The sweeping army described poetry and calligraphy as magnificent and full of charm.
A long snake described calligraphy with a brush as vivid and magnificent.
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Jin Feng, the metaphor font structure is solid and full, and the brushwork is more than enough.
Jiao Ruo Jing Long is often used to describe vigorous calligraphy or graceful dancing.
Penetrate the back of the paper to describe the strength of calligraphy, and the nib can simply penetrate the back of the paper.
The ingenious description of calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound.
Tie Hua Yin Gou describes the softness of calligraphy.
Fairy dewdrops describe calligraphy as elegant and round.
2. Four-character idioms in calligraphy, complete strokes of dragon and snake, Yan Gu, iron-painted silver hook, penetrating paper back, free strokes of dragon and snake, bǐ zǒu lóng shé Interpretation: Describing calligraphy as very beautiful and skillful, Yan Gu yá n j Ρ n Interpretation: Yan: calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty.
Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.
Iron-painted silver hook tiēHuàyín güu Interpretation: Describe that calligraphy is strong and soft, and penetrates the back of paper. Interpretation: Describe that calligraphy is strong and powerful, and the nib almost penetrates the back of paper. It also describes poetry as profound in conception and concise in words.
Handy Hu ē zü rú Interpretation: Describe drawing, writing, writing and writing at will.
3. Four-character idioms describing calligraphy works Four-character idioms about calligraphy works: The sweeping army describes poetry and calligraphy. With great momentum and great courage; A dragon snake describes calligraphy as vivid and magnificent; A swallowtail silkworm head describes calligraphy as dignified and light; Rich and powerful metaphors mean that the font structure is solid and full, and the strokes are more than enough; A flexible dragon is often used to describe a powerful stroke of calligraphy. Or graceful dances run through the back of the paper, and calligraphy is vigorous and powerful, with one stroke and one painting almost running through the back of the paper. Calligraphy is characterized by its excellent brushwork. Now many metaphors are very profound. Iron-painted silver hooks describe the combination of rigidity and softness in calligraphy. Fairy dew pearls describe calligraphy as elegant and mellow. Calligraphy works are a relatively complete form of expression of calligraphy art and a way of entertainment.
The styles of calligraphy works mainly include nave, banners, horizontal stripes, couplets, plaques, long scrolls and fan faces.
4. Calligraphy four-character idioms, complete works of dragons and snakes at the bottom of the pen. Describe calligraphy as vivid and imposing.
Source: Xiao Xiaosheng of Ming Lanling's "Jin Ping Mei Hua Thorn" The thirty-first chapter: "Wen Gong is knowledgeable and knowledgeable, and the dragon snake at the bottom of the pen is really talented."
A long snake described calligraphy with a brush as vivid and magnificent.
Source: Tang Libai's "Cursive Song": "Always seeing dragons and snakes, the left side is shocked."
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Source: Song Zhao's "Xuanhe Painting Spectrum Yan Zhenqing" "Only he is loyal to heaven and knows the world, so the spirit is seen in the table of calligraphy, which is unique and inclusive. ..... After the popularization of science, it is to seek the end of its shape, which is called the silkworm head dovetail, and it is just. "
Sink fast, firm and smooth, vigorous and hearty. Describe the fluency of poetry and calligraphy.
Source: The law book should be recorded. Volume one quotes an ancient cloud from Yang Xin's Who's Who: "The emperor of Wu is like grass, and the world calls it joy."
Calm, happy, strong and smooth, energetic and hearty. Describe the fluency of poetry and calligraphy.
Source: Song's Cang Shi Debate: "There are probably two things, saying that you don't want to travel far, you are calm and carefree."
Endless strength: fullness and fullness; Tendon: a ligament in a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than enough.
Source: Song Yiming's "Xuanhe Pu Shu": "At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law. Commentators said that its strength was endless and it had the potential to travel in the rain."
Lu 'an Drifting Park: Go with the flow. Calligraphy originally described elegance and elegance, and later it was compared to the separation of husband and wife or the frustration of literati.
Source: Tang Hanyu's poem "Gashen Mountain": "Ke Dou's fist cover is upside down, the phoenix floats, and the tiger flies."
Phoenix dances, dragonfly describes calligraphy as powerful and flexible.
Source: "Biography of Heroes of Children" The tenth time: "Only this calligraphy can be written like this, which is really admirable."
Phoenix flies back to Hong Kong: fly high. Metaphor calligraphy strokes flying and stretching.
Source: Jin Fu on the Floating Clouds: "Luan Xiang, Hong Fei, whales catch the waves, thrush crocodiles run."
Ancient fat is barren now, which means different calligraphy styles.
Source: Tang Yuanyan's handwritten book Volume 2: "Impermanence is called ancient fat, and amethyst is called today's barren. Different from ancient times and modern times, fat and thin are the opposite. "
Crane knee and bee waist (1) This refers to two kinds of eight diseases of poetic temperament. Generally refers to the faults made in the melody of poetry. ② Two kinds of sick pens in calligraphy.
Source: Wei Songqing's "Poet Jade Scrap, Poetry Disease, Poetry Disease has Eight": "Three words are called bee waist, and two words cannot be synchronized with five words ... four words are called crane knees, and the fifth word cannot be synchronized with the fifteenth word."
