The dragon snake at the bottom of the pen, Mo Miao with a fine brush, the dragon snake with a pen, the swallow tail of a silkworm head, hiding its head and protecting its tail, sinking and being happy, being calm and happy, being a beginner in graffiti, experiencing ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragons and dancing phoenixes, being full of strength and strength, being a phoenix, being a phoenix, dancing dragons and dragons, and being a phoenix. Strong bones and abundant muscles, thirst for galloping to the spring, thirst for galloping to the spring with anger, thirst for deer galloping to the spring, stress on paper backing, learning books in the clinic, willow bones and tendons, dragon and phoenix dancing, dragon and snake flying, dragon and snake flying, dragon stretching and bending, dragon jumping and tiger lying, Rowen tiger Zhen, Rowen tiger Zhen, Long Qi. Thirsty horse running to the spring, angry and thirsty horse riding, flying high, floating like a cloud, playing in the sea with a crowd, painting sand like a cone, getting into the wood, writing a good book without choosing paper and pen, Tang Linjin posting, iron painting silver hook, spitting jade hook silver, Wang Yang wantonly, Wang Yang Hongsi, Wang Yang wantonly, literary talent Binghuan, writing fenglei, Xianlu. You can't learn the sword, Yan Jia is hungry, Yan Gu Liu Jin, Yan Jin Liu Gu, Yan Jing Liu Gu, a word to see the heart, a silver hook tail, a silver hook iron painting, a silver hook jade spit, a cloud that scares the dragon, a right army habit, Yu Chu Ou Yan, a subtle painting of the spring breeze at the end of the pen, a fine pen Mo Miao, a horizontal posture of pen and ink, a unique face, and an informal rope ink. Click on the screen to become a fly, point to draw characters, carve ice and paint fat, spread on the east and spread on the west, fight for celebrities, break pipes and sink, break pipes and sink, break porridge, break ruler, break inch paper, white and black, white and black, and steep style. Painting shadow graphics, painting fat and carving ice, poems in paintings, writing freely, writing freely, vivid colors and fragrance, difficult fire, three hairs on cheeks, picturesque mountains and rivers, golden pot of ink, gold-inscribed jade pheasant, carved pheasant, salt-free, Abrupt Xi Shi, thunder and lightning, vivid, vivid, writing into a fly, buying a king's sheep, eyebrows and eyebrows, depicting ghosts, skillful painters, understanding picturesque, modeling mountains and rivers, rubbing appreciation, arranging pipes, breaking walls and flying away, playing chess and painting, like Five days and one stone, fine ink sucking, dense and well-organized, Tang Linjin paste, body planning circle, iron painting silver hook, Wu Daidang wind, writing wind and thunder, letter graffiti, letter graffiti, chest gully, well-thought-out, embroidered carving, eyebrows, rendering contrast, rolling work, 2. The idiom praising Chinese painting
lifelike
xǔ xǔ rú shēng
[interpretation] describes vivid images; Just like the living. Vivid: a lively appearance; Health: alive.
[out] Qing Wu Jianren's Secret of Getting Rich: "That man is as big as a jujube stone; The head is like a mung bean; Hands are like two sesame seeds; But doing it urgently; Lifelike. "
[Pronunciation] signs; It can't be pronounced "y incarnation".
[shape discrimination] students; Can't write "l".
[near meaning] Be vividly portrayed
[antonym] Dying, half dead and lifeless
[usage] Used as a compliment. It is often used to describe the artistic image in sculpture or literary and artistic works. Generally used as predicate, attribute and adverbial.
[structure] is too formal.
[Example] In the large clay sculpture Rent Collection House; The image of a peasant who resists the exploitation and oppression of the landlord class is shaped.
