Mr. Fan Ceng's calligraphy works have always been sought after by calligraphy collectors. What is there to see? Let's enjoy it together The following is what
Mr. Fan Ceng's calligraphy works have always been sought after by calligraphy collectors. What is there to see? Let's enjoy it together The following is what I arranged for you, I hope it will be useful to you!
appreciate
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Brief introduction of Fan Ceng
Fan Ceng, 1938, born on July 5th, is a native of Nantong, Jiangsu Province, whose name is Ten Wings, and he is the master of Baochong Zhai. 1955 was admitted to the history department of Nankai University. 1957 transferred to the art history department of the Central Academy of Fine Arts, and transferred to the Chinese painting department after half a year. 1962 graduated. 1978 transferred to the Central Academy of Arts and Crafts to teach. Distinguished painter of tang style Art Museum. He was hired by UNESCO as "Special Adviser on Multiculturalism" and became the first person in China to receive this honor.
1984 transferred to the Oriental Art Department of Nankai University in Tianjin as the dean. Member of China Artists Association, good at China figure painting, poetry and calligraphy. Many works have been collected by Chinese and foreign art institutions, and have published illustrations of Lu Xun's novels, Fan Ceng's paintings, Fan Ceng's Singing Grass, Fan Ceng's paintings and calligraphy, and Fan Ceng's self-report.
Fan Ceng's "Little Picture of Ling Daoge" is in Fan Ceng Art Museum in Okayama, "Eight Immortals" is in China Art Museum, and "Ode to Autumn" is in Birmingham Museum.
/kloc-visited Japan for the first time in 0/979, and was praised by Japan as "one of the top ten painters in modern China". 1982 won the Japan-China Cultural Exchange Merit Memorial Cup.
A new introduction to calligraphy
To do anything, as long as you use tools, it involves the problem of how to take tools. A brush is a writing tool. If you want to write calligraphy well, you must first understand the method of holding the pen. Because the method of holding the pen is correct or not, it is directly related to the quality of the written words. Pen, ink, paper, inkstone and copybook are all ready, and then there is the technical problem of how to write temporarily. The first technique I came into contact with was the problem of holding the pen and posture.
First, the method of writing. According to the textual research of the late famous calligrapher Mr. Sha Menghai from the writing posture of the writers in ancient paintings, the ancients wrote China's calligraphy with three-fingered calligraphy. Because at that time people sat cross-legged on the ground, some knelt on the ground and * * * sat on their knees. At that time, there were no benches or tables, only machines such as coffee tables, because the machines were very low and you had to hang your hands when writing. This law spread to Japan and has been used ever since. In the next generation, tables, chairs and benches began to prevail, and living habits changed accordingly, and the writing method became the five-grid writing method. Su Dongpo, a great calligrapher in the Song Dynasty, still writes with three fingers. At that time, someone pointed out that his writing was wrong, but he said that "there is no fixed method for writing, and it should be empty and wide", that is to say, there is no certain standard method for writing, as long as the palm of your hand is empty, it will be handy. Another example is the tube-holding method, which uses the palm of your hand to grasp the pen and write. Pinch tube method is to put the fingertips of five fingers together and hold the end of the pen to write. There are many ancient writing methods, but they are widely used. It can also be said that the five-finger writing method of "press, press, hook, push and reach" was generally accepted at that time.
Second, the five-finger writing method. The "five-finger pen-holding method" is to hold the pen firmly with all five fingers of the right hand by means of "pressing, pressing, hooking, pushing and extending", so that the fingers can perform their respective duties. The specific method of holding the pen is to press one side of the pen holder on the inside of the first book of the thumb, and the thumb is in a slightly horizontal lateral state. Press the pen from the outside to the inside at the first or second joint of the index finger. The middle finger is next to the index finger and hooks the pen. The ring finger is close to the middle finger, and the root of the first nail is close to the pen to resist the pressing force of the index finger and the middle finger. Press the little finger under the inside of the ring finger to help. In this way, the strength of the five fingers evenly surrounds the three sides of the pen, making the pen fixed and the palm empty. The same is the five-finger pen-holding method, which forms many forms because of the opening and closing of the hand lattice, whether the pen is held at the fingertip or at the second joint of the finger. The ancients called it "phoenix eye", "tiger's mouth" and "goose's head" and so on.