The Tang Dynasty was the era of resurgence of regular script. Regular script entered a new stage from the Six Dynasties period when interest prevailed over rules. What I bring to you below is official script calligraphy. I hope you like it. Appreciation of the pictures of regular script pen calligraphy fonts
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Regular script of the Tang Dynasty
The Tang Dynasty was During the ZTE era of regular script, regular script entered a new stage from the Six Dynasties period when interest prevailed over rules. In the Tang Dynasty, politics, economy, and culture were developed, but printing was not yet popular. A large number of documents and books were copied, so the art of regular script was extremely prosperous. It became an era when calligraphy was at its peak, and it was also an era when Chinese calligraphy was the most comprehensive.
Regular script in the early Tang Dynasty
The number of calligraphers in the Tang Dynasty, the vastness of calligraphy works, and the far-reaching influence are unprecedented. In particular, the development of regular script was brought to the extreme by the Tang people, who were proficient in the method. , strict specifications, becoming an eternal model.
In the early Tang Dynasty, there were four great masters: Ouyang Xun, Yu Shinan, Chu Suiliang, and Xue Ji. There was also a theory that Lu and Cambodia were replaced by Xue Ji.
Ouyang Xun, courtesy name Xinben, "Old Book of Tang Dynasty" said: "Xun first learned Wang Xizhi's calligraphy, and then gradually changed his style, and his writing power was dangerous and vigorous, which was the best for a while." ?Ouyang consulted the regular script of King Xizhi of the Dharma, and then used the official script. In his later years, his characters were long and slender, and his writing style was square and powerful. People often described his characters as "formidable", like spears and halberds in an arsenal. ?His representative works such as "Jiucheng Palace" and other inscriptions have been highly praised by the past dynasties. In addition, his son Ouyang Tong can also learn from his family letters and has "Stele of Master Daoyin", which is extremely dangerous and powerful.
Yu Shinan, courtesy name Boshi. When I was young, I learned calligraphy from Zhiyong. His books are round, soft on the outside and strong on the inside. There is a "Confucius Temple Stele" left in the world.
Chu Suiliang, also known as Dengshan. Chu Ziyanhua Qiuyi established new rules in Europe and Yuwai, including famous inscriptions such as "Master Meng's Stele" and "Yanta Sacred Preface". Later Yan Zhenqing and Liu Gongquan innovated on the basis of Chu Suiliang.
In addition to the above-mentioned regular script writers and fine works of regular script, there are also "Wang Jushi Brick Pagoda Inscription" by Jing Ke, "Ling Fei Jing" in small regular script by Zhong Shaojing, and regular script work "Lang" by cursive calligrapher Zhang Xu. "Guan Shi Ji" and so on.
Regular script in the late Tang Dynasty
The most important calligrapher was Yan Zhenqing.
Yan Zhenqing, also known as Qingchen. His regular script is contrary to the calligraphy style of the early Tang Dynasty. He uses seal script to transform the thin and hard style into plump and powerful, with a broad structure and magnificent bearing. This style also reflects the prosperous style of the Tang Empire and is consistent with his personal noble character. The personality is consistent, and the beauty of calligraphy and the beauty of personality are integrated. There are many works in regular script, such as "Qinli Stele", "Duobao Pagoda Stele", "Yanjia Temple Stele", and the handed down regular script ink "Zi Shu Gao Shen". Yan Zhenqing's calligraphy pioneered a generation The new style is a typical embodiment of the heroic style of the Han and Tang Dynasties, and has had a profound impact on the development of calligraphy art in later generations. For example, Liu Gongquan, Su Shi, Huang Tingjian, and other calligraphers all studied Yan. Yan Zhenqing is the most influential calligrapher after Wang Xizhi. .
In the late Tang Dynasty, in addition to Yan Zhenqing, there was also Liu Gongquan. Liu Gongquan's courtesy name was Chengxuan. His character was taken from Fayan, but he was slightly thinner and taller, so he was called "Yan Jin Liu Gu". His book combines the strength of Europe, the charm of appearance, and the ability to be upright and independent. He does not follow in the footsteps of his predecessors. There is the "Stele of General Shence" that has been circulated.
Beyond the Yan and Liu systems, there was also Xu Hao in the late Tang Dynasty. His masterpiece "Bu Kong Monk Stele" is impressively round and thick. In addition, among the classics written by the Tang people, there are also many fine works in regular script.