Zhong You and Hu: Bell in the Three Kingdoms Period: Bell in the Three Kingdoms Period. Zhao Hu's fonts are thick, while Zhong You's fonts are thin. Describe the beauty of calligraphy.
Source: Zhang Tang Yan Yuan's "Fa Shu": "The Three Kingdoms are famous for creating running scripts, and Zhong You learns its methods. Hu Shu is fat and thin, and each has its own advantages."
A calligrapher who paints sand and ink, figuratively speaking, uses a pen.
Source: Liang Lun Shu: "Brush the sand like a cone and print the sand like mud."
Graffiti describes poor calligraphy or writing. Used as a word of modesty.
Source: Song Minglian's Time Series of Meeting Han Bo: "Grain Rain is insensitive and it is useless to teach. He responded with empty words, doodling every day and giving it every day. "
5. What are the four-character idioms in calligraphy works, such as total annihilation, long snake in the pen, silkworm head and phoenix tail, abundant tendons and strength, iron-painted silver hook, fairy pearls, quiet and far-reaching, vivid charm, uninhibited, straightforward and simple, unique, hearty and chic, naturally interesting, centered, tight, excellent and elegant. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, wrong, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, forceful, vigorous and powerful, compact in structure, dancing while flying, charming in style.
China's calligraphy is an ancient art, which develops with the development of Chinese civilization. In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history.
Calligraphy, as an artistic creation, is deeply mysterious. From Oracle Bone Inscriptions, inscriptions on bronze to Da Zhuan, Xiao Zhuan and Li Shu, and then to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script and running script were basically shaped, and calligraphy always exuded the charm of ancient art.
Huifeng often refers to soft wind, which makes people feel warm and comfortable.
Dragon and phoenix dance originally described the grandeur of mountains, and later described the grandeur and agility of calligraphy.
The sweeping army described poetry and calligraphy as magnificent and full of charm.
A long snake described calligraphy with a brush as vivid and magnificent.
Silkworm head and phoenix tail describe calligraphy as dignified and light.
Abundant strength means that the font structure is solid and full, and the brushwork is strong.
Jiao Ruo Jing Long is often used to describe vigorous calligraphy or graceful dancing.
Through the back of the paper, calligraphy is described as vigorous and powerful, and the strokes simply penetrate the back of the paper.
The incisive description of calligraphy is very powerful. Now, many metaphors are profound.
Tie Hua Yin Gou describes the softness of calligraphy.
Fairy dewdrops describe calligraphy as elegant and mellow.
Powerful and vigorous to describe the strength and intensity of calligraphy.
6. How can there be a good four-character word to describe calligraphy? Calligraphy: full of pen power: pen and ink are used very freely and fully. It describes calligraphy and poetry. \x0d's pen is full of dragons and snakes. Describe the vigorous and free brushwork of calligraphy. It also writes for the conductor. \x0d first wrote Huang Ting: Huang Ting, a Taoist classic. Jin people have the idiom "just right" in Huang Ting Jing, which was later used to describe doing things just right. \x0d Spring insects and autumn snakes: It refers to the trajectory of spring insects and autumn snakes with poor calligraphy. \x0d: The sword is drawn and the bow is opened. It describes a tense situation and is explosive. Later, it also refers to the vigorous and magnificent calligraphy. \x0d, for example: give a general explanation. Later, it was called "Give an example to illustrate the style of a book". See "Examples". \x0d penetrates the back of the paper: The original meaning of calligraphy is vigorous and powerful, and now it is also used to describe the vivid, profound and powerful poetry. \x0d flies like a dragon and flies like a phoenix. At first, it was described as bold and magnificent. Now describe it as lively and powerful. The word "Ping Shan Tang" says: "I haven't seen an old fairy for ten years, and the dragon and snake fly to the wall." \x0d Luan Piao Feng Bo: Luan: a legendary phoenix-like bird. Originally, calligraphy was described as chic and unrestrained, and it was also a metaphor for the separation of husband and wife in high flyers. \x0d Luan Xiang Feng Pin: Spread your wings and fly high. It is compared with the posture of Feitian calligraphy. \ Wang Xizhi wrote on the board, and the ink penetrated into the board three points deep), which is now described as profound and powerful in analysis, description and discussion. Hook: hook. Describe the vigorous and beautiful calligraphy.
7. Four-character idioms are suitable for calligraphy works with a long history.
Yang Lichang
It goes back to ancient times. Metaphor has a long history.
Tang Bai Juyi's "Epitaph of Mrs. Haizhou" Source: "The husband is long and the roots are deep."
Structural combination.
The usage is awesome Mostly used in the origin and origin of historical things. Generally used as predicate and attribute.
Pronunciation length; It can't be pronounced as "zh m: n ɡ mn ɡ".
Identify the source of the shape; Can't write "original".
Synonyms are endless, endless and endless.
The antonyms are rootless wood and passive water.
China has a history of 5,000 years. China culture can be described as ~.
8. Four-character idioms suitable for calligraphy learning are full of pen and ink: pen and ink are used very freely and fully.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: Huang Ting: The Taoist classic "Huang Ting Jing" is used by Jin people as a metaphor to do things just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan.
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. It also describes the lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon.