The spring flowers in the courtyard are thin, and the flowers in the spring courtyard are thin. Chiri hates Yiyi, Yiyi hates sunchie. The dream returns to the oriole's tongue, and the oriole's tongue returns to the dream. If someone is ashamed, he will send you a message. If you are ashamed, he will send you a message. ——Song Dynasty·Su Shi's "Bodhisattva Barbarian Palindrome" Bodhisattva Barbarian·Palindrome Thin spring flowers fall in the leisure courtyard, thin spring flowers fall in the leisure courtyard. Chiri hates Yiyi, Yiyi hates sunchie.
Dreams come back to the orioles with tongues, and the orioles with tongues come back to their dreams. If someone is ashamed, he will send you a message. If you are ashamed, he will send you a message. Spring, women, longing for people Translation and annotations
Translation
In the season of falling flowers, there was a woman in the empty courtyard who was wearing very thin clothes. Wearing thin clothes, *** looked at the falling flowers in the open space of the courtyard. In the next few days, melancholy emerged in my heart, and the lingering melancholy was delayed day by day.
When I woke up from the dream, I only heard the singing of the oriole. The singing oriole returned to sleep due to exhaustion. When the person who brought the letter inquired by the way, *** lowered his head shyly, and *** who was shy asked someone to bring a reply. Creation background: In November of the third year of Yuanfeng (1080), Emperor Shenzong of the Song Dynasty, Su Shi was demoted to Huangzhou and "Dumen thanked his guests." After the winter solstice, he went to Tianqing to watch and exercise. After gaining nothing, he wrote this poem to praise his love for his late spring. . Appreciation
The first film uses the technique of transferring hatred to objects to describe the state of mind of "hate" for a long time in late spring when *** is empty in the courtyard missing her husband. Su Shi is good at using the natural seasons, external scenery and human body posture as the source of information for words, as a catalyst to stimulate the emotion of words and as a carrier to express the meaning of words. "The flowers fall in the spring courtyard, and the thin shirt is thin, and the flowers fall in the spring courtyard." It hurts people who are pregnant with spring. "Falling flowers" points out the season of Si Lang, "Xianyuan" depicts the loneliness of Si Lang staying in an empty house, and "Spring shirt is thin" shows that Si Lang feels cold when he misses him. This is a psychological reflection, which can only be conveyed through clothing. "The idle flowers fall" alludes to the scattered emotions when thinking about Lang. The words "Luo", "Xian" and "Bo" are used throughout, and ***'s sense of loneliness, isolation and annoyance is deepened layer by layer. "Chiri hates Yiyi, Yiyi hates it late." The last two sentences intensify this complicated feeling. Whether it is "hating" the love that is reluctant to leave, or "hating" the infatuation that is delayed in meeting each other, *** will continue to suffer day by day, and the days are like years.
In the next film, dreams and reality are reflected in each other to further describe *** Silang's infatuation and hatred. "The dream returns to the oriole's tongue, and the tongue-twisted oriole returns to its dream." Empathize with the oriole, and use the oriole's support to have a beautiful dream. When I woke up from the dream, I was overjoyed. It seemed that my husband had returned, and even Huang Ying kept talking day and night. Suddenly, reality became empty, and Huang Ying, who was fiddling with her tongue, was tired and disappointed, and had to fall asleep. *** One dream (fantasy) and one wake up (joy), the oriole performs one (joy) and one dream (sadness), reflecting each other, people understand the emotions of things, things understand human nature, the form is lingering, it is like a dream but not a dream. This means using a beautiful living environment to highlight the loneliness of ***. "If you are embarrassed, ask for mail, and if you are ashamed, ask for mail." From dream to reality, I asked the mailman to send me a letter. This kind of ending is evocative, and how long this "hate" lasts. Su Shi (1037-1101) was a writer, calligrapher, painter and gourmet in the Northern Song Dynasty. His courtesy name is Zizhan and his nickname is Dongpo Jushi. Han nationality, Sichuan native, buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). He had a bumpy official career throughout his life, but he was knowledgeable and talented. He was excellent in poetry, calligraphy and painting. His writing is unbridled, clear and fluent. Together with Ouyang Xiu, he is called Ou Su, and he is one of the "Eight Great Masters of the Tang and Song Dynasties". His poetry is fresh and vigorous, good at using exaggeration and metaphor, and his artistic expression is unique. He is also called Su Huang together with Huang Tingjian. He started a bold and unrestrained school and had a huge influence on later generations. Together with Xin Qiji, he was called Su Xin. He was good at calligraphy in running script and regular script. He could create his own ideas. His pen was rich and ups and downs, and he had an innocent taste. He was called Song Dynasty together with Huang Tingjian, Mi Fu and Cai Xiang. The four schools have the same painting studies and literature, advocate spiritual similarity in painting, and advocate "scholar painting". He is the author of "The Complete Works of Su Dongpo" and "Su Dongpo Yuefu".
Su Shi Lin Huafa arrived at the port, and his complexion moved Jiangxin. This night, the moon is in the middle of the river, and the flowers are blooming in spring. It is clear that in the stone pool, it is suitable to take photos of Huansha people. If you pay pity to Yaopei, it will be difficult for the fairy concubine to return to her old age. The green river is sinking in the evening, and the blue clouds are melancholy. When the flowers come to the moon for the first time, it is said to be the time to play with beads.
——Tang Dynasty·Zhang Zirong's "Two Poems on the Spring River with Flowers and Moonlight Night"
Two Poems on the Spring River with Flowers and Moonlight Night
Tang Dynasty: Zhang Zirong
Lin Huafa arrived at the port, and her complexion moved Jiang Xin.
This night the moon is shining in the river, and the flowers are blooming in spring.
It is clear that in the stone pool, it is suitable to take care of the people in Huansha. In spring, describe the scene, tell the story, express the melancholy, the grass is green and the island is green, and the kings and suns are reluctant to swim. At the beginning of his youth, he wore a crown and a belt, and his style and style were old. Wild flowers are blooming, spring pond water is flowing turbulently. I wish you pity Xiao Ruan, but you should think of leaning on the door and feeling sad. ——Li Jiayou of the Tang Dynasty "Send Wang Mu to Jizhou to pay a visit to the king's uncle"
Send Wang Mu to Jizhou to pay a visit to the king's uncle. The thin grass is green on Tingzhou, and Wang Sunnai can swim lightly.
The crown and belt of the early years, the old bow and fur of style.
Wild flowers bloom and spring pond water flows turbulently.
I wish you pity Xiao Ruan, and you should think of Yimen and feel sad. In spring, we are not yet young when we say farewell to the new year, but we are surprised to see grass buds in early February. The white snow is too late for spring, so it flies through the trees in the garden. ——"Spring Snow" by Han Yu of the Tang Dynasty
Spring Snow Even though there is no youth in the new year, I was surprised to see grass buds in early February.
The snow is too late for spring, so it flies through the trees in the garden. Writing about snow in spring