Appreciation of Liu Gongquan's Works
If Liu Gongquan didn't write a work that satisfied Tang Wuzong, the female officer's life would be in danger. Liu Gongquan weighed the pros and cons, then picked up the paper that Tang Wuzong gave him and wrote a poem. Tang Wuzong saw Liu Gongquan's quatrains and was very satisfied. He not only spared the female officer, but also gave Liu Gongquan two hundred brocade horses. Today, this poem by Liu Gongquan is still circulated in the world. The content of this poem is: "Regardless of the past, I would like to be alone and watch Nagato. But now the king has taken care of him and went back to the pepper room to wipe his tears. "
Everyone knows the story of Cao Cao and Cao Pi's seven-step poems, and Liu Gongquan also has three-step poems.
In other words, Tang Wenzong and Liu Gongquan have visited Weiyang Palace, and it is natural to see such beautiful scenery. Tang Wenzong suddenly stopped his car and told Liu Gongquan that there was a very happy thing recently, and that was about giving clothes to soldiers stationed at the border. It used to take a long time to distribute clothes to soldiers, but now the time is shortened. In February, soldiers can get spring clothes. Upon hearing this, Liu Gongquan celebrated for Tang Wenzong. Wenzong asked Liu Gongquan to write poems to express his congratulations. Liu Gongquan thought for a while and blurted out: "Although there was no war last year, I didn't return this year. How can I repay the kindness of the emperor? I get spring clothes in spring. " Tang Wenzong lamented Liu Gongquan's poetic talent and praised him as a three-step genius.
Liu Gongquan's Tomb Liu Gongquan is a famous calligrapher and writer in the Tang Dynasty, one of the "four masters of regular script" and enjoys a high reputation in the calligraphy field. Engraving the Diamond Sutra, Mysterious Tower Monument and Su Feng Monument are all classic works of Liu Gongquan.
Liugongquan tomb
Liu Gongquan was born in 778 AD and died in 865 AD. * * * 88 years old, Tongchuan, Shaanxi. After Liu Gongquan's death, later generations buried him near Rangyi Village, Yaozhou District, Shaanxi Province, and set up a tombstone to commemorate him. Brother Liu Gongchuo's tomb is located in the east and Liu Gongquan's tomb is located in the west. The distance between the two tombstones is about 46 meters. There is a stone tablet in their cemetery, which records the official position and life of Liu Gongquan's brothers. Liu Gongquan's tombstone reads "Tomb of Emperor Liu, Prince of Hedong County", which is a magnificent official script. In addition, the inscription is written in regular script with the person who established the tomb and the time when it was established, which is convenient for well-documented investigation. Liu Gongquan's tomb is 82 meters long and 64 meters high, which is a typical circular tomb. In the middle of last century, the tomb of Liu Gongquan was discovered, and then the relevant units identified Liu Gongquan and Liu Gongchuo as cultural relics protection units in Shaanxi Province.
20 15 is the 50th anniversary of Liu Gongquan's death1/kloc-0. Many calligraphy lovers want to pay tribute to this great calligrapher. But where Liu Gongquan's tomb is, it is controversial. Generally speaking, Liu Gongquan's tomb is in Rangyi Village, Yaozhou District, Tongchuan City, but Liu Gongquan's descendants took out a genealogy. According to textual research, Liu Gongquan's tomb is located in Liujiawan Village, Lantian County. This genealogy shows an important message: "I did hang on Lantian, the food city of cabinet bachelor, but I was not buried here." Future generations have families. Lantian Liu Zhuang got its name from this. Liu's family began. "Liu Gongquan's word" sincere suspension ",then the meaning of this sentence is that Liu Gongquan was buried in the sky and later generations came here to settle down. Liu Zhuang in Lantian is the residence of the Liu family.
The exact location of Liu Gongquan's tomb has not been confirmed.
Liu Gongquan's ci Liu Gongquan's ci is called Liu Ti, which has the beauty of bone feeling. Liu Gongquan copied and studied the works of calligraphers such as Wang Xizhi and Zhong You in his early years, and carried out reform and innovation on this basis.
Liu Gongquan's works
In the direction of regular script calligraphy works, he carefully studied Yan Zhenqing's calligraphy techniques and fonts, and then integrated and innovated to create Liu Ti. Liu Gongquan's Liu Ti works have also become one of the representatives of "Tang Shu Shang Fa".
