1, if a strong man draws his sword, he looks moving.
2, flowing, writing like a cloud.
3, dragon and snake race, wear out the iron inkstone.
4, the pen, Yan Gu.
5. The group is playing in the sea, and the cranes are jumping and swimming in the sky.
6, floating like a cloud, agile as a dragon. Iron book silver hook, the most ancient and modern.
7, look at its strength without losing, posture without boasting, handwriting flowing.
8. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly.
9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns.
10, its color, its shape, its yin and dryness, its breaking and turning, its hidden thickness is endless, and it is full of weather.
1 1, his brushwork is magnificent and his posture is changeable. Due to carelessness, his palm is forgotten, which is the most vivid and perfusion feature.
12, Gu Mo gently grinds a few incense, and the new bath in the inkstone pool is full of color, or strong and gentle, or graceful and graceful, or vigorous and brave, or like spring breeze, or like entering the deep cold north wind.
13, a pen, if the view is out of control, the horse will fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
14. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also implies the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in the brushwork for the sake of ethereal and far-reaching.