First, vertical
Stand upright like a crane's leg, write with the front exposed, cut the paper obliquely, and write clearly. The tip of the pen points to the left and the pen points down. Then pick up the pen and walk down until the tip at the end goes up to the left, then down to the right, and then recycle the pen up or leave the front with a hook.
Second, skim
Fine gold calligraphy is easy to practice, like a willow leaf or a sword. When putting pen to paper, the paper is cut obliquely, with the nib to the left, the pen holder to the right and thrown to the lower left. The strokes are from thick to thin, straight and sharp, making an angle of 45 with the horizontal plane.
Third, si
How to practice fine gold calligraphy? First start from left to right, then turn right and pick up the pen. When you reach the bottom, stop writing and get motivated. Then, force yourself to the right and pop out the tail. The bottom of the ending is flat, but there are also changes.
Fourth, choose
When putting pen to paper, Lu Feng cuts into the face, with the pen tip facing left and the pen holder facing right. From the bottom left to the top right, pick it out hard and fall like a sword. Compared with the position and writing on the left, it is faster to use a pen.
Xue Yao in the Tang Dynasty was the ancestor of Shoujin. Xue Yao studied Chu Suiliang. He was thin and hard, with a fine pen and a smooth structure, but he was more dangerous and slender than Chu Shu. Instead of imitating the Book of Chu step by step, he made full use of it, created something, became a habit and became the last stream of the Book of Chu. Preface to Shi Li's Summer Poems is Xue Yao's masterpiece and one of the inscriptions on the cliff of Shicong River.
Shicong River Cliff Stone Carving is the largest Cliff Stone Carving in Henan Province. It was carved on March 19th of the first year, and it is divided into two parts: Poems on Summer Vacation and Preface to Autumn Banquet. Both calligraphers are Xue Yao, whose calligraphy is thin and vigorous, and they are called "the father of thin gold body" by calligraphers of past dynasties. Xue Yao's calligraphy was later studied by Song Huizong, and finally created a unique "thin gold book" style.