Tang Yin's most famous calligraphy work is undoubtedly Poems of Falling Flowers. The writing background of "Poems of Falling Flowers" is Shen Zhou, who is also a Wumen calligraphy school. He wrote 10 poems of falling flowers before. After seeing them, Tang Yin wrote 30 fallen petal poems.
Tang Yin wrote these 30 fallen petal poems for his friends many times before his death, and the order of each poem was slightly adjusted. The font is either regular script or cursive script. What we are most familiar with is undoubtedly a neatly written running script, among which the thirtieth song is Flowers Gone with the Wind.
We can mark the numbers (first, second ... thirtieth) at the end of each poem in the copybook when we write Poems of Falling Flowers. You can do the same when you encounter similar poetry copybooks in the future. After all, these copybooks are printed materials, not real originals, and we can write all kinds of necessary marks on them.
Tang Yin also has a handed down Zi Shu Ci Juan, which contains many poems written by Tang Yin and Yuan Qu School Ji Xianbin, Jin Gong Yizi and Shanpo Yang. The structure and composition of the brush are basically the same as those of the well-known fallen petal poems, which should be written at the same time. It's just that the paper copybook of Zi Shu Ci Juan is hard to find.
From Poems of Falling Flowers, we can see that Tang Yin's calligraphy methods are also very extensive: his regular script not only has elements of Tang Kai, but also has the shadow of Zhang Jizhi in the Southern Song Dynasty and Zhao Meng in the Yuan Dynasty. His running script is almost catching up with the two kings, especially his brushwork, which is greatly influenced by Wang Xun's Yuan Bo Post.