April 2009, Liuhe Cultural Club, Hangzhou, Zhejiang, "Wandering Everything-Chen Zhenlian Poetry, Calligraphy and Painting Printing Tasting";
In May 2009, Chen Zhenlian Calligraphy Exhibition, Dance of Lines, Hangzhou Boyi Art Museum, Zhejiang;
February 2009, China Art Museum, "Pursuing Meaning-Chen Zhenlian Calligraphy Exhibition". The exhibition is divided into two major themes:
(1) Viewing Position: Art and Aesthetics. Including four types, in order to see the richness of formal style and technique exploration.
1, "Bangshu Giant System-Construction of Flowing Modeling" conveys a new creation in the spatial structure of Chinese characters.
2. The New Rhyme of Gu Li-the Ancient Method in the Stagnant Rhythm shows the style and brushwork charm of Gu Li;
3. Various Bamboo Slips-Analysis and Deepening with a Pen reflects the decomposition and research on the brushwork of bamboo slips unearthed in the past century.
4. On the basis of rich techniques in cursive script, Heart of the Sage-Dance of the Lust Line strives to show the modal mind when waving.
(b) Reading position: academic and cultural. Including three types, pursuing academic and cultural significance.
1, "Record of Famous Teachers' Visits to Learn-Experience and Origin", recorded the precious memories left by Professor Chen Zhenlian when he contacted the masters in the form of calligraphy.
2. The History of Reading in Xiling-Work and Academics reflects the social history of Professor Chen Zhenlian's work and academic research in Xiling Publishing House.
3. Inscription on Inscriptions-Interest and Cultivation, focusing on ancient inscriptions, epitaphs, stone reliefs, bricks and tiles, and Wen Tao's inscriptions.