[English translation] like real life 3. What are the words to describe the painter
Original publisher: * * Asia
Words to describe painting and calligraphy works Part 1: Words to describe painting and calligraphy works are natural, interesting and unique. Their extraordinary talent is like water bursting its banks, which is unstoppable. There is no way to draw a sad picture with infinite hands. The brushwork is like spinning silk in spring. Fine feelings. Sprinkle ink with heavy pen, and make a simple outline, which is beneficial to the clumsy and big. The hills and valleys are hidden in the chest, and the brushwork is full of charm. The charm gives birth to a new chapter of Huacai Dragon Ink Dance. The charm is vivid and beautiful in the ink. The artistic conception is far-reaching and subtle, and the charm is vivid and vivid. Part 2: Words describing calligraphy and painting works describe the structure of words: strange and dangerous, flexible, effective in scaling and vivid. Describe the form of the word: fresh and elegant, vigorous and powerful, penetrating the back of the paper, beautiful and tall, graceful and graceful, casually laying out the situation, not wearing a shirt or shoes, having both Fiona Fang and one stroke, if you look at it, you will get rid of the horse and fly away; Another example is the dragon flying in the sky. It comes from emptiness and returns to emptiness. Describe it with a pen: flowing water; Swing freely; Dongda jumped down; Combine rigidity with softness; The Tibetan front is slightly exposed, and the exposed front is also subtle. The pen-hanging place comes to an abrupt end, like a sharp knife, and the pen-hanging place has a positive side, or curved or straight; The press is clear, and the tie is strong; It's also thick and slim, and it's neither naughty nor violent, and it's also middle and side, and it's not dry and moist. The pen and ink are used freely and fully. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake leap in the pen. Describe the vigorous and free-spirited brushwork of calligraphy. Also write for the conductor. Huang ting: Huang ting: Taoist classic Huang ting Jing, and Jin people have a small regular script of Huang ting Jing. In the old days, there was an idiom to comment on calligraphy, which was just right when Huang Ting was first written. Later used as a metaphor to do things just right. Spring earthworm and autumn snake: a metaphor for poor calligraphy, bending like the tracks of spring earthworm and autumn snake. The sword was drawn from its sheath and the bow was opened. Describe the tense situation, explosive. Later, it also means that calligraphy is vigorous and imposing. For example, Zuo Qiuming wrote a biography of the Spring and Autumn Annals, and put 4. Idioms describing art
Chinese idioms to fully reflect the art forms of the Han nationality, such as painting, music, dance, opera and calligraphy.
in painting. The idiom "have a plan in mind" means that Wen Tong, a painter of the Song Dynasty who is famous for painting bamboo, had a complete idea before he put pen to paper, which is used to describe that he had a plan in mind before he did things.
"A rabbit starts to fall" describes the agility of writing in order to capture the image when painting (later referred to as writing). "Big ink" means that painting should start from the main place.
"Two-pronged approach" originally refers to the stunt that Zhang Cao, a famous painter of pine painting in the Tang Dynasty, can wield two pens at the same time, and it also refers to two things being done at the same time. "handy" describes skillful skills.
"Poetry in painting" describes Wang Wei's paintings in the Tang Dynasty as poetic. "Clouding the moon" refers to painting (later also refers to composition) when it is touched and dyed from the side.
"Make the finishing point" refers to the key pen and ink in painting (later also refers to writing). In addition, there are idioms such as "painting a snake to add feet", "painting a tiger dog" and "painting fat to carve ice", which are used to ridicule the clumsiness of painting, or to laugh at their futility and even self-defeating.
Idioms are also inextricably linked with music culture. In ancient China, the musical rhythm was very subtle, and there were "five tones" and "six rhythms".
"Five Tones" refers to the characteristic feather of Gong Shang angle, which is similar to 123456 on the notation. The idiom "tone-deaf" means that people don't understand music at all.
"changing one's palace and changing one's feathers" means changing the tune of music, and it also means that the content of things has changed. "Attract merchants to carve feathers" refers to mastering the solemn music law.
originally, "law" refers to twelve different length pipes used to set the standard tone, with Huang Zhong and Da Lu as the first two laws. The idiom "Huang Zhong Da Lv" describes the grandeur, solemnity and mystery of melody or language.
"Huang Zhong destroys and abandons" means that a talented person is not appointed. From the idioms such as "silk and bamboo orchestral string", "flute playing", "golden stone stringed silk", "harps don't tune", "bells and drums chime", "Qin Zheng Zhao Se" and "Sheng Qing Tong", we can know that ancient Chinese musical instruments include plucked instruments such as "Qin" and "Se".
Idioms such as "Huang Zhong Da Lu", "A piece of palace merchants", "Including the sign of merchants' mouths", "Carving feathers by attracting merchants", "Changing merchants' feathers" and "Five Tones and Six Rhythms" record the unique musical theory of ancient China and the palace tune theory formed from it. There are also idioms such as "Qi Zhong Wei Gu", "Qin Zheng Zhao Se" and "Chu Si Yan Ge" which reflect the regional characteristics of ancient Chinese music life. "Yangchun Baixue" and "Xialiba people" recorded the ancient music tracks, while "great sounds and sounds", "sounds beyond the strings" and "lingering sound" reflected the ancient people's pursuit of the musical realm, "the voice of Zheng Wei" and "lingering sound". "Striving for the strings" and "Sorrow for the Bamboo" reflect the effects of different music played by ancient silk and bamboo music; "Striving for the strings", "Playing the bamboo with silk" and "beating gongs and drums" show the different playing methods of different musical instruments; and "Qin Xin Jian Dan", "Qin Broken Zhu Xian", "Qin Song and wine Fu" and "Qin and instrument in harmony" show that ancient Chinese people originated from music.
There are also operas, dances, calligraphy, seal cutting, painting, etc. Like music, we can learn their basic features systematically and completely from idioms. In addition, the idioms "rubber-column drumming", "fiddling", "the room is like a cantilever", "copper-clad iron plate", "anxious pipe playing the string", "mourning for the bamboo" and "breaking the golden stone" respectively use the names and categories of some musical instruments, and also describe the morphological structure and playing characteristics of some musical instruments, which are not mentioned here.