Zhao Meng Tie is the representative work of Liu Gongquan's running script. Zhao Meng Tie was written in 82 1 year, when Liu Gongquan was 44 years old, which was the peak of his calligraphy creation. Because he is young and strong, in this work, Liu Gongquan uses the general running script in one go, which is full of powerful beauty. The font is scattered but not scattered, giving people an ethereal and dynamic realm. In the first post, Liu Gongquan wrote the word "League of Public Rights" in large font, which was huge and felt majestic. In the use of pen, Liu Gongquan's writing style is very vigorous, so the font written is vigorous and full of beauty. This work is Liu Gongquan's early work, which shows that he is full of energy and charm in writing.
Xuanta Monument is a regular script work of Liu Gongquan in his later years. The Monument to the Xuanta was written by Liu Gongquan at the age of sixty-four, and his brushwork was vigorous and powerful. On the basis of style, Liu style and innovation are added, the font is compact and powerful, and the whole picture is clean and beautiful. Xuanzang Tower Monument is regarded as the masterpiece of Liu Gongquan, a great calligrapher, with beautiful font and shape, which embodies the characteristics of Liu's calligraphy. Although this work has a history of thousands of years, its artistic value has not faded with the passage of time.
The secret of Liu Gongquan's calligraphy practice Liu Gongquan lived in a river ditch when he was a child. According to local people, the bottom of this river ditch is still black. At the river ditch, there is a naturally formed "inkstone platform". If you look closely, you can see that the stones at the bottom of the river are also a little dark. This is the result of Liu Gongquan's "writing eight jars of water, inkstones stained with black pools". It is because of Liu Gongquan's diligent study and practice that he became a generation of calligraphy masters.
Liu Gongquan's works
Liu Gongquan once watched an old man with no arms write with his feet, and his handwriting touched Liu Gongquan deeply. The old man's handwriting flew freely and won bursts of applause. Liu Gongquan was amazed. Liu Gongquan knelt on the ground, hoping that the old man would accept him as a teacher. The old man laughed at himself for his humble origins and his inability to be a model. Under the pleading of Liu Gongquan, the old man took out a piece of paper and wrote: Write down eight jars of water, inkstone stained with black water, and win over hundreds of parents before dragons and phoenixes can fly. Then, Liu Gongquan encouraged himself to study hard and practice calligraphy. In addition, in order to make his handwriting beautiful, Liu Gongquan is good at observing the movements and trends of animals in life, and he can feel the morphological changes from their movements. Liu Gongquan often goes to other people's homes to observe the scene of killing cattle and peeling cowhide. After the butcher cut the meat, only the skeleton of the animal was left. Liu Gongquan studied animal structure from it to get inspiration from calligraphy.
Birds in the sky and animals on the ground are the objects of Liu Gongquan's observation. He combined animal dynamics with calligraphy writing and practiced for a long time. Fonts become more elegant and dynamic, fonts are more distinct, and there is skinny beauty. All this is inseparable from Liu Gongquan's long-term hard practice.
Liu Gongquan and Copybook for calligraphy's Liu Gongquan's Copybook for calligraphy is an introductory calligraphy book for later generations to learn Liu Gongquan's fonts. In the copybook, Liu Gongquan's Liu style is summarized for future generations to copy.
Appreciation of Copybook for calligraphy's Works by Liu Gongquan
The highest achievement of Liu Gongquan's calligraphy is regular script. His regular script works are beautiful, the font is thin and hard, and the writing strength is very strong; Calligraphy works are clean and beautiful, and a work is coherent and smooth in one go; In addition, the structure of calligraphy works is very rigorous, and the fonts are full of integrity and beauty. Later generations wanted to learn Liu Gongquan's regular script calligraphy, so they made Liu Gongquan Copybook for calligraphy.
The content of this copybook has many styles, and there are different font contents for different age groups and different learning stages. For example, most primary school students learn calligraphy from the most basic introduction. In order to lay a good foundation, they bought the simplest introductory book of Liu Ti. Simple fonts and few strokes are convenient for beginners to practice.
In addition, the square Chinese characters advocated now are similar to regular script to some extent. Learning Liu Gongquan's regular script works is also helpful for writing Chinese characters well. Calligraphy lovers who are interested in Liu Gongquan's calligraphy have copied and studied Liu Gongquan's calligraphy works for a long time and summed up Liu Ti's writing skills. Later, he wrote a book, which introduced in detail the writing steps and skills of Liu Gongquan's regular script, such as how to write one stroke at a time, so as to have the form of "Liu Ti".
Liu Gongquan's Copybook for calligraphy is welcomed by calligraphy lovers from all walks of life and has become one of the necessary books for learning calligraphy.