whole piece of rice paper (divided into four feet, five feet, six feet, eight feet and so on. , in which nave is 68CM×45CM).
Because the scale is relatively large, the creator needs to have skilled techniques and the ability to grasp the layout of the work as a whole. When writing, we should pay attention to the primary and secondary relationship between words and inscriptions, so that they are different in primary and secondary and glow accordingly.
4. banners;
Banners are long works written vertically, and the size is generally a whole piece of rice paper. When arranging the composition, we should carefully conceive and innovate according to the characteristics of the book.
5. Couplets:
Two opposite banners, written in couplets, are also called antithetical couplets. Couplets are divided into upper couplet and lower couplet, with the upper couplet on the right and the lower couplet on the left. The upper and lower couplets can be the same size as the banners, and they can also be larger or smaller than the banners.
The writing content of couplets is very strict, which can only be antithetical couplets (the upper and lower couplets are equivalent, flat and parallel, and common words do not appear repeatedly), including antithetical couplets in metrical poems (commonly known as antithesis) and two couplets in the middle (parallel couplets and necklaces).
The antithesis has five words and seven words, ranging from three words to dozens of crosses and hundreds of words. Rhyme is divided into five words and seven words. When arranging the composition of five-character and seven-character couplets, the upper and lower couplets should be written in a single line vertically. Write two or more lines in the dialogue above the cross (pay attention to the writing order, the upper part is from right to left and the lower part is from left to right.
Calligraphy paper writing format 2 calligraphy practice skills, calligraphy development order
The evolution order of calligraphy is seal script, official script, cursive script, regular script and running script. Seal script is the oldest script in China, which can be roughly divided into big seal script and small seal script. The seal script is divided into Oracle Bone Inscriptions, Jinwen and Shi Guwen.
Oracle Bone Inscriptions mainly refers to the characters of Shang Dynasty, which is called Oracle Bone Inscriptions because it is engraved on tortoise shells or animal bones. Bronze inscriptions, also known as Heji, are words cast on bronzes. Shi Guwen has a vigorous and dignified style. The font structure is neat, the strokes are even and round, horizontal and vertical, and the shape tends to be square.
After Qin unified the six countries, Xiao Zhuan evolved, simplified the evolution on the basis of Da Zhuan, and created relatively unified characters. Compared with modern calligraphy, the font structure of Xiao Zhuan is more complicated and the form is more eccentric. The structure of fonts is mostly symmetrical, and the whole tends to be rectangular. The strokes are rounded and have no obvious edges and corners.
Lishu is divided into Qin Lishu and Han Li. Qin Li refers to the official script from the Warring States, Qin Dynasty to the early years of the Western Han Dynasty, also known as Guli. Such as the silk book of Mawangdui in Changsha and the bamboo slips of Juyan Han Dynasty. Han Li mainly refers to the official script on the inscriptions in the Eastern Han Dynasty. Such as Yi Ying Bei, Ode to Shimen and Book of Rites Monument.
Regular script is the most commonly used font in calligraphy now, which evolved from official script in Han Dynasty. The main characteristics of regular script are neat and square, beautiful structure, horizontal and vertical. After the emergence of regular script, cursive script and running script, writing is convenient and free, and strokes are more continuous.
Regular script in the Tang Dynasty, like the prosperity of the national situation in the Tang Dynasty, is really unprecedented. Calligraphy is mature, and calligraphers come forth in large numbers. In terms of regular script, Yu Shinan, Ou Yangxun, Chu Suiliang in the early Tang Dynasty, Yan Zhenqing in the middle Tang Dynasty and Liu Gongquan in the late Tang Dynasty have all become models for future generations to learn Chinese characters.