As for "one board and three eyes" (also called "one board and three eyes"), it refers to the beat of traditional Chinese opera music after the Ming and Qing Dynasties. This idiom means that words and deeds are orderly, and sometimes it means that things are rigid. Huangzhong is a percussion instrument in ancient China, which is mostly used in temples. Therefore, the idiom "Huangzhong Wafu" is used to describe literary works with high or low artistry, "Huangzhong destroys and abandons" is used to describe talents and talents, and "Huangzhong Dalu" describes solemn, fair, harmonious and mysterious music or words.
Calligraphy is the art of writing Chinese characters with a brush. It is a special art gradually formed under the long-term application and development of calligraphers' aesthetics. Calligraphy is one of the excellent traditional cultures of the Chinese nation, which has not only the practical value of language, but also the value of artistic appreciation.
Many idioms in Chinese reflect the art of calligraphy, or they are metaphors of brushwork, style, or their quality. Such as: while the dragon and the phoenix dance, tense, iron-painted silver hooks, the first writing of Huangting, willow bones and tendons, spring worms and autumn snakes, letter graffiti.
Another example is the idiom "step by step", which originally means that when writing an article, the structure is properly arranged, and the words and sentences are standardized; "A thousand miles in length" means that a picture or poem is short in length, but extremely rich in content and far-reaching in artistic conception; "Setting off the clouds to support the moon" originally refers to a technique of rendering clouds to set off the moon when painting, and later refers to a technique of expressing the subject or theme by shading or describing it from the side when painting or writing. "Skinness in the Suburb" is a generalization of a certain artistic conception and style of poetry. "Parallel four wives and six wives" refers to the dual parallelism of sentences with four or six words in parallel prose prevailing in the Six Dynasties. "One word, one bead" is a metaphor for singing and spitting words clearly, tactfully and roundly, and it is also a metaphor for the essence of poetry writing; "Luan Piao Feng Bo" describes the pen gesture of calligraphy. "The sword is running high" and "getting to the point" describe the forceful and vigorous calligraphy with profound skill.
The idioms "wear out the inkstone" and "never stop waving" describe the hard work and perseverance in practicing calligraphy. "Tie Hua Yin Gou" describes the vigorous and vigorous calligraphy.
Idioms such as "the dragon dances like a tiger", "the dragon dances like a phoenix", "the snake flies like a dragon" and "the beautiful woman dances like a flower" are all used to describe the beauty and vividness of calligraphy. As for the idiom "spring worm and autumn snake", it is a metaphor for the poor calligraphy.
There are indeed countless idioms like this. Literature and art: amazing, Wei made up three marvels, wonderfully excelling in astronomical geography: vast territory and vast resources, sparsely populated, high-altitude politics and military affairs: strategic planning, high-spirited, and soldiers are not tired of cheating. Etiquette and customs: courtesy and courtesy, courtesy and reciprocity, three cardinal guides, food, clothing, housing and transportation: stretched, ragged, hungry and cold, full of warm clothes, 5. The words describing art
are vivid and vivid: it means that the characters depicted in good literary and artistic works are vivid and lifelike; A Du: The spoken language of the Six Dynasties, that is, this and this. Describing people with pictures or words can get their spirit.
ecstasy and transformation: refers to the magical realm. Extremely superb realm. Describe the achievement of literature and art.
vivid portrayal: refers to the vivid characters depicted in beautiful literary and artistic works; Portrait: portrait. Describing people with pictures or words can be vividly depicted.
originality: ingenious mind. Have a unique and ingenious mind. Refers to creativity in skill and art.
dazzling: dazzling. Describe bright and dazzling. It is also used to describe the great achievements of some works of art and artistic images.
uncanny workmanship is made by ghosts and gods. Describe the superb artistic skills, which are beyond the reach of human beings.
Crown Garden of Painting Garden: a meeting place, which mostly refers to the academic and artistic concentration place; Crown: the crown of the crown is the first metaphor. Occupy a first-class position in the art world.
Ji Guang, the feather of Jiguang Phoenix, and Hairy Feather of Phoenix. Metaphor art treasures.
Good workers painstakingly describe the works of outstanding artists, and they all put great efforts into the creation process. It also refers to good intentions.
the technique of describing works of art with a perfect pen is very wonderful.
Good mind and dexterity, quick mind and skillful craftsmanship. Describe the unique performance of skilled craftsmen in artistic conception and technique. It also refers to intelligence and cleverness.
rendering by contrast: a painting method of Chinese painting; Contrast: the painting method of Chinese painting, which makes things distinct by contrast. Refers to highlighting the theme by setting off and exaggerating artistic techniques.