Who knows what to pay attention to when writing regular script?

Reprinted Qing Dynasty calligrapher Song Cao

"To build a model, you must first express the words in the frame clearly and get its font. Say goodbye to the harmony between law and nature. However, the size, complexity, length, width and narrowness should not be as straight as the operator, but it can make maximum use of its ontology, not limited to strokes, and curb its interest. It's natural to make the pen work hard, with different words and lines. This is the law. You have to escape and make it disperse; It must also be embedded in the middle and the tendon is not exposed. Nothing hangs down, nothing goes far, it is a hidden front, which makes people think outside the words. If it is block letters, the structure is expensive and dense, otherwise the otter is rambling and dull, and if it is too dense, it will be vulgar. Writing small characters is easy to be cramped, and it is open and has a large font segment. People who are prone to cramps are suffering from a bitter pen and tight hands, and their wrists are ineffective, pulling left and right; Hang the pen in the virtual palm and turn it to live. If you want to be behind a pen, you have to touch your ears, which is not a book.

In short, if you are familiar with it, you will naturally be born. There was a Tang dynasty who took people by calligraphy, so it was very strict and very European and American. Europe and Yan school are suitable for visiting temples. If he were an ordinary person, he wouldn't have to exchange it for Wang, Wang's Praise for Oriental Painting, On Music and Yi, Wang's Monument, Luo Shen Fu and Destruction Preface. Translation:

Today's regular script, first of all, we should make the characters stand clearly, understand their glyphs, and then allocate them according to the rules, which is naturally appropriate. However, the size, complexity, length, width and narrowness of characters must not be flat like symbols, and they can only be the best as far as their original institutional structure is concerned, and they do not stick to strokes and hinder their interest. Write hard and change the shape of words. There are different interests between lines, so naturally. There must still be a spirit beyond the secular world, which makes it bleak; It is also necessary that the bone strength is contained in the middle and the tendons are not exposed. Nothing hangs, nothing shrinks, nothing returns, which is the hidden front, which makes people imagine beyond words. Roughly speaking, we must grasp the structure, otherwise we will be lazy and have no spirit. If you are close, you are afraid of hitting people when they are down. As a lower case, it is easy to be bound and cannot be stretched. Be sure to make it open and have a big formal structure. It is easy to be bound and unable to stretch. The trouble is that the pen is too tight. For wrist movement, it is left and right. The key point of the pen is that the virtual palm is suspended and the rotation is natural and flexible. If you don't have an empty palm but are interested in the back of the pen, you just need to draw, and you don't need a book.

In short, familiarity is natural and wonderful. In the Tang Dynasty, people were selected by calligraphy, so they devoted themselves to neatness. It originated from the Calligraphy Museum and was a calligraphy learning base. Dedicated to Europe and America. European and Yan schools are suitable for storing books for the ancestral temple. If we say that it is regular, we should follow the Theory of Oriental Painting, Theory of Music, Yi, Cao E's Injustice, Luo Shenfu, Zhong, Wang and Yu's Preface to Breaking Evil, not to mention anything else.

Song Cao was a calligrapher during Shunzhi period in the early Qing Dynasty. Word, word, number shoot ling. Jiangsu? Ming, a native of Yancheng

In the book, when Chongzhen was an official, he lived in seclusion after entering the Qing Dynasty and was good at writing poems.

The covenant of calligraphy, a volume. Chen Bin rewelding is known as the book of ability, which consists of two parts, namely, the "general statement", and it is a pertinent word; The second book, Answering Calligraphy, gives full play to the significance of calligraphy in brushwork and book spectrum, and sets it as a question and answer to make it clear; Another article, On the Beginning of Writing, simply describes the change of calligraphy style and does not discuss it; Finally, three pieces of regular script, running script and cursive script are practical and accurate enough for Buddhism.