Liu Yuwen's Calligraphy Achievements

Liu Yuwen's childhood study of Kai began with European style, and his description of Weibei was slightly longer, and then traced back to Zhuanlizhangcao and other styles. He was born in the late Qing Dynasty. When he was young, he was not spared the influence of epigraphy in the late Qing Dynasty, and copied Zhang Menglong's epitaph, his epitaph and Zhang Hei's female portrait in Weibei. Since middle age, Liu Yuwen's inscription is both inclusive and inclusive. Regular script takes the essence of Yan style, cursive script pursues two kings, and orders Song, Ming and Qing dynasties. In his later years, he had a soft spot for Cao Zhang. What is more commendable is Liu Yuwen's lower case. He once devoted himself to copying precious ancient books with lowercase letters, leaving precious lowercase letters for future generations. In the 1950s, a national calligraphy exhibition was held in Beijing. Liu Yuwen exhibited several works with different styles, and then selected them for exhibition in Japan. His traditional calligraphy skills are profound and extraordinary, and his five bodies are good.

Words are like people. Mr. Guan Yuwen's calligraphy: a gentleman's style, dignified and powerful; It has the elegant air of a scroll, which is quite good-looking and full of ancient charm. In fact, it is the embodiment of his character. Liu Yuwen made friends with calligraphy and painting circles and cultural circles, and was closely related to Huang Baoyu, Fu Baoshi, Wu and Fang Jiekan. 1955, via Shanghai. In a letter to his friend Wang Siyuan, he said, "There is a gathering of celebrities from Hu Boying. Shen and Huang Ainong praised my book, calling it "Fairyland on Earth". Although I have gained a reputation, I am not confident. " It can be seen that his calligraphy achievements were generally recognized by his peers at that time.

Liu Yuwen has a large collection of books, so he called Zhai "Zilian Mountain Pavilion" and "Huanglong Brick Pavilion", and Wu Zhihui once said: 200 Lian Mountain Pavilion. He is filial to his mother, who is old. The library is also called Shouxuan Caotang. After the founding of New China, Liu Yuwen was indifferent to fame and fortune, lived in seclusion in his hometown, devoted himself to calligraphy, and devoted himself to economic construction and public welfare undertakings in his hometown, which was deeply loved by the villagers.