Four Poems of Wen Tianxiang Shogunate: Main Introduction

According to the records of Luling county annals, arts and literature annals and Jinshi in Qing Dynasty, there are four quatrains of the shogunate: 1, a song urging flowers to beat the cool of Iraq, and the sound of the drums is loud and the music is endless. Outside the pavilion, there is a morning tiger riding, and flowers are dancing and fragrant. 2, who pity wild cranes for a long time, be a poor spring and eternal dust. Who will Xiangyang come back to worship under the bed tomorrow? 3. The day after the moonlit phoenix rain ... (that is, the poem Shantou Collection). 4, Jiang Heiyun cold seal water city, hungry soldiers vigil and repeatedly surprised. At this time, I am comfortable under the eaves, listening to the sound of wind and rain. It was made by Wen Tianxiang when he was in charge of Lingnan. At that time, he opened a mansion in eastern Guangdong, and many old friends asked him for poems. So the title of this gift was not worked out at the moment, but the specific date of the book was ominous. The original poem was engraved in the hometown of Wu in eastern Guangdong. In the first year of Xianfeng in Qing Dynasty (185 1), Luling miners traveled in eastern Guangdong harmoniously, saw the original work and hurried back to China. Fu and others copied the stone. Four screens and four poems are a group of rare calligraphy masterpieces. The calligraphy collected in Shantou is similar to the existing stone carvings in Wen Tianxiang's hometown. Whether it is original or not needs further research. Because the four poems of Luling Stone Carving were shot, Zhengqi was published in the first issue, which is the same as the poems and ink collected in Shantou. Shantou collects poems, the content is: the night sky and moonlight are bleak, and the bitter rain sweeps the buttonwood. Before the night light, crickets (also called winding weft) are humming. Who is sorry for me, who is sitting in Qingyuan ancient temple, I write a letter home alone. It's late at night, I haven't slept yet? This poem reflects the tragic mentality of being lonely and loyal to the Yuan Dynasty and "writing letters from home alone" under the crisis of broken mountains and rivers. It also reflects the relationship between Wen Gong and the ancient temple. He often goes to the temple to worship Buddha and has a deep friendship with the abbot. It also inscribed the plaque of "Qingyuan Temple", which has been passed down to